{"id":16161,"date":"2016-03-01T17:06:35","date_gmt":"2016-03-01T15:06:35","guid":{"rendered":"http:\/\/109.232.216.219\/~bilimvegelecek\/?p=16161"},"modified":"2018-01-08T17:07:16","modified_gmt":"2018-01-08T14:07:16","slug":"askin-ve-matematigin-ayinleri","status":"publish","type":"post","link":"https:\/\/bilimvegelecek.com.tr\/index.php\/2016\/03\/01\/askin-ve-matematigin-ayinleri","title":{"rendered":"A\u015fk\u0131n ve matemati\u011fin ayinleri"},"content":{"rendered":"

Yaz\u0131n\u0131n ba\u015fl\u0131\u011f\u0131, orijinali Rites of Love and Math<\/em> olan erotik bir k\u0131sa filmin ad\u0131. Filmin senaryo yazar\u0131 ve ba\u015f akt\u00f6r\u00fc California \u00dcniversitesi\u2019nden matematik\u00e7i Edward Frenkel. Ge\u00e7en ay Bilim ve Gelecek\u2019te yay\u0131mlanan Nazan Mahsereci\u2019nin Frenkel\u2019la yapt\u0131\u011f\u0131 s\u00f6yle\u015finin ba\u015fl\u0131\u011f\u0131nda yer alan \u201cHerkes matemati\u011fin g\u00fczelli\u011fini g\u00f6rmeli\u201d s\u00f6z\u00fcn\u00fcn izini s\u00fcr\u00fcyor film. Matematiksel tutkuyla a\u015fk\u0131n ate\u015finin ad\u0131m ad\u0131m bulu\u015fmas\u0131n\u0131 erotik bir pencereden bakarak adeta herkese g\u00f6stermek istemi\u015f Frenkel.<\/p>\n

\"\"Galas\u0131 2010\u2019da ger\u00e7ekle\u015fen Rites of Love and Math<\/em>, her \u015feyden \u00f6nce \u00f6nemli matematiksel ara\u015ft\u0131rmalar\u0131n sahibi aktif bir matematik\u00e7inin senaryosunu yazmas\u0131 ve ba\u015frolde oynamas\u0131 bak\u0131m\u0131ndan olduk\u00e7a ilgin\u00e7.<\/p>\n

Edward Frenkel, filmde \u201ca\u015fk\u0131n form\u00fcl\u00fcn\u00fc\u201d ke\u015ffeden bir matematik\u00e7iyi canland\u0131r\u0131yor. Ke\u015ffiyle gururlanan matematik\u00e7i, sonras\u0131ndabuldu\u011fu form\u00fcl\u00fcn \u00a0\u201cinsanl\u0131\u011fa kar\u015f\u0131 bir silah\u201d olarak kullanacak k\u00f6t\u00fc g\u00fc\u00e7lerin eline ge\u00e7mesini engellemeye \u00e7al\u0131\u015f\u0131yor. Filmin doruk noktas\u0131 matematik\u00e7iyle gizli sevgilisi Mariko\u2019nun son kez bulu\u015ftuklar\u0131 sahnede ger\u00e7ekle\u015fiyor. Film boyunca zaman zaman h\u0131zlanarak \u00e7alan ve adeta matemati\u011fe adanm\u0131\u015fl\u0131\u011f\u0131 anlatan Wagner\u2019in Tristan\u2019\u0131 yerini elektrogitar karma\u015fas\u0131na b\u0131rakt\u0131\u011f\u0131nda, iki sevgilinin g\u00f6zleri birbirine kilitlenmi\u015f, matematik\u00e7i k\u00f6t\u00fc g\u00fc\u00e7lerin eline d\u00fc\u015fmemek i\u00e7in \u00f6l\u00fcme haz\u0131rlanmaktad\u0131r. Amac\u0131, \u00f6ld\u00fckten sonra ke\u015ffinin g\u00fcvende kalarak ya\u015famas\u0131d\u0131r. Bunun i\u00e7in form\u00fcl\u00fc, sevgilisine yan\u0131ndan bir daha hi\u00e7 ay\u0131ramayaca\u011f\u0131 \u015fekilde emanet edecektir. Bu s\u0131ra d\u0131\u015f\u0131 emanet, sevgiliye s\u0131ra d\u0131\u015f\u0131 bir yolla b\u0131rak\u0131l\u0131r, ke\u015ffini sevgilisinin bedenine tutku ve matematik \u00e7\u0131lg\u0131nl\u0131\u011f\u0131yla d\u00f6vme \u015feklinde yazar. Daha fazla ayr\u0131nt\u0131ya girmeden bu sahneyi ve filmin devam\u0131n\u0131 izleyicilere b\u0131rakal\u0131m.<\/p>\n

\u201cPeki, ama kad\u0131n kim? Bu soruyu Frenkel, filmini yorumlarken Japonca\u2019da hakikat anlam\u0131na gelen Mariko i\u00e7in soruyor ve \u015f\u00f6yle yan\u0131tl\u0131yor: \u201cKafam\u0131zda canland\u0131rd\u0131\u011f\u0131m\u0131z mistik d\u00fcnyada o, Matematiksel Hakikat\u2019in v\u00fccut bulmu\u015f hali. Matematik\u00e7i\u2019nin ona duydu\u011fu a\u015fk, u\u011fruna kendini adad\u0131\u011f\u0131 Matematik ve Hakikat\u2019e duydu\u011fu a\u015fk\u0131 temsil ediyor. Ama kad\u0131n hayatta kalmal\u0131 ve sanki \u00e7ocuklar\u0131ym\u0131\u015f gibi Matematik\u00e7i\u2019nin form\u00fcl\u00fcn\u00fc ta\u015f\u0131mal\u0131. Matematiksel Hakikat \u00f6l\u00fcms\u00fczd\u00fcr.\u201d<\/p>\n

Bu s\u00f6zler, filmin senaryosu belki ilk bak\u0131\u015fta naif ve ger\u00e7ek\u00fcst\u00fc g\u00f6r\u00fclebilir. Ama film, kurgusu ve kulland\u0131\u011f\u0131 metaforlarla matematiksel bilginin ahlaki y\u00f6n\u00fcne de dikkat \u00e7ekmek istiyor. Matemati\u011fin \u201ciyi g\u00fc\u00e7lerin\u201d elinde olmas\u0131 gerekti\u011fine vurgu yapmakla birlikte, \u00a0b\u00fct\u00fcn de\u011ferlerin nesnelere tap\u0131nma \u00fczerinden ya\u015fand\u0131\u011f\u0131, matematiksel ara\u015ft\u0131rman\u0131n bile kirletildi\u011fi, adanm\u0131\u015fl\u0131\u011f\u0131n hi\u00e7e say\u0131ld\u0131\u011f\u0131 g\u00fcn\u00fcm\u00fcz d\u00fcnyas\u0131n\u0131n s\u0131\u011f ya\u015fant\u0131s\u0131na da itiraz ediyor.<\/p>\n

Filmde adanm\u0131\u015fl\u0131k ve \u00f6l\u00fcm aras\u0131nda kurulan ba\u011f rahats\u0131z edici gelebilir, fakat bu son, bize ayn\u0131 zamandamatematik tarihinin en \u00e7arp\u0131c\u0131 olaylar\u0131ndan birini de hat\u0131rlat\u0131yor: Evariste Galois, 1832\u2019de \u00f6mr\u00fcn\u00fcn son gecesini ya\u015fad\u0131\u011f\u0131n\u0131 bilmektedir, ertesi g\u00fcn keskin ni\u015fanc\u0131 bir subayla d\u00fcelloya \u00e7\u0131kacakt\u0131r. Son gece \u00f6lmekten \u00e7ok, o g\u00fcne kadar yapt\u0131\u011f\u0131 matematiksel \u00e7al\u0131\u015fmalar\u0131n\u0131n kaybolmas\u0131ndan korkar, teorilerini tutkuyla \u00f6zetlemeye \u00e7abalar. \u00d6l\u00fcmle \u00e7arp\u0131\u015fmaya saatler kala kaleme almaya \u00e7al\u0131\u015ft\u0131\u011f\u0131 bu yaz\u0131lar\u0131n aras\u0131nda \u201cTamamlamam gereken \u015feyler var, zaman\u0131m yok, zaman\u0131m yok\u2026\u201d gibi notlaroldu\u011funu g\u00f6r\u00fcr\u00fcz. Gecenin sonunda cebir hesaplar\u0131n\u0131 tamamlay\u0131p, arkada\u015f\u0131na yazd\u0131\u011f\u0131 mektupta \u00e7al\u0131\u015fmalar\u0131n\u0131 Gauss ve Jacobi\u2019ye iletmesini ister.<\/p>\n

Galois\u2019nun \u00f6mr\u00fcn\u00fcn son gecesinde \u00f6zetlemeye \u00e7abalad\u0131\u011f\u0131 \u00e7al\u0131\u015fmalar\u0131 yar\u0131m y\u00fczy\u0131l sonra anla\u015f\u0131labilmi\u015f, matematikte \u00e7\u0131\u011f\u0131r a\u00e7\u0131c\u0131 sonu\u00e7lara yol a\u00e7m\u0131\u015ft\u0131r. Edward Frenkel, Galois\u2019dan y\u00fcz seksen y\u0131l \u00f6nce g\u00f6nderilen mektuptaki bir c\u00fcmleyi okuyor gibidir: Matematiksel Hakikat \u00f6l\u00fcms\u00fczd\u00fcr!<\/p>\n

\"\"
Edward Frenkel\u2019in Rites of Love and Math filminde a\u015fk\u0131n form\u00fcl\u00fcn\u00fc bulan matematik\u00e7i ke\u015ffini sevgilisinin v\u00fccuduna d\u00f6vme \u015feklinde yazar.<\/figcaption><\/figure>\n

A\u015fk\u0131n ve matemati\u011fin ortak \u00a0\u201cayinleri\u201d var m\u0131d\u0131r?<\/strong><\/p>\n

Matematik tarihinde \u201ctensel\u201d ve matematiksel tutkunun ortak \u00f6zellikleriyle ele al\u0131nmas\u0131n\u0131n en \u00e7arp\u0131c\u0131 \u00f6rneklerinden birisini, \u00fcnl\u00fc Macar matematik\u00e7i J\u00e1nos Bolyai\u2019n\u0131n babas\u0131n\u0131n o\u011fluna yazd\u0131\u011f\u0131 mektupta g\u00f6rebiliriz. Baba Farkas Bolyai, \u00d6klid\u2019in paralellik aksiyomuyla y\u0131llarca u\u011fra\u015fmaktan bitkin d\u00fc\u015fm\u00fc\u015ft\u00fcr, ayn\u0131 yolda ilerlemeye \u00e7al\u0131\u015fan o\u011fluna \u015f\u00f6yle seslenir: \u201cTanr\u0131 a\u015fk\u0131na \u015funa bir son ver! Bundan en az tensel tutkulardan korktu\u011fun kadar kork. \u00c7\u00fcnk\u00fc bu seni sa\u011fl\u0131\u011f\u0131ndan, i\u00e7 huzurundan ve ya\u015fama zevkinden mahrum eder\u201d.<\/p>\n

Bolyai babas\u0131n\u0131n uyar\u0131s\u0131na kulak asmam\u0131\u015f, \u00e7al\u0131\u015fmalar\u0131n\u0131 1823\u2019te ba\u015far\u0131yla sonu\u00e7land\u0131rm\u0131\u015ft\u0131r. Ama sonras\u0131nda ayn\u0131 ke\u015ffe daha \u00f6nce Gauss taraf\u0131ndan ula\u015f\u0131ld\u0131\u011f\u0131n\u0131 \u00f6\u011frendi\u011finde b\u00fcy\u00fck bir d\u00fc\u015f k\u0131r\u0131kl\u0131\u011f\u0131 ya\u015fayarak o konuyla bir daha hi\u00e7 ilgilenmemi\u015ftir.<\/p>\n

Galois, Bolyai ve daha bir\u00e7ok matematik\u00e7inin hayat\u0131, bize matematiksel ara\u015ft\u0131rma tutkusunun bask\u0131lanmas\u0131n\u0131n \u00e7ok g\u00fc\u00e7 bir duygu oldu\u011funu g\u00f6sterir. T\u0131pk\u0131 a\u015fkta da oldu\u011fu gibi ve a\u015fk\u0131 i\u00e7in her \u015feyi g\u00f6ze alan \u00e2\u015f\u0131klar gibi.Cahit Arf\u2019\u0131n \u201c\u015eu Zeta fonksiyonunun gizemini anlayabilsem o an \u00f6lmeye raz\u0131y\u0131m.\u201d s\u00f6z\u00fcnde de bu g\u00fc\u00e7l\u00fc tutkuyu g\u00f6r\u00fcyoruz.<\/p>\n

Kendini ara\u015ft\u0131rmas\u0131na vermi\u015f bir matematik\u00e7iyle, kendini a\u015fk\u0131n tutkusuna kapt\u0131rm\u0131\u015f bir \u00e2\u015f\u0131k\u2026 Birisi d\u00fcnyaya sevgilisinin g\u00f6z\u00fcyle bakarken, di\u011feriyse ara\u015ft\u0131rd\u0131\u011f\u0131 kuram, u\u011fra\u015ft\u0131\u011f\u0131 problem \u00fczerinden bakar hayata. Her ikisi de d\u00fc\u015f\u00fcnce gelgitine kapt\u0131rm\u0131\u015ft\u0131r kendini. Birisi sevgilisinin ne yapt\u0131\u011f\u0131n\u0131, nerede oldu\u011funu, di\u011feriyse ara\u015ft\u0131rmas\u0131ndaki son a\u015famay\u0131 d\u00fc\u015f\u00fcn\u00fcr hep. Her ikisi de ger\u00e7ekler d\u00fcnyas\u0131nda \u201colmayan\u0131n\u0131\u201d yanlar\u0131nda ta\u015f\u0131rlar, mutlu bir huzursuzluk ya\u015farlar.<\/p>\n

Edward Frenkel, bu filmle a\u015fk ve matematikteki g\u00fczelliklerin ortak yanlar\u0131n\u0131 da g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kar\u0131yor. G\u00fczelli\u011fin oldu\u011fu yerde s\u00f6z\u00fcn kifayetsiz kalaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnm\u00fc\u015f olmal\u0131 ki (!) filmde diyalog yok.<\/p>\n

Filmin ba\u015f\u0131nda Mariko, sevgilisine bir a\u015fk mektubu yaz\u0131yor:<\/p>\n

\u201cSesinim senin, nefesinin \u0131s\u0131s\u0131
\n<\/em>Y\u00fcz\u00fcn\u00fcn yans\u0131mas\u0131
\n<\/em>Gereksiz kanatlar\u0131n gereksiz titremesi
\n<\/em>Sonuna kadar yan\u0131nday\u0131m, her durumda<\/em>\u201d<\/p>\n

Matematik\u00e7inin form\u00fcl\u00fc sevgilisine emanet b\u0131rakmak i\u00e7in se\u00e7ti\u011fi s\u0131ra d\u0131\u015f\u0131 yol, bu \u015fiire verilen yan\u0131t olarak yorumlan\u0131yor Frenkel taraf\u0131ndan. Frenkel, bir form\u00fclle bir \u015fiirin ayn\u0131 tutkuyu ta\u015f\u0131yabilece\u011fini g\u00f6stermek istedi\u011fini vurguluyor.<\/p>\n

Matematik ve a\u015fk\u0131n \u00f6ld\u00fcren cazibesi olarak \u00f6zetleyebilece\u011fimiz bu filmle Edward Frenkel bize sinema arac\u0131l\u0131\u011f\u0131yla matematik tutkusunun derinli\u011fini, matematik ve a\u015fk aras\u0131ndaki tutku ortakl\u0131\u011f\u0131n\u0131 g\u00f6steriyor; a\u015fk\u0131n i\u00e7inden matemati\u011fe ve matemati\u011fin i\u00e7inden a\u015fka bakmam\u0131z\u0131 sa\u011fl\u0131yor.<\/p>\n

Te\u015fekk\u00fcr: <\/strong>Yukar\u0131da ilk d\u00f6rt dizesi al\u0131nt\u0131lanan Mariko\u2019nun a\u015fk mektubunda yer alan, Rus \u015fair Anna Akhmatova\u2019n\u0131n To The Many<\/em> isimli \u015fiirini \u0130ngilizceden \u00e7eviren Ay\u015fe Lahur K\u0131rtun\u00e7\u2019a minnettar\u0131m. Ayr\u0131ca Edward Frenkel\u2019le yapt\u0131\u011f\u0131 s\u00f6yle\u015fiyle bana bu yaz\u0131y\u0131 kaleme alma iste\u011fi uyand\u0131ran Nazan Mahsereci\u2019ye \u00e7ok te\u015fekk\u00fcr ederim.<\/p>\n

Kaynak<\/strong><\/p>\n

– Frenkel, A\u015fk ve Matematik<\/em>, \u00c7ev. C. Keskin, Paloma Yay\u0131nevi, 2015.<\/p>\n","protected":false},"excerpt":{"rendered":"

Yaz\u0131n\u0131n ba\u015fl\u0131\u011f\u0131, orijinali Rites of Love and Math olan erotik bir k\u0131sa filmin ad\u0131. Filmin senaryo yazar\u0131 ve ba\u015f akt\u00f6r\u00fc California \u00dcniversitesi\u2019nden matematik\u00e7i Edward Frenkel. Ge\u00e7en ay Bilim ve Gelecek\u2019te yay\u0131mlanan Nazan Mahsereci\u2019nin Frenkel\u2019la yapt\u0131\u011f\u0131 s\u00f6yle\u015finin ba\u015fl\u0131\u011f\u0131nda yer alan \u201cHerkes matemati\u011fin g\u00fczelli\u011fini g\u00f6rmeli\u201d s\u00f6z\u00fcn\u00fcn izini s\u00fcr\u00fcyor film. Matematiksel tutkuyla a\u015fk\u0131n ate\u015finin ad\u0131m ad\u0131m bulu\u015fmas\u0131n\u0131 erotik […]<\/p>\n","protected":false},"author":375,"featured_media":16164,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[182,25,514],"tags":[941,1103,208],"class_list":["post-16161","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-145-sayi","category-matematik","category-matematik-sohbetleri","tag-ask","tag-film","tag-matematik"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t