Yay\u0131n d\u00fcnyas\u0131nda boy g\u00f6stermeye ba\u015flad\u0131\u011f\u0131 ilk y\u0131llardan itibaren hevesle okudu\u011fum nehir s\u00f6yle\u015fi bi\u00e7iminin zamanla cazibesini yitirdi\u011fine daha evvel de i\u015faret etmi\u015ftim. Ortaya koydu\u011fu pek \u00e7ok eserin yan\u0131nda ya\u015fam\u0131yla da bir ba\u015far\u0131 hik\u00e2yesi yazabilmi\u015f ve neredeyse 80`ine merdiven dayam\u0131\u015f birinin kar\u015f\u0131s\u0131na \u201cbize hayat\u0131n\u0131zdan ve eserlerinizden bahseder misiniz?\u201d sorusuyla \u00e7\u0131k\u0131lmas\u0131n\u0131 eskisi kadar ilgi \u00e7ekici ve zekice bulmuyor olabilirim.\u00a0Bilimcilerimizin, sanat\u00e7\u0131lar\u0131m\u0131z\u0131n kendi \u00e7ocukluklar\u0131ndan, okullar\u0131ndan, yeti\u015ftikleri aile ve memleket ortam\u0131ndan bahsetmeleri her ne kadar ilgin\u00e7 g\u00f6r\u00fcnse de bu kitaplar\u0131n \u0131\u015f\u0131lt\u0131s\u0131n\u0131 belli bir s\u0131n\u0131rda tutan \u015fey san\u0131r\u0131m di\u015fe dokunur tart\u0131\u015fmalar bar\u0131nd\u0131rmamalar\u0131, yani bir diyalo\u011fa veya diyaloglar zincirine d\u00f6n\u00fc\u015fememeleriydi. Kay\u0131t cihaz\u0131n\u0131n zamanla bilimciler ve sanat\u00e7\u0131lar yerine giri\u015fimcilerin, bankac\u0131lar\u0131n, meslek profesyonellerinin \u00f6n\u00fcne konulmas\u0131n\u0131n ve birer monolog olarak i\u00e7eriklerin giderek zay\u0131flamas\u0131n\u0131n da pay\u0131n\u0131n az olmad\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum bu cazibe yitiminde. Bu kitaplara y\u00f6nelen ilginin Vedat \u00d6zdemiro\u011flu\u2019nun deyimiyle azalarak bitmeye y\u00fcz tuttu\u011funu d\u00fc\u015f\u00fcn\u00fcrken al\u0131\u015f\u0131lm\u0131\u015f dar \u00e7er\u00e7eveyi a\u015fan iki kitab\u0131n birbirlerinden habersiz haz\u0131rlan\u0131p birka\u00e7 ay arayla yay\u0131mlanmas\u0131 t\u00fcr\u00fcn ba\u015fka bir tarza d\u00f6n\u00fc\u015f\u00fcyor olma ihtimaline dair umutlar\u0131m\u0131 ye\u015fertti yine.<\/p>\n
\u0130lki Everest Yay\u0131nlar\u0131 taraf\u0131ndan Toplumsal Haf\u0131za, Mimarl\u0131k, Tarih ve Kuram <\/em>ba\u015fl\u0131\u011f\u0131yla yay\u0131mlanan U\u011fur Tanyeli ile s\u00f6yle\u015fi kitab\u0131. S\u00f6yle\u015fiyi kendisi de mimarl\u0131k tarihi, \u015fehir sosyolojisi gibi konularda \u00e7al\u0131\u015fan ve doktora tezini Tanyeli\u2019nin dan\u0131\u015fmanl\u0131\u011f\u0131nda tamamlam\u0131\u015f olan Erhan Berat F\u0131nd\u0131kl\u0131 yapm\u0131\u015f. Tanyeli, T\u00fcrkiye mimarl\u0131k tarihi \u00fczerine s\u00f6z alanlar aras\u0131nda kuramsal, belgesel, bilgisel birikiminin yan\u0131nda problemlere yakla\u015f\u0131m\u0131, \u00e7\u00f6z\u00fcmleme mant\u0131\u011f\u0131 ve esprili ifade g\u00fcc\u00fcyle zenginle\u015fen konu\u015fmac\u0131 kimli\u011fiyle de \u00f6zg\u00fcn bir yere sahip. Ba\u015fl\u0131ktan da anla\u015f\u0131laca\u011f\u0131 gibi kitab\u0131n amac\u0131 konu\u015fmac\u0131n\u0131n hayat\u0131na de\u011fil, baz\u0131 konulara dair fikirlerine odaklanmak. Elbette Tanyeli\u2019nin de fikirlerini biyografisinden tam anlam\u0131yla soyutlamak m\u00fcmk\u00fcn de\u011fil. Tanyeli T\u00fcrkiye\u2019nin farkl\u0131 \u00fcniversitelerinde \u00e7ok say\u0131da mimarl\u0131k fak\u00fcltesinde g\u00f6rev yapm\u0131\u015f bir akademisyen. Ayn\u0131 zamanda hayli \u00fcretken bir tarih\u00e7i, yazar, k\u00fcrat\u00f6r, dergici, yay\u0131nc\u0131. Mesleki deneyim ve entelekt\u00fcel biyografinin akademik ve akademik olmayan u\u011fra\u015flar olarak iki ba\u015fl\u0131kla ilk yar\u0131s\u0131n\u0131 olu\u015fturdu\u011fu 532 sayfal\u0131k bu hacimli s\u00f6yle\u015finin kalan yar\u0131s\u0131 tamamen mimarl\u0131k sorunsallar\u0131 ve mimarl\u0131k tarihi tart\u0131\u015fmalar\u0131na ayr\u0131lm\u0131\u015f. Her ne kadar konu\u015fmac\u0131 olarak Tanyeli g\u00f6r\u00fcnse de F\u0131nd\u0131kl\u0131, sordu\u011fu sorular, yapt\u0131\u011f\u0131 katk\u0131lar, a\u00e7t\u0131\u011f\u0131 tart\u0131\u015fmalarla t\u00fcm metni takibi \u00e7ok keyifli bir diyalo\u011fa d\u00f6n\u00fc\u015ft\u00fcrm\u00fc\u015f. S\u00f6yle\u015filer boyunca kontrol\u00fc s\u00fcrekli elinde tutarak, Tanyeli\u2019ni y\u00f6nlendirerek kitab\u0131n mimarisinde \u00f6nemli pay sahibi olmu\u015f.<\/p>\n Dikkat \u00e7ekmek istedi\u011fim di\u011fer kitap ise Can Yay\u0131nlar\u0131\u2019ndan. B\u0131\u00e7k\u0131n ve A\u011flak<\/em> ba\u015fl\u0131\u011f\u0131 alt\u0131nda \u201cYeni T\u00fcrkiye\u2019nin hik\u00e2yesi\u201dnin konu edildi\u011fi Can Kozano\u011flu ile s\u00f6yle\u015fi. S\u00f6yle\u015fiyi yapan Mirg\u00fcn Cabas. Bu kitab\u0131n ortaya \u00e7\u0131k\u0131\u015f\u0131n\u0131n ilgin\u00e7 bir hik\u00e2yesi var. Kozano\u011flu 90\u2019l\u0131 y\u0131llarda gazeteci-yazar olarak pop\u00fcler k\u00fclt\u00fcr incelemeleriyle \u00f6ne \u00e7\u0131kan bir isim. Cilal\u0131 \u0130maj Devri, Pop \u00c7a\u011f\u0131 Ate\u015fi, \u0130nternet Dolunay Cemaat, Yeni \u015eehir Notlar\u0131<\/em> isimli kitaplar\u0131n\u0131 hat\u0131rlayanlar olacakt\u0131r. Bu metinler hem yaz\u0131ld\u0131klar\u0131 d\u00f6nemin pop\u00fcler k\u00fclt\u00fcr\u00fcn\u00fc, t\u00fcketim al\u0131\u015fkanl\u0131klar\u0131, ya\u015fam tarzlar\u0131 a\u00e7\u0131s\u0131ndan mercek alt\u0131na al\u0131yor hem de gelece\u011fe dair baz\u0131 \u00f6ng\u00f6r\u00fclerde bulunarak toplumsal de\u011fi\u015fimi \u00e7\u00f6z\u00fcmlemeye \u00e7al\u0131\u015f\u0131yordu. Kozano\u011flu bas\u0131m tarihlerinin \u00fczerinden yakla\u015f\u0131k 20 ila 25 y\u0131l ge\u00e7mi\u015f kitaplar\u0131ndaki tespit, analiz ve iddialar\u0131n\u0131 T\u00fcrkiye\u2019nin ge\u00e7irdi\u011fi d\u00f6n\u00fc\u015f\u00fcm\u00fc ve bug\u00fcn vard\u0131\u011f\u0131 yeri de dikkate alarak yeniden irdeleyip tart\u0131\u015fan bir kitap yazmak istiyor. Bu \u00e7al\u0131\u015fma s\u0131ras\u0131nda genellemelere ve yarg\u0131lara belki, ama, fakat gibi \u00e7\u0131kmalar eklenerek dallan\u0131p budaklanan metin \u00fczerinde ilerlemek hayli g\u00fc\u00e7le\u015fince ba\u015fka bir yol ar\u0131yorlar. \u00c7areyi s\u00f6z konusu tart\u0131\u015fmalar\u0131 Mirg\u00fcn Cabas\u2019\u0131n y\u00f6nlendirdi\u011fi bir s\u00f6yle\u015fi olarak kurgulamakta buluyorlar. 1980\u2019lerde gazetecilik ortam\u0131, ANAP\u2019l\u0131 y\u0131llar, arabeskin y\u00fckseli\u015fi, Kemalistler, pop \u00e7a\u011f\u0131, Erdo\u011fan fenomeni, G\u00fclen cemaati, K\u00fcrt siyaseti, gezi direni\u015fi, porno, yemek k\u00fclt\u00fcr\u00fc ve gurmeler ve daha sayamad\u0131\u011f\u0131m pek \u00e7ok ba\u015fl\u0131\u011f\u0131 mevcut. Kozano\u011flu\u2019nun kendi kanaatlerini s\u00fcrekli sorgulayan, g\u00f6zden ge\u00e7irip revize eden d\u00fc\u015f\u00fcnme al\u0131\u015fkanl\u0131\u011f\u0131 metne de yans\u0131yor. Ayr\u0131ca Mirg\u00fcn Cabas\u2019\u0131n y\u0131llara dayanan dostlu\u011fun ve konulara a\u015final\u0131\u011f\u0131n verdi\u011fi g\u00fcvenle rahat m\u00fcdahaleleri, araya girip ayn\u0131 anda ba\u015fka konulara dair tart\u0131\u015fmalar\u0131 da k\u0131\u015fk\u0131rtmas\u0131 an\u0131lar\u0131n, g\u00f6zlemlerin, tezlerin harmanland\u0131\u011f\u0131 500 sayfal\u0131k metnin b\u00fct\u00fcn\u00fcn\u00fc keyifli bir sohbete d\u00f6n\u00fc\u015ft\u00fcrm\u00fc\u015f.<\/p>\n Konular\u0131 bak\u0131m\u0131ndan alakas\u0131z g\u00f6r\u00fcnen bu s\u00f6yle\u015filerin bence bi\u00e7im, yakla\u015f\u0131m ve \u00fcslup bak\u0131m\u0131ndan ciddi benzerlikleri var. Evvela meselelerine, kavramlar\u0131na tarihselli\u011fi ve toplumsall\u0131\u011f\u0131 ihmal etmeden yakla\u015fmaya \u00e7al\u0131\u015f\u0131yorlar. \u0130kincisi, sorunlar\u0131n m\u00fcsebbibi olarak yaln\u0131zca toplumun belli bir kesimini veya tarihin belli bir d\u00f6nemini su\u00e7lamaktan ka\u00e7\u0131n\u0131yorlar. Ele\u015ftiriden herkesin ve her devrin pay\u0131na d\u00fc\u015feni almas\u0131 konusunda hakkaniyeti g\u00f6zetiyorlar. Tarihin ve sosyolojinin belli bir kesitinde bulundu\u011fumuzu, bizim de bu kesitin \u00fcr\u00fcn\u00fc oldu\u011fumuzu, g\u00fcn\u00fcm\u00fcze, ge\u00e7mi\u015fe ve gelece\u011fe bulundu\u011fumuz noktadan bakabildi\u011fimizi unutmad\u0131klar\u0131 i\u00e7in somut tahlillere de\u011fer veren, iyimser olas\u0131l\u0131klara y\u00f6nelen bak\u0131\u015f a\u00e7\u0131lar\u0131na sahipler. Ayr\u0131ca t\u00fcm bu olumlu yanlar\u0131n\u0131 bence Tanyeli ve Kozano\u011flu kadar sorular\u0131 ve katk\u0131lar\u0131yla konu\u015fmac\u0131lar\u0131n\u0131n zenginliklerini en iyi bi\u00e7imde yans\u0131tmalar\u0131na olanak sa\u011flayan F\u0131nd\u0131kl\u0131 ve Cabas\u2019a bor\u00e7lular.<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Yay\u0131n d\u00fcnyas\u0131nda boy g\u00f6stermeye ba\u015flad\u0131\u011f\u0131 ilk y\u0131llardan itibaren hevesle okudu\u011fum nehir s\u00f6yle\u015fi bi\u00e7iminin zamanla cazibesini yitirdi\u011fine daha evvel de i\u015faret etmi\u015ftim. Ortaya koydu\u011fu pek \u00e7ok eserin yan\u0131nda ya\u015fam\u0131yla da bir ba\u015far\u0131 hik\u00e2yesi yazabilmi\u015f ve neredeyse 80`ine merdiven dayam\u0131\u015f birinin kar\u015f\u0131s\u0131na \u201cbize hayat\u0131n\u0131zdan ve eserlerinizden bahseder misiniz?\u201d sorusuyla \u00e7\u0131k\u0131lmas\u0131n\u0131 eskisi kadar ilgi \u00e7ekici ve zekice bulmuyor […]<\/p>\n","protected":false},"author":74,"featured_media":27385,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3569,38,513,515,510],"tags":[3599,3598,3600],"class_list":["post-27380","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-173-sayi","category-dergi-sayilari","category-kitapcil","category-nautilus","category-surekli-bolumler","tag-bickin-ve-aglak","tag-can-kozanoglu","tag-mirgun-cabas"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/27380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/users\/74"}],"replies":[{"embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=27380"}],"version-history":[{"count":0,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/27380\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/media\/27385"}],"wp:attachment":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=27380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=27380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=27380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}