O \u015fair Cemal S\u00fcreya. Hani hemen her ay edebiyat dergilerinden birinin kapa\u011f\u0131nda az say\u0131da me\u015fhur foto\u011fraf\u0131n\u0131n birinden t\u00fcretilmi\u015f ill\u00fcstrasyon \u00fczerine yap\u0131\u015f\u0131k en \u00e7ok bilinen dizeleriyle kar\u015f\u0131la\u015fmaya al\u0131\u015f\u0131k oldu\u011fumuz \u015fair. Daha evvel defalarca kullan\u0131lm\u0131\u015f foto\u011fraf\u0131, defalarca kullan\u0131lm\u0131\u015f dizeleri, s\u0131nanm\u0131\u015f sat\u0131\u015f ba\u015far\u0131s\u0131n\u0131 riske atmayacak al\u0131\u015f\u0131ld\u0131k tad\u0131, bilindik imaj\u0131yla. Ortalama gen\u00e7 okurunun be\u011fenisiyle, de\u011fer yarg\u0131lar\u0131yla uyu\u015fmayacak, onun tabular\u0131n\u0131 g\u0131d\u0131klayabilecek en ufak s\u00f6z duyamazs\u0131n\u0131z S\u00fcreya\u2019n\u0131n a\u011fz\u0131ndan bu yay\u0131nlar\u0131n sayfalar\u0131nda. S\u00f6yletmezler. G\u00fcn\u00fcn genel ahl\u00e2k\u0131na mugayir bir laf etmesine, kutsallara dil uzatmas\u0131na izin verilmez. Mevcudu s\u00fcrekli toplay\u0131p b\u00f6lerek kendi kendinin ortalamas\u0131n\u0131 ararken baya\u011f\u0131la\u015fan \u00fcr\u00fcnler kategorisinde olmas\u0131 ve kalmas\u0131 istenmektedir. Neyseki Cemal S\u00fcreya\u2019y\u0131 ve benzerlerini \u00e7er\u00e7eveleyip duvara asmak, katlay\u0131p \u00e7ekmeceye koymak kolay de\u011fil.<\/p>\n
Dostum G\u00fcne\u015f Ayas\u2019la birlikte yapt\u0131\u011f\u0131m\u0131z bir Beyo\u011flu gezisinin an\u0131 arma\u011fan\u0131 olarak elimde kalan Papir\u00fcs\u2019ten Ba\u015fyaz\u0131lar<\/em>\u2019\u0131 okurken \u00fc\u015f\u00fc\u015ft\u00fc bu d\u00fc\u015f\u00fcnceler zihnime. G\u00fcne\u015f de bu yaz\u0131lar\u0131n pe\u015fine Tuncay Birkan\u2019\u0131n son \u00e7al\u0131\u015fmas\u0131 D\u00fcnya ile Devlet Aras\u0131nda T\u00fcrk Muharriri\u2019<\/em>nde i\u015faret etmesiyle d\u00fc\u015fm\u00fc\u015f. \u015eapkam Dolu \u00c7i\u00e7ekle<\/em> ve \u201cG\u00fcn\u00fcbirlik\u201dler\u2019in a\u011f\u0131rl\u0131kl\u0131 olarak edebiyat meselelerini konu edinen yaz\u0131lar\u0131ndan farkl\u0131 Papir\u00fcs\u2019\u00fcn ba\u015fyaz\u0131lar\u0131. Geni\u015f bir \u00e7er\u00e7eve kurarak, konusunu tarihsel, toplumsal derinli\u011fi i\u00e7inde, siyasal boyutunu da ihmal etmeden kavrama ve tart\u0131\u015fma \u00e7abas\u0131 \u00e7o\u011funa h\u00e2kim.<\/p>\n D\u00fcnya ile devlet, devletle toplum, felsefeyle ger\u00e7eklik, ideallerle \u00f6devler aras\u0131nda s\u0131k\u0131\u015fm\u0131\u015f k\u00fclt\u00fcr hayat\u0131m\u0131z, ayd\u0131nlar\u0131n bu ortam\u0131n imk\u00e2n ve s\u0131n\u0131rlar\u0131na g\u00f6re bi\u00e7imleni\u015fi ba\u015fl\u0131ca konular\u0131n\u0131 olu\u015fturuyor yaz\u0131lar\u0131n. \u00dc\u00e7\u00fc d\u0131\u015f\u0131nda tamam\u0131 1966-1970 aras\u0131nda yaz\u0131lm\u0131\u015f. Cemal S\u00fcreya, \u00e7e\u015fitli a\u00e7\u0131lardan bakarak T\u00fcrk edebiyat\u0131n\u0131n ve T\u00fcrk ayd\u0131n\u0131n\u0131n olabilece\u011fi yer ile oldu\u011fu yer aras\u0131ndaki mesafeyi belirlemeye \u00e7al\u0131\u015f\u0131yor. O g\u00fcnlerin ortam\u0131nda k\u00fclt\u00fcrel ve entelekt\u00fcel hayat\u0131m\u0131zda hen\u00fcz ger\u00e7ekle\u015fmemi\u015f bir potansiyel g\u00f6r\u00fcyor. Yolun ancak tarihsel birikimin bilinciyle ve cesur ele\u015ftiriyle a\u00e7\u0131labilece\u011fini ileri s\u00fcr\u00fcyor. Toplumsal \u00f6zg\u00fcrl\u00fcklerin zemini haz\u0131rlanmad\u0131k\u00e7a siyasal \u00f6zg\u00fcrl\u00fcklerin de s\u0131n\u0131rl\u0131 kalaca\u011f\u0131na dikkat \u00e7ekti\u011fi tarih A\u011fustos 1960. \u201cB\u00fcy\u00fck kitlede ger\u00e7ek bir ayaklanman\u0131n temellerini atmak istiyorsak toplumsal k\u00f6kleri de cesaretle dinamitlemeyi bilmeliyiz,\u201d diyor.<\/p>\n Birinci Cumhuriyetin eskiye y\u00f6nelik y\u0131k\u0131c\u0131l\u0131kta ve tasfiyede oldu\u011fu kadar yeniyi kurmakta, yeni insan\u0131, yeni de\u011ferleri yaratmakta ve biriktirmekte ba\u015far\u0131l\u0131 olamad\u0131\u011f\u0131n\u0131 hat\u0131rlat\u0131yor. Bu durumun \u00f6nce entelekt\u00fcellere sonra topluma yayd\u0131\u011f\u0131 tarihsel k\u00f6t\u00fcmserlikten bahsediyor: \u201cBirinci Cumhuriyet ayd\u0131n\u0131 davran\u0131\u015f bak\u0131m\u0131ndan hi\u00e7bir \u015feye inanmayan ve ni\u00e7in inanmad\u0131\u011f\u0131n\u0131 pek merak etmeyen ki\u015fidir.\u201d<\/p>\n Mutlak de\u011ferleri yads\u0131yarak 1940\u2019larda bir \u00e7e\u015fit \u201ck\u00f6t\u00fc yurtta\u015f\u201d, \u201ck\u00f6t\u00fc hem\u015feri\u201d olan Orhan Veli ku\u015fa\u011f\u0131 \u015fairlerinden sonra ayn\u0131 k\u00f6t\u00fcmserli\u011fin 1950\u2019lerde gelen \u0130kinci Yeni \u015fiirine serpilmi\u015f bir nihilizme d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc ileri s\u00fcr\u00fcyor. Cemal S\u00fcreya bu d\u00fc\u015f\u00fcncelerini dile getirirken \u201cdikkatli olmak gerek\u201d diyorsa da \u00f6ng\u00f6r\u00fcs\u00fc isabetsiz say\u0131lmaz. Birka\u00e7 y\u0131l ge\u00e7meden, 70 sonras\u0131 ba\u015fka bir s\u0131k\u0131\u015fm\u0131\u015fl\u0131k d\u00f6neminde O\u011fuz Atay benzer nihilizmin izlerini ta\u015f\u0131yan Tutunamayanlar\u2019\u0131 ve ard\u0131ndan di\u011fer eserlerini yay\u0131mlamaya ba\u015flayacakt\u0131r.<\/p>\n S\u00fcreya 1969 Eyl\u00fcl\u2019\u00fcnde, yani 12 Mart\u2019tan birka\u00e7 ay \u00f6nce \u201cT\u00fcrk yazar\u0131 \u00e7ok \u00f6nemli bir d\u00f6n\u00fcm noktas\u0131ndad\u0131r. Sorgudad\u0131r,\u201ddiye bitirdi\u011fi bir ba\u015fka yaz\u0131s\u0131nda \u201c\u00e7a\u011f\u0131n\u0131 \u00fcstlenmeyen, hi\u00e7 de\u011filse onun tan\u0131\u011f\u0131 olmak i\u00e7in ileriye bir ad\u0131m atmayan yetenek, yetenek midir?\u201d sorusunu y\u00f6neltiyor okura. Okura diyorum ama asl\u0131nda bu yaz\u0131lar\u0131n \u00e7o\u011funun muhatab\u0131 yazar ve ayd\u0131nlard\u0131r. Hep cesaret vermeye, te\u015fvik etmeye, merak uyand\u0131rmaya, tart\u0131\u015fma a\u00e7maya d\u00f6n\u00fck bir \u00e7abas\u0131 var.<\/p>\n Papir\u00fcs ba\u015fyaz\u0131lar\u0131nda b\u00f6yle bir \u015fair olarak \u00e7\u0131k\u0131yor kar\u015f\u0131m\u0131za Cemal S\u00fcreya. Edebiyatla birlikte tarihe, sosyolojiye, iktisada ayn\u0131 dikkatle e\u011filmekten, hepsini bir b\u00fct\u00fcn olarak ele almaktan yana. Kemal Tahir\u2019in iyi roman yazabilmek i\u00e7in T\u00fcrk insan\u0131n\u0131, Anadolu toplumunu anlamaya \u00e7al\u0131\u015f\u0131rken benzer ba\u015fl\u0131klara y\u00f6neldi\u011fini ve \u00f6\u011frendiklerinden yeni \u00f6devler \u00e7\u0131kard\u0131\u011f\u0131n\u0131 an\u0131msamamak elde de\u011fil.<\/p>\n \u0130lhan Berk daha m\u0131 az merakl\u0131d\u0131r Cemal S\u00fcreya’dan? \u015eiirleriyle birlikte g\u00fcnl\u00fcklerine, mektuplar\u0131na da bak\u0131nca anl\u0131yoruz \u00f6yle olmad\u0131\u011f\u0131n\u0131. S\u00fcreya kadar nesnel ve sistematik g\u00f6r\u00fcnmeyen Ece Ayhan\u2019\u0131n laf aras\u0131nda ans\u0131z\u0131n dile getirdi\u011fi \u00e7arp\u0131c\u0131 tespitleri onun da merak\u0131n\u0131, me\u015fguliyetini s\u0131k s\u0131k ortaya koyar.<\/p>\n Yaln\u0131zca \u0130kinci Yeni \u00e7evresine \u00f6zg\u00fc de\u011fildir. Kendisini tam kar\u015f\u0131ya konumland\u0131ran, hatta onlarla sava\u015f\u0131n\u0131 \u0130kinci Yeni Sava\u015f\u0131 <\/em>ba\u015fl\u0131kl\u0131 bir kitaba d\u00f6n\u00fc\u015ft\u00fcren Attil\u00e2 \u0130lhan da \u00e7ok konunun \u00fczerindeki \u00f6rt\u00fcy\u00fc kald\u0131rarak tart\u0131\u015fmaya a\u00e7m\u0131\u015ft\u0131r. Sonraki ku\u015fakta Enis Batur\u2019un T\u00fcrkiye\u2019nin \u00dc\u00e7lemi<\/em>, Saatsiz Maarif Takvimi<\/em> ve Alternatif Ayd\u0131n<\/em>\u2019daki k\u00fclt\u00fcr ve siyaset \u00fczerine yaz\u0131lar\u0131 ufuk a\u00e7\u0131c\u0131d\u0131r. K\u0131sacas\u0131 Tanzimat\u2019tan g\u00fcn\u00fcm\u00fcze T\u00fcrk \u015fairi \u015fiirlerinden ibaret de\u011fildir. Yabana at\u0131lamayacak bir fikr\u00ee birikimin miras\u00e7\u0131s\u0131 olarak d\u00fc\u015f\u00fcnce hayat\u0131m\u0131z\u0131n da par\u00e7as\u0131d\u0131r. \u015eiire sinmi\u015f d\u00fc\u015f\u00fcnceyi anlayamazsak anlad\u0131\u011f\u0131m\u0131z\u0131 sand\u0131\u011f\u0131m\u0131z meselelerin de bir yan\u0131yla hep eksik kalaca\u011f\u0131n\u0131 san\u0131yorum.<\/p>\n","protected":false},"excerpt":{"rendered":" O \u015fair Cemal S\u00fcreya. Hani hemen her ay edebiyat dergilerinden birinin kapa\u011f\u0131nda az say\u0131da me\u015fhur foto\u011fraf\u0131n\u0131n birinden t\u00fcretilmi\u015f ill\u00fcstrasyon \u00fczerine yap\u0131\u015f\u0131k en \u00e7ok bilinen dizeleriyle kar\u015f\u0131la\u015fmaya al\u0131\u015f\u0131k oldu\u011fumuz \u015fair. Daha evvel defalarca kullan\u0131lm\u0131\u015f foto\u011fraf\u0131, defalarca kullan\u0131lm\u0131\u015f dizeleri, s\u0131nanm\u0131\u015f sat\u0131\u015f ba\u015far\u0131s\u0131n\u0131 riske atmayacak al\u0131\u015f\u0131ld\u0131k tad\u0131, bilindik imaj\u0131yla. Ortalama gen\u00e7 okurunun be\u011fenisiyle, de\u011fer yarg\u0131lar\u0131yla uyu\u015fmayacak, onun tabular\u0131n\u0131 […]<\/p>\n","protected":false},"author":74,"featured_media":33589,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4705,38,513,515,510],"tags":[4733],"class_list":["post-33553","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-182-sayi","category-dergi-sayilari","category-kitapcil","category-nautilus","category-surekli-bolumler","tag-cemal-sureya"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t