G\u00fcnl\u00fck -maddi- ya\u015fama imk\u00e2nlar\u0131m\u0131z\u0131n her an biraz daha daral\u0131p, tahamm\u00fcl\u00fcn \u00e7emberini bir par\u00e7a daha s\u0131k\u0131\u015ft\u0131rd\u0131\u011f\u0131 bir anda, tabiat\u0131yla her \u015fey sadece maddi ihtiya\u00e7lar y\u00f6n\u00fcnden g\u00f6r\u00fclecek, her kalem a\u00e7l\u0131\u011f\u0131n ac\u0131s\u0131n\u0131 yazacak, her fikir maddi s\u0131k\u0131nt\u0131n\u0131n iniltilerini yapacakt\u0131r. Fakat b\u00fct\u00fcn bu darla\u015fan, imk\u00e2n ve kar\u015f\u0131l\u0131\u011f\u0131 bulunmayan ihtiya\u00e7lar kar\u015f\u0131s\u0131nda as\u0131l b\u00fcy\u00fck kay\u0131p, ne yaln\u0131z pirincin kilosu ne de yaln\u0131z ya\u011f\u0131n kalitesi de\u011fil, fakat fikir adamlar\u0131m\u0131z\u0131n ayar\u0131d\u0131r…<\/p>\n
Kaybetti\u011fimiz ve yerine getirilmesi en g\u00fc\u00e7 olan, b\u00fct\u00fcn bu hayat girdi \u00e7\u0131kt\u0131s\u0131nda kendi pay\u0131na hi\u00e7bir \u015feyi d\u00fc\u015f\u00fcn\u00fclmeyen, kendisine hi\u00e7bir yer ayr\u0131lmayan fikir adamlar\u0131m\u0131z\u0131n, yani yaln\u0131z sanatla beslenen ve fikirden ba\u015fka bir geliri, bir sermayesi olmayan sanat\u0131n kendisidir. Devletin radikal tedbiri fasulyenin fiyat\u0131n\u0131 d\u00fc\u015f\u00fcrebilir. Fakat bug\u00fcn\u00fcn bu salg\u0131n hayat kavgas\u0131nda kendi pay\u0131 unutulan, kendisine art\u0131k ya\u015famak ve nefes almak hakk\u0131 bulamayan fikir adam\u0131 ne yap\u0131yor? Hangi b\u00fcy\u00fck de\u011fi\u015fiklik ona, bir defa kaybolan, kalitesini d\u00fc\u015f\u00fcrd\u00fc\u011f\u00fc ayar\u0131na tekrar geri getirebilir?<\/p>\n
Hakikatte memleketimizin ge\u00e7mi\u015f zamanlar i\u00e7inde ge\u00e7irdi\u011fi en ac\u0131 buhran tecr\u00fcbeleri, her vakit onlar\u0131n hayat\u0131nda neticesi \u00e7ok uzaklara giden kati \u015fekiller yaratmam\u0131\u015ft\u0131r. On dokuzuncu asr\u0131n ortalar\u0131ndan b\u00fcy\u00fck sava\u015f ve sonra b\u00fcy\u00fck sava\u015f\u0131n ard\u0131nda yeni d\u00fcnya kar\u0131\u015f\u0131kl\u0131\u011f\u0131na gelinceye kadar, bir asra yak\u0131n bir zaman i\u00e7inde, Avrupa daima devaml\u0131 veya kesik buhranlar\u0131n i\u00e7inde y\u00fczm\u00fc\u015f, hi\u00e7bir vakit s\u0131n\u0131flar, iktisadi \u015fartlar ve imk\u00e2nlar \u00f6n\u00fcnde ayn\u0131 derecede haklara ve vas\u0131flara eri\u015fememi\u015f, daima bir ya\u015fama buhran\u0131 s\u0131n\u0131flar\u0131 birbirine, milletleri yekdi\u011ferine sald\u0131rtm\u0131\u015ft\u0131r. Fakat b\u00fct\u00fcn bunlar b\u00fcy\u00fck \u00e7apta insan fikrinin ayn\u0131 derecede \u00e7ukurlu ve k\u0131s\u0131r \u00e7a\u011flar\u0131n\u0131 beraber getirmi\u015f de\u011fildir. Bilakis: On dokuzuncu as\u0131r Avrupa\u2019s\u0131nda, ba\u015fta Fransa olmak \u00fczere, edebiyat, felsefe ve sanat, her millet i\u00e7in \u00e7ok zengin ve kuvvetli bir yaratma devri g\u00f6rm\u00fc\u015f, bilhassa tarih ve felsefe -fikrin bu en ileri ve \u00fcst\u00fcn iki mahsul\u00fc- bu yarat\u0131c\u0131 devrin en olgun iki eseri olmu\u015ftur.<\/p>\n
B\u00fcy\u00fck Sava\u015f\u2019ta, milletlerin ayn\u0131 derecede s\u0131k\u0131nt\u0131 ve mahrumiyeti \u00e7etin bir imtihan devresi oldu. Orada da siyah ekmek talihsiz s\u0131n\u0131flar\u0131n biricik nasibi, soyulmak, en y\u00fcksek ve debdebeli kelimeler aras\u0131nda bin bir gizli oyuncu vas\u0131ta ile sadece kendi insan\u0131n\u0131, kendi memleketinin \u00f6z evlad\u0131n\u0131 kemiren bir s\u0131n\u0131f elinde, her \u015feyinden, ahlak\u0131ndan, iman\u0131ndan, kazanc\u0131ndan, eme\u011finden ve son mal\u0131 olan ailesinden olmakt\u0131… B\u00fct\u00fcn bunlar ya\u015fand\u0131. Ve h\u00e2l\u00e2 o devrin hat\u0131ralar\u0131, ruhlar\u0131n en \u00fcz\u00fcnt\u00fcl\u00fc ve korkulu yer alt\u0131 intibalar\u0131n\u0131 te\u015fkil eder. Ve h\u00e2l\u00e2, eserlerde ya\u015far…\u00a0 Fakat o y\u0131llar i\u00e7inde duyan ve \u0131st\u0131rap \u00e7eken bir s\u0131n\u0131f, i\u00e7iyle ya\u015fayan bir s\u0131n\u0131f vard\u0131… \u0130sterseniz o devrin edebiyat, felsefe ve fikir sahas\u0131nda verdi\u011fi eserlere, yaratt\u0131\u011f\u0131 k\u0131ymetlere bak\u0131n\u0131z… \u0130stanbul\u2019da \u201cDerg\u00e2h\u201d, sokaklar\u0131nda d\u00fc\u015fman g\u00f6lgelerinin gezdi\u011fi, denizi \u00fcst\u00fcnde y\u0131lan gibi d\u00fc\u015fman harp gemilerinin s\u00fcz\u00fcld\u00fc\u011f\u00fc bir hava i\u00e7inde \u00e7\u0131km\u0131\u015ft\u0131. Yahya Kemal en nefis yaz\u0131lar\u0131n\u0131 o m\u00fcbarek sayfalara bir nak\u0131\u015f gibi i\u015fledi. Mustafa \u015eekip orada en taze ve ruhlu ilk yaz\u0131lar\u0131n\u0131 verdi. Necmettin Halil gibi \u015fairler orada ac\u0131kl\u0131 talihsiz g\u00fcnlerinin derin melal ve yer yer \u00fcmit duygular\u0131n\u0131 seslendiler…<\/p>\n
Halbuki: On senedir en tok devrimizi ya\u015fad\u0131k, fikir adam\u0131m\u0131z yoktu, \u015fairimiz yoktu. Midesinin \u00fcst\u00fcne hazin bir rehavetle \u00e7\u00f6ken bu haz\u0131m uyu\u015fuklu\u011fu fikirlerin rengini ald\u0131. Hislerin derinli\u011fini y\u0131kt\u0131. Etli ve kemikli bir edebiyat veya etinden ve k\u00f6k\u00fcnden kopar\u0131l\u0131p sinir u\u00e7lar\u0131 ile ya\u015fayan bir \u015fiir, ve nihayet hepsinden fenas\u0131, kendisiyle beraber ba\u015fkalar\u0131n\u0131 aldatan, sahte bir fikir havas\u0131 i\u00e7inde memleketi -kendisinden hi\u00e7 hayat damlas\u0131 ta\u015f\u0131mayan ham, soysuz cereyan ve hareketlerle- oyalay\u0131c\u0131 bir felsefe ve ilim g\u00f6steri\u015fi, do\u011fdu, b\u00fcy\u00fcd\u00fc… Bu, b\u00fct\u00fcn manas\u0131yla toklu\u011fun edebiyat\u0131 idi.<\/p>\n
\u015eimdi ayn\u0131 adam s\u0131k\u0131nt\u0131 ve mahrumiyet i\u00e7inde didinen, kendini yiyen, kendi talihsiz \u00f6mr\u00fcn\u00fcn derin ve anlay\u0131\u015fs\u0131z \u0131st\u0131rab\u0131yla k\u0131vranan bir cemiyet ortas\u0131ndad\u0131r. Fakat kal\u0131n bir z\u0131rhla \u00e7evrilmi\u015f, h\u00e2l\u00e2 sahte fikirlerin, h\u00e2l\u00e2 \u00e7al\u0131nma \u00e7\u0131rp\u0131lma, o sat\u0131l\u0131\u011fa \u00e7\u0131kan posa halinde ilimlerin eli \u00e7abuk, h\u00fcnerli bir sat\u0131c\u0131s\u0131ndan daha \u015ferefli rol\u00fc almaya kuvvet bulamamakta.<\/p>\n
\u201cBa\u011f\u201d\u0131n n\u00fcshalar\u0131n\u0131 elime ald\u0131\u011f\u0131m vakit ilk duda\u011f\u0131ma konan ac\u0131 serzeni\u015f bu oldu:<\/p>\n
\u201cH\u00e2l\u00e2 d\u00fcnden bir \u015fey bekliyorsun. H\u00e2l\u00e2 sayfalar\u0131nda ge\u00e7mi\u015f isimler i\u00e7in \u015feref s\u00fctunlar\u0131 ay\u0131r\u0131yor, h\u00e2l\u00e2 kendi \u00f6z ve samimi eme\u011finin \u00fcst\u00fcne ba\u015fkalar\u0131n\u0131n etiketini koyuyorsun. Fakat bug\u00fcn\u00fcn derin hayat ac\u0131lar\u0131n\u0131 senden ba\u015fka kimse duymuyor ve senden ba\u015fka hi\u00e7 kimse anlamayacakt\u0131r.<\/p>\n
\u201cOnlar tok, onlar bitti… Sen kendi y\u00fck\u00fcnle bir ba\u015f\u0131na kendi kendinesin ve kendi taht\u0131n\u0131 kendin yapacaks\u0131n… Belki kar\u015f\u0131l\u0131\u011f\u0131 a\u011f\u0131r bir s\u00fckutla \u00f6denecek. Fakat gen\u00e7 kafalar gene d\u00fc\u015f\u00fcnmek istiyor. Gene ruhlar bo\u015falmak istiyor.<\/p>\n
\u201cAs\u0131l ac\u0131 \u015fey bu ki, onlar da d\u00fc\u015f\u00fcnd\u00fckleri ile de\u011fil sayfalar\u0131nda te\u015fhir ettikleri \u015f\u00f6hretlerle iftihar duyma tehlikesine ka\u00e7\u0131yorlar. Duydu\u011fu ile de\u011fil doldurabildi\u011fi s\u00fctunlar\u0131n \u015fi\u015fkin sayfalar\u0131yla \u00f6zeniyorlar…\u201d<\/p>\n
(BA\u011e<\/em>, Ayl\u0131k Sanat ve Fikir Mecmuas\u0131, \u0130zmir 1942, Cilt I, Say\u0131 11-12, s.5-6.)<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" G\u00fcnl\u00fck -maddi- ya\u015fama imk\u00e2nlar\u0131m\u0131z\u0131n her an biraz daha daral\u0131p, tahamm\u00fcl\u00fcn \u00e7emberini bir par\u00e7a daha s\u0131k\u0131\u015ft\u0131rd\u0131\u011f\u0131 bir anda, tabiat\u0131yla her \u015fey sadece maddi ihtiya\u00e7lar y\u00f6n\u00fcnden g\u00f6r\u00fclecek, her kalem a\u00e7l\u0131\u011f\u0131n ac\u0131s\u0131n\u0131 yazacak, her fikir maddi s\u0131k\u0131nt\u0131n\u0131n iniltilerini yapacakt\u0131r. Fakat b\u00fct\u00fcn bu darla\u015fan, imk\u00e2n ve kar\u015f\u0131l\u0131\u011f\u0131 bulunmayan ihtiya\u00e7lar kar\u015f\u0131s\u0131nda as\u0131l b\u00fcy\u00fck kay\u0131p, ne yaln\u0131z pirincin kilosu ne de […]<\/p>\n","protected":false},"author":908,"featured_media":15492,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[185,1464,221,28],"tags":[237,1791,238,1790],"class_list":["post-15491","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-148-sayi","category-dosya","category-felsefe","category-sosyal-bilimler","tag-felsefe","tag-fikir","tag-tarih","tag-ziya-somar"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t