{"id":32846,"date":"2019-03-01T00:00:24","date_gmt":"2019-02-28T21:00:24","guid":{"rendered":"https:\/\/bilimvegelecek.com.tr\/?p=32846"},"modified":"2019-02-27T12:20:01","modified_gmt":"2019-02-27T09:20:01","slug":"kitapci-rafi-20","status":"publish","type":"post","link":"https:\/\/bilimvegelecek.com.tr\/index.php\/2019\/03\/01\/kitapci-rafi-20","title":{"rendered":"Kitap\u00e7\u0131 Raf\u0131"},"content":{"rendered":"

Zaman\u0131n \u00d6tesinde Bir Ayd\u0131n Yaman \u00d6rs
\n<\/strong>Fevziye \u00d6zberk, Kaynak Yay\u0131nlar\u0131, 2018, 266 s.<\/strong><\/p>\n

2016 y\u0131l\u0131nda yitirdi\u011fimiz Ankara \u00dcniversitesi T\u0131p Fak\u00fcltesi T\u0131p Tarihi ve Etik Anabilim Dal\u0131 \u00d6\u011fretim \u00dcyesi ve Bilim ve Gelecek dergisinin hem yazar\u0131 hem de dostu olan k\u0131ymetli hocam\u0131z Prof. Dr. Yaman \u00d6rs\u2019e arma\u011fan niteli\u011findeki bu kitap, onun geni\u015f ve derinlikli d\u00fcnyas\u0131n\u0131 t\u00fcm boyutlar\u0131yla ele almaya \u00e7al\u0131\u015fm\u0131\u015f. Yazar Fevziye \u00d6zberk, Yaman \u00d6rs\u2019\u00fcn hayat\u0131n\u0131n daha derinlemesine bilinmesini ve bu birikimin gen\u00e7 ku\u015faklara aktar\u0131lmas\u0131 i\u00e7in \u00e7aba sarfetmi\u015f. Kitap sadece bilimsel ya\u015fam\u0131ndan de\u011fil, d\u00fc\u015f\u00fcn d\u00fcnyas\u0131na yapt\u0131\u011f\u0131 katk\u0131lar\u0131, g\u00fcncel konulardaki fikirlerine de yer vermi\u015f. T\u0131p, felsefe, sanat, siyaset konular\u0131nda da kendinden beklenen ayd\u0131n sorumlu\u011funda yaz\u0131lar kaleme alm\u0131\u015f olan Yaman \u00d6rs\u2019\u00fc daha yak\u0131ndan tan\u0131mak isteyenler ve bu ya\u015famdan dersler \u00e7\u0131kartmak isteyen okurlar\u0131n ka\u00e7\u0131rmamas\u0131 gereken bir eser olmu\u015f.<\/p>\n

Kendini Tutamayan Bo\u015fluk
\n<\/strong>Slavoj Zizek, \u00c7ev. Bar\u0131\u015f Engin Aksoy, Metis Kitap, 2019, 416 s.<\/strong><\/p>\n

G\u00fcn\u00fcm\u00fczde en ilgin\u00e7 teorik m\u00fcdahaleler belli ba\u015fl\u0131 alanlar\u0131n i\u00e7inden de\u011fil, a\u00e7\u0131k\u00e7a belli bir alana ait olmayan, bu alanlar aras\u0131nda kalan \u00e7atlaklardan do\u011fuyorsa e\u011fer, en dikkat \u00e7ekici teorisyenlerden biri de Slavoj \u017di\u017eek olmal\u0131. Ne \u00e7i\u015fini ne de belini tutabilen bu kitab\u0131nda \u017di\u017eek\u2019in geli\u015ftirdi\u011fi fikirler tam da b\u00f6yle bir i\u015f g\u00f6r\u00fcyor: Felsefe, psikanaliz ve siyasal iktisad\u0131n ele\u015ftirisi aras\u0131ndaki bo\u015fluklar\u0131 dolduruyor. Ontolojiden cinsiyetlenmeye, cinsiyetlenmeden siyasal iktisad\u0131n ele\u015ftirisine i\u00e7kin ge\u00e7i\u015fler \u00fcst\u00fcnde duruyor \u017di\u017eek. Alenka Zupancic\u2019in Cinsellik Nedir? <\/em>isimli kitab\u0131yla kurdu\u011fu diyalogdan hareketle, ontolojinin s\u0131n\u0131r\u0131na radikal olumsuzlu\u011fu cisimle\u015ftiren fazlal\u0131k bir unsur, varl\u0131k d\u00fczenine nak\u015fedildi\u011fi haliyle cinsiyet fark\u0131 antagonizmas\u0131 \u00fcst\u00fcnden yakla\u015f\u0131yor \u017di\u017eek. \u0130ktisadi-felsefi bir perspektiften, \u00f6nce bu ontolojik fazladan Marx\u2019\u0131n art\u0131-de\u011ferine, oradan da Lacan\u2019\u0131n art\u0131-keyif kavram\u0131na uzan\u0131yor.<\/p>\n

Kant Esteti\u011fi ve Romantisizm
\n<\/strong>Gamze Keskin, Alfa Yay\u0131nlar\u0131, 2019, 398 s.<\/strong><\/p>\n

Bu kitap, Kant\u2019\u0131n en az di\u011fer alanlar\u0131 kadar de\u011ferli olan estetik anlay\u0131\u015f\u0131yla romantik d\u00f6nem aras\u0131ndaki ba\u011fa \u0131\u015f\u0131k tutmak \u00fczere kaleme al\u0131nm\u0131\u015f. Gamze Keskin, Kant\u2019\u0131n estetik konusunda konumunu, \u2018\u00f6znenin uyan\u0131\u015f\u0131\u2019 a\u00e7\u0131s\u0131ndan yenilik\u00e7i ve heyecan verici buluyor ve onun estetik yarg\u0131 ile \u00f6zne temelli bir in\u015fa ger\u00e7ekle\u015ftirmesi ve d\u00fcnyay\u0131 haz\u0131r bir yap\u0131t olarak g\u00f6rmemi\u015f olmas\u0131 romantikleri d\u00fcnyay\u0131 bir sanat yap\u0131t\u0131 olarak tasar\u0131mlama konusunda cesaretlendirdi\u011fini s\u00f6yl\u00fcyor.<\/p>\n

Kuantum D\u00fcnyas\u0131nda K\u00fc\u00e7\u00fck bir Gezinti
\n<\/strong>Etienne Klein, \u00c7ev, A. N\u00fcvit Bing\u00f6l, Bgst Yay\u0131nlar\u0131, 2018, 133 s.<\/strong><\/p>\n

Fizik\u00e7i ve bilim felsefecisi \u00c9tienne Klein \u201cKuantum D\u00fcnyas\u0131nda K\u00fc\u00e7\u00fck Bir Gezinti\u201dde, g\u00fcndelik deneyimlerimizle asla kavrayamayaca\u011f\u0131m\u0131z kuantum fizi\u011finin temel ilkelerine dair bir anlay\u0131\u015f geli\u015ftirmemizi hedefliyor. Yazara g\u00f6re kuantum fizi\u011fi, anla\u015f\u0131l\u0131p uygulanabilmek i\u00e7in bir yorum \u00e7al\u0131\u015fmas\u0131na da gereksinme duyar. Einstein-Bohr tart\u0131\u015fmas\u0131nda ortaya \u00e7\u0131kan teori ile ger\u00e7eklik aras\u0131ndaki ili\u015fki sorusu, fizik\u00e7ileri farkl\u0131 kamplara b\u00f6lmeyi s\u00fcrd\u00fcr\u00fcyor. \u201cKuantum D\u00fcnyas\u0131nda K\u00fc\u00e7\u00fck Bir Gezinti\u201d, kuantum teorisinin ger\u00e7eklikle ili\u015fkisine dair bu farkl\u0131 yorumlara da yer veriyor.<\/p>\n

Timbuktu’nun Elyazmalar\u0131
\n<\/strong>Charlie English, \u00c7ev, Ak\u0131n Emre Pilgir, Ko\u00e7 \u00dcniversitesi Yay\u0131nlar\u0131, 2018, 312 s.<\/strong><\/p>\n

Masallar \u015fehri Timbuktu y\u00fczy\u0131llar boyunca Bat\u0131l\u0131lar\u0131n \u201ckara k\u0131ta\u201d Afrika ile ilgili fantezilerinin odak noktas\u0131 oldu. 18. y\u00fczy\u0131l\u0131n sonlar\u0131ndan itibaren, bir yery\u00fcz\u00fc cenneti oldu\u011fu d\u00fc\u015f\u00fcn\u00fclen bu \u201cuzak\u201d diyar\u0131 ve hazinelerini \u201cke\u015ffetme\u201d hummas\u0131na yakalanm\u0131\u015f bir dizi Avrupal\u0131 k\u00e2\u015fif \u015fehre ula\u015fmak i\u00e7in seferlere \u00e7\u0131kt\u0131. Fakat \u00fcst \u00fcste bir s\u00fcr\u00fc ke\u015fif seferi sald\u0131r\u0131lar, \u00e7etin iklim \u015fartlar\u0131 ve hastal\u0131klar y\u00fcz\u00fcnden ba\u015far\u0131s\u0131zl\u0131\u011fa u\u011frad\u0131.\u00a0\u201cKe\u015fif\u201d sonunda ger\u00e7ekle\u015fti ve Timbuktu\u2019nun ger\u00e7ekten de hazineleri oldu\u011fu g\u00f6r\u00fcld\u00fc: \u015eehir orta\u00e7a\u011fda bir ilim merkeziydi ve k\u00fct\u00fcphaneleri dinden \u015fiire, hukuktan tarihe, farmakolojiden astronomiye kadar say\u0131s\u0131z konuda on binlerce elyazmas\u0131yla doluydu.
\nCharlie English, kapsaml\u0131 bir ara\u015ft\u0131rmaya ve birebir g\u00f6r\u00fc\u015fmelere dayanan kitab\u0131nda bu iki y\u00fcz y\u0131ll\u0131k \u201cke\u015fif\u201d hik\u00e2yesini \u00e7ok daha yak\u0131n tarihli bir ba\u015fka olayla i\u00e7 i\u00e7e anlat\u0131yor. 2012 y\u0131l\u0131nda el-Kaide ba\u011flant\u0131l\u0131 cihat\u00e7\u0131lar\u0131n Mali\u2019ye girdi\u011finde g\u00f6z\u00fckara bir k\u00fct\u00fcphaneciler ve ar\u015fivciler grubu yok olma tehlikesiyle kar\u015f\u0131 kar\u015f\u0131ya kalan binlerce paha bi\u00e7ilmez elyazmas\u0131n\u0131 Timbuktu\u2019dan ka\u00e7\u0131rm\u0131\u015ft\u0131. Yazar konusunu bu olay \u00e7er\u00e7evesinde i\u015fliyor.<\/p>\n

\u00a0<\/strong>Yap\u0131\u2019dan Sonraki Yol
\n<\/strong>Thomas S. Kuhn, \u00c7ev. Erkan Bozkurt, \u0130leti\u015fim Yay\u0131nlar\u0131, 2019, 408 s.<\/strong><\/p>\n

\u201cTarihsel bilim felsefesindeki me\u015fakkatin, kendini tarihsel kayd\u0131n\u00a0g\u00f6zlemleri \u00fczerine temellendirerek ve yerine koyacak herhangi bir\u00a0\u015feyi sa\u011flamadan, daha \u00f6nce bilimsel bilginin otoritesinin dayand\u0131\u011f\u0131\u00a0d\u00fc\u015f\u00fcn\u00fclen s\u00fctunlar\u0131n alt\u0131n\u0131 oymak oldu\u011funu ileri s\u00fcrd\u00fcm. Akl\u0131mdaki\u00a0s\u00fctunlar\u0131n en \u00f6nde gelen ikisi: \u0130lk olarak, delil sa\u011flad\u0131\u011f\u0131 s\u00f6ylenen\u00a0olgular inan\u00e7lara \u00f6ncel ve onlardan ba\u011f\u0131ms\u0131zd\u0131r; ikinci olarak, bilim\u00a0prati\u011fiyle ortaya \u00e7\u0131kan \u015fey, zihinden ve k\u00fclt\u00fcrden ba\u011f\u0131ms\u0131z d\u0131\u015f bir\u00a0d\u00fcnya hakk\u0131ndaki do\u011frular, olas\u0131 do\u011frular veya yakla\u015f\u0131k do\u011frulard\u0131r.\u201d \u201cParadigma\u201d kavram\u0131n\u0131n bilimsel-teorik d\u00fcnyan\u0131n da d\u0131\u015f\u0131na ta\u015farak\u00a0yayg\u0131nla\u015fmas\u0131, onun eseridir: Thomas Kuhn\u2019un 1962\u2019de yay\u0131mlanan\u00a0Bilimsel Devrimlerin Yap\u0131s\u0131<\/em> kitab\u0131, bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131, d\u00fc\u015f\u00fcnme bi\u00e7imini\u00a0tan\u0131mlayan bu kavrama \u201c\u015f\u00f6hret\u201d kazand\u0131rm\u0131\u015ft\u0131. Kitap, bu\u00a0\u00e7\u0131\u011f\u0131r a\u00e7\u0131c\u0131 eserindeki hipotezleri \u00fczerine d\u00fc\u015f\u00fcnmeyi s\u00fcrd\u00fcren Kuhn\u2019un\u00a0ilgin\u00e7 sorgulamalar\u0131n\u0131 yans\u0131t\u0131yor.<\/p>\n

Cehaleti Anlamak
\n<\/strong>Daniel R. Denicola, Sola Unitas, 2018, 320 s.<\/strong><\/p>\n

Felsefeci Daniel DeNicola bu kitapta okuru cehaletin ke\u015ffine \u00e7\u0131karmaya davet ediyor. Cehaletin bollu\u011fu, dirayeti ve neden oldu\u011fu sonu\u00e7lar \u00fczerine g\u00f6zlem sunuyor. Cehaleti anlamay\u0131 hedefliyor ki bu hedef en ba\u015fta paradoksal g\u00f6r\u00fcn\u00fcyor. Bilinmeyen nas\u0131l olup da bilinir k\u0131l\u0131n\u0131r ve h\u00e2l\u00e2 bilinmeyen olma \u00f6zelli\u011fini s\u00fcrd\u00fcr\u00fcr? DeNicola cehaletin bir eksiklik ve bo\u015fluktan fazlas\u0131 oldu\u011funu, bilgi ile dinamik ve karma\u015f\u0131k etkile\u015fimlerde bulundu\u011funu \u00f6ne s\u00fcr\u00fcyor.<\/p>\n

\u00a0<\/strong>K\u00fcba Sosyalizminin Yolu ve Gelece\u011fi
\n<\/strong>Mao Xianglin, \u00c7ev. Deniz K\u0131z\u0131l\u00e7e\u00e7, Canut Yay\u0131nlar\u0131, 2019, 311 s.<\/strong><\/p>\n

\u00c7in-K\u00fcba ortak projesi olarak kitapla\u015ft\u0131r\u0131lan ve \u0130spanyolca\u2019ya \u00e7evrilen bu kitap, K\u00fcba\u2019n\u0131n sosyalizmi in\u015fa \u00e7abalar\u0131nda kar\u015f\u0131lam\u0131\u015f oldu\u011fu sorunlar\u0131 de\u011ferlendirdi\u011fi bir eser olarak g\u00f6ze \u00e7arp\u0131yor. 20 y\u0131l\u0131n\u0131 K\u00fcba ara\u015ft\u0131rmalar\u0131na vermi\u015f bir ara\u015ft\u0131rmac\u0131 Mao Xianglin bu kitapta 12 b\u00f6l\u00fcm boyunca K\u00fcba sosyalizmini do\u011fu\u015fundan itibaren yaratt\u0131\u011f\u0131 kurum ve ara\u00e7lar\u0131n\u0131, ekonomik yap\u0131lar\u0131n\u0131, K\u00fcba\u2019n\u0131n d\u0131\u015f politika deneyimlerini, K\u00fcba sosyalizminin liderlerinin\u2014Fidel, Raul, Che\u2014\u00f6zel d\u00fc\u015f\u00fcnsel \u015fekillenmelerini inceliyor. Yazar, ayn\u0131 zamanda, K\u00fcba\u2019n\u0131n \u201csosyalizmin g\u00fcncellenmesi\u201d ad\u0131n\u0131 verdi\u011fi son reformlar\u0131n geli\u015fme y\u00f6n\u00fc hakk\u0131nda de\u011ferlendirmeler yapm\u0131\u015ft\u0131r. Yazara g\u00f6re, K\u00fcba sosyalizminin canl\u0131l\u0131\u011f\u0131 ve en zorlu y\u0131llar\u0131 (1990-1995) a\u015fabilmesinin temel g\u00fcc\u00fc, sosyalizmin K\u00fcba\u2019da bu halk\u0131n ka\u00e7\u0131n\u0131lmaz tarihsel tercihi olarak ortaya \u00e7\u0131km\u0131\u015f olmas\u0131d\u0131r.<\/p>\n

Osmanl\u0131 \u0130mparatorlu\u011fu ve D\u00fcnya Sava\u015f\u0131
\n<\/strong>Said Halim Pa\u015fa, \u00c7ev. Fatih Y\u00fccel Kronik Kitap, 2019, 224 s.<\/strong><\/p>\n

1864\u2019de Kahire\u2019de do\u011fan ve 1921\u2019de Roma\u2019da \u00f6ld\u00fcr\u00fclen Said Halim Pa\u015fa, Osmanl\u0131 \u0130mparatorlu\u011fu 1914\u2019te Almanya\u2019n\u0131n m\u00fcttefiki olarak Birinci D\u00fcnya Sava\u015f\u0131\u2019na girdi\u011finde, Hariciye Naz\u0131r\u0131 ve Sadrazamd\u0131. Bu kitap, B\u00e2b-\u0131 \u00c2l\u00ee\u2019nin son d\u00f6nemini ya\u015fam\u0131\u015f ve bu d\u00f6nemin en \u00f6nemli \u015fahsiyetlerinden birisi olmu\u015f pa\u015fan\u0131n kaleminden imparatorlu\u011fun sava\u015fa giri\u015fini ve y\u0131k\u0131l\u0131\u015f\u0131n\u0131 anlat\u0131yor. Osmanl\u0131 \u0130mparatorlu\u011fu\u2019nun sava\u015fa giri\u015finden itibaren d\u0131\u015f siyaset, Hilafet, D\u00fcvel-i Muazzama Yak\u0131n Do\u011fu\u2019daki emelleri gibi konulara dair t\u00fcm kritik meselelerin Said Halim Pa\u015fa taraf\u0131ndan tafsilat\u0131yla ele al\u0131nd\u0131\u011f\u0131 kitab\u0131n en \u00f6nemli b\u00f6l\u00fcmlerinden biri devrin y\u00fckselen akt\u00f6rlerinin ba\u015f\u0131nda gelen Mustafa Kemal Pa\u015fa hakk\u0131nda yaz\u0131lanlar. Burada Said Halim Pa\u015fa, Mustafa Kemal Pa\u015fa\u2019n\u0131n ge\u00e7mi\u015fi, \u015fahsiyeti, d\u0131\u015f g\u00f6r\u00fcn\u00fc\u015f\u00fc, k\u0131l\u0131k k\u0131yafeti, asker\u00ee ve siyas\u00ee g\u00f6r\u00fc\u015fleri \u00fczerinde duruyor; Anadolu\u2019ya ne \u015fartlarda ge\u00e7ti\u011fini ve oradaki faaliyetlerini anlat\u0131rken, dikkatini \u00e7eken baz\u0131 insan\u00ee taraflar\u0131n\u0131 da ele almak suretiyle, vatan\u0131n ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131n\u0131 her \u015feyin \u00f6n\u00fcnde tutmas\u0131ndan ve asker\u00ee kahramanl\u0131\u011f\u0131ndan bahsediyor.<\/p>\n

Ba\u015fka Bir Sanat M\u00fcmk\u00fcn m\u00fc?
\n<\/strong>Haz\u0131rlayan Serhat Y\u00fcksekba\u011f, Patika Kitap, 2019, 254 s.<\/strong><\/p>\n

At\u00f6ylealt\u0131 Sanat Kolektifi taraf\u0131ndan haz\u0131rlanan kitap, kolektifin \u015fu \u00e7\u0131kar\u0131mlar\u0131 sonucunda haz\u0131rlanm\u0131\u015f. \u201cSanat\u0131n topyek\u00fbn piyasaya teslim oldu\u011funu, hi\u00e7le\u015fti\u011fini, t\u00fcm g\u00fcc\u00fcn\u00fc yitirdi\u011fini iddia etmiyoruz. Aksine, \u2018Ba\u015fka bir d\u00fcnya m\u00fcmk\u00fcn m\u00fc?\u2019 sorusundan yola \u00e7\u0131karak, \u2018Ba\u015fka bir\u00a0 anat m\u00fcmk\u00fcn m\u00fc?\u2019 sorusunu sorman\u0131n bir zorunluluk h\u00e2lini alm\u0131\u015f oldu\u011fu bilinciyle\u00a0 hareket ediyoruz.\u201d Kitap, sanat\u0131n geli\u015fimi ve evreleri konusunda farkl\u0131 ki\u015filerle yap\u0131lan s\u00f6yle\u015filerin bir derlemesi niteli\u011finde. Kitaba katk\u0131 sunanlar ise \u015f\u00f6yle; Ala\u00eaddin \u015eenel, Ali Artun, Aylin Kuryel, Beg\u00fcm \u00d6zden F\u0131rat, Ceren \u00d6zp\u0131nar, Do\u011fan G\u00f6\u00e7men, Emre Zeytino\u011flu, Ezgi Bak\u00e7ay, Feyyaz Yaman, F\u0131rat Arapo\u011flu, Fuat Ercan, Julian Stallabrass, M. Kemal \u00c7o\u015fkun, Sungur Savran.<\/p>\n

Biyopolitika ve Modern Mimarl\u0131\u011f\u0131n Ortaya \u00c7\u0131k\u0131\u015f\u0131
\n<\/strong>Sven-Olov Wallenstein, \u00c7ev. Baran Bilir, Lemis Yay\u0131nlar\u0131, 2019, 100 s.<\/strong><\/p>\n

Sven-Olov Wallenstein bu kitapta, mimarl\u0131\u011f\u0131n hem i\u00e7sel mant\u0131\u011f\u0131n\u0131n, yani teorisinin, hem de bir ara\u00e7 olarak seferber edilme bi\u00e7iminin d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc\u011f\u00fc, klasik paradigman\u0131n terk edildi\u011fi noktan\u0131n ayn\u0131 zamanda biyopolitik makinenin ortaya \u00e7\u0131kt\u0131\u011f\u0131 e\u015fik oldu\u011funu g\u00f6steriyor. Wallenstein\u2019a g\u00f6re, modern mimarl\u0131k biyopolitik makinenin \u00f6nemli bir par\u00e7as\u0131d\u0131r. Bu da temel amac\u0131n\u0131n \u00f6znellik \u00fcretmek oldu\u011fu ve modern \u00f6znenin soybilimi a\u00e7\u0131s\u0131ndan yorumlanmas\u0131 gerekti\u011fi anlam\u0131na geliyor. Dolay\u0131s\u0131yla da, panoptik ilkeyi herhangi bir arkitektonik formla de\u011fil, Foucault\u2019nun \u201cdiyagram\u201d dedi\u011fi \u015feyle \u2013iktidar ili\u015fkilerinin ortaya \u00e7\u0131kt\u0131\u011f\u0131 ve pek \u00e7ok fiziksel \u015fekle (hastane, hapishane, k\u0131\u015fla, fabrika, okul, vs.) b\u00fcr\u00fcnebilecek soyut bir makineyle\u2013 ili\u015fkilendirmek gerekiyor. Wallenstein\u2019\u0131n benimsedi\u011fi Foucaultcu perspektiften bakt\u0131\u011f\u0131m\u0131zda, yeni fikirlerin kentsel mek\u00e2n\u0131n tamam\u0131na yay\u0131lmadan \u00f6nce test edildi\u011fi bir t\u00fcr \u201claboratuvar\u201d haline gelen modern hastanenin, klasik paradigmay\u0131 yerinden eden yeni mimarl\u0131k mant\u0131\u011f\u0131n\u0131n en somut \u00f6rneklerinden biri oldu\u011funu g\u00f6r\u00fcr\u00fcz. Kitab\u0131n ikinci yar\u0131s\u0131nda modern hastanenin iki y\u00fczy\u0131ll\u0131k seyrinden bir kesit alan g\u00f6rsel bir deneme bulunuyor.<\/p>\n

\u00a0<\/strong>Hakikatin \u00d6l\u00fcm\u00fc
\n<\/strong>Michiko Kakutani, \u00c7ev. Cesi Mizrahi, 2019, 152 s.<\/strong><\/p>\n

Liderler ger\u00e7ekleri alaya al\u0131p k\u00fc\u00e7\u00fcms\u00fcyor. Komplo teorileri havada u\u00e7u\u015fuyor. Bilim tart\u0131\u015fmaya a\u00e7\u0131l\u0131yor. Uydurma haberler, internet ve sosyal medya arac\u0131l\u0131\u011f\u0131yla planl\u0131 \u015fekilde yay\u0131l\u0131yor. Sa\u011fduyu kaybolurken, vasat fikirler uzman g\u00f6r\u00fc\u015flerinin \u00f6n\u00fcne ge\u00e7iyor. Nesnelli\u011fin yerini \u00f6nyarg\u0131n\u0131n, mant\u0131\u011f\u0131n yerini duygunun, akl\u0131n\u00a0yerini ise inanc\u0131n ald\u0131\u011f\u0131 hakikat sonras\u0131 \u00e7a\u011fa ho\u015f geldiniz.\u00a0Hakikatin \u00d6l\u00fcm\u00fc, Trump\u2019\u0131n ki\u015fili\u011finde cisimle\u015fen, Amerika\u2019n\u0131n nesnel ger\u00e7eklerden uzakla\u015fma e\u011filimine ele\u015ftirel bir bak\u0131\u015f. Sa\u011f pop\u00fclist iktidarlar\u0131n h\u00fck\u00fcm s\u00fcrd\u00fc\u011f\u00fc ba\u015fka \u00fclkeleri anlamak i\u00e7in de ilham verici.<\/p>\n

40 Soruda T\u00fcrk Sinemas\u0131
\n<\/strong>Haz. Mesut Bostan, Ketebe Yay\u0131nevi, 2019, 256 s.<\/strong><\/p>\n

40 Soruda T\u00fcrk Sinemas\u0131, \u00f6ncelikli olarak T\u00fcrk sinemas\u0131n\u0131 tan\u0131maya ve anlamaya y\u00f6nelik bir giris\u0327 kitab\u0131 olarak d\u00fc\u015f\u00fcn\u00fcld\u00fc. Ama ayn\u0131 zamanda T\u00fcrk sinemas\u0131n\u0131n meselelerini etrafl\u0131ca ortaya koyma amac\u0131n\u0131 g\u00f6zeten bir \u201ctart\u0131\u015fma kitab\u0131\u201d olma \u00f6zelli\u011fi de g\u00f6steriyor.\u00a0 Bu y\u00fczden bu kitapta, bir yandan T\u00fcrk sinemas\u0131na dair genel bir manzara sunulurken di\u011fer yandan da bu manzaran\u0131n detaylar\u0131ndaki sorun ve imk\u00e2nlara i\u015faret ediliyor. Kitap d\u00f6rt ana b\u00f6l\u00fcmden olu\u015fuyor. I\u0307lk b\u00f6l\u00fcm \u201cErken Sinema\u201d ba\u015fl\u0131\u011f\u0131 alt\u0131nda T\u00fcrkiye\u2019de sinema seyir tecr\u00fcbesine ve T\u00fcrk sinemas\u0131n\u0131n olus\u0327um s\u00fcrecine odaklan\u0131yor.\u00a0I\u0307kinci b\u00f6l\u00fcmde, \u201cPop\u00fcler Sinema\u201d ba\u015fl\u0131\u011f\u0131 alt\u0131nda Yes\u0327il\u00e7am\u2019dan g\u00fcn\u00fcm\u00fcze T\u00fcrk sinemas\u0131ndaki pop\u00fcler e\u011filimin dog\u0306as\u0131 aras\u0327t\u0131r\u0131l\u0131yor. T\u00fcrk sinemas\u0131na rengini veren onun ekonomik, estetik ve ideolojik zeminini olus\u0327turan Yes\u0327il\u00e7am anlat\u0131s\u0131, farkl\u0131 boyutlar\u0131yla ele al\u0131n\u0131yor. \u00dc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcm, \u201cKlasik Sinema\u201dda T\u00fcrk sinemas\u0131nda gelis\u0327mis\u0327 bir sinema dili olus\u0327turma \u00e7abas\u0131 ve bu \u00e7abay\u0131 ortaya koyan sinemac\u0131lar\u0131n \u00f6zg\u00fcn katk\u0131lar\u0131 derleniyor. T\u00fcrk sinemas\u0131n\u0131n gelis\u0327imine katk\u0131da bulunan temel entelekt\u00fcel eg\u0306ilimler bu b\u00f6l\u00fcm\u00fcn odak noktalar\u0131ndan bir dig\u0306erini olus\u0327turuyor.\u00a0 \u201cYeni Sinema\u201d b\u00f6l\u00fcm\u00fcnde ise T\u00fcrk sinemas\u0131nda modernist eg\u0306ilim, temel sorunsallar ve bireysel \u00e7\u0131k\u0131s\u0327lar ekseninde masaya yat\u0131r\u0131l\u0131yor.<\/p>\n","protected":false},"excerpt":{"rendered":"

Zaman\u0131n \u00d6tesinde Bir Ayd\u0131n Yaman \u00d6rs Fevziye \u00d6zberk, Kaynak Yay\u0131nlar\u0131, 2018, 266 s. 2016 y\u0131l\u0131nda yitirdi\u011fimiz Ankara \u00dcniversitesi T\u0131p Fak\u00fcltesi T\u0131p Tarihi ve Etik Anabilim Dal\u0131 \u00d6\u011fretim \u00dcyesi ve Bilim ve Gelecek dergisinin hem yazar\u0131 hem de dostu olan k\u0131ymetli hocam\u0131z Prof. Dr. Yaman \u00d6rs\u2019e arma\u011fan niteli\u011findeki bu kitap, onun geni\u015f ve derinlikli d\u00fcnyas\u0131n\u0131 t\u00fcm […]<\/p>\n","protected":false},"author":672,"featured_media":32805,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4583,38,513,510,511],"tags":[4604,4603,4605,4606,4602],"class_list":["post-32846","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-181-sayi","category-dergi-sayilari","category-kitapcil","category-surekli-bolumler","category-yayin-dunyasi","tag-kant-estetigi-ve-romantisizm","tag-kendini-tutamayan-bosluk","tag-kuantum-dunyasinda-kucuk-bir-gezinti","tag-timbuktunun-elyazmalari","tag-zamanin-otesinde-bir-aydin-yaman-ors"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/32846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/users\/672"}],"replies":[{"embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=32846"}],"version-history":[{"count":0,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/32846\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/media\/32805"}],"wp:attachment":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=32846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=32846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=32846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}