{"id":34514,"date":"2019-05-30T00:00:23","date_gmt":"2019-05-29T21:00:23","guid":{"rendered":"https:\/\/bilimvegelecek.com.tr\/?p=34514"},"modified":"2019-05-29T15:00:28","modified_gmt":"2019-05-29T12:00:28","slug":"kitapci-rafi-23","status":"publish","type":"post","link":"https:\/\/bilimvegelecek.com.tr\/index.php\/2019\/05\/30\/kitapci-rafi-23","title":{"rendered":"Kitap\u00e7\u0131 raf\u0131"},"content":{"rendered":"<p><strong>N\u00f6rofelsefe<br \/>\n<\/strong><strong>Patricia Smith Churcland, \u00c7ev. \u00d6zge Y\u0131lmaz, Alfa Bilim, 2019, 592 s.<br \/>\n<\/strong>N\u00f6rofelsefe, d\u0131\u015f d\u00fcnyan\u0131n zengin bir temsilinden ibaret h\u00fccreler y\u0131\u011f\u0131n\u0131 olan beynimizin nas\u0131l \u00e7al\u0131\u015ft\u0131\u011f\u0131na ve ne yapt\u0131\u011f\u0131na ili\u015fkin sorulara yan\u0131t arar: Zihinsel durumlar beyin durumlar\u0131yla \u00f6zde\u015f midir? Bilin\u00e7li ya\u015fant\u0131lar fizyolojik olarak anla\u015f\u0131labilir midir? Temsiller nedir ve bir beyin kendi d\u0131\u015f\u0131ndaki d\u00fcnyay\u0131 nas\u0131l temsil eder? Deneysel bulgulara s\u0131rt \u00e7eviren geleneksel felsefenin tersine, n\u00f6rofelsefe yan\u0131tlar\u0131 n\u00f6robilimde arar. Zihin-beynin nas\u0131l \u00e7al\u0131\u015ft\u0131\u011f\u0131na ili\u015fkin bir kuram\u0131n n\u00f6rofizyolojik, etolojik ve psikolojik olgular\u0131 i\u00e7erecek \u015fekilde her d\u00fczeyden deneysel olgularla s\u0131n\u0131rland\u0131r\u0131lmas\u0131 gerekti\u011fini savunan P. Churchland\u2019\u0131n bu kitab\u0131 T\u00fcrk\u00e7e felsefe literat\u00fcr\u00fcnde \u00f6nemli bir bo\u015flu\u011fu dolduracakt\u0131r.<\/p>\n<p><strong>N\u00f6roplastisite<br \/>\n<\/strong><strong>Moheb Costandi, \u00c7ev. \u015eiirsel Ta\u015f, Pan Yay\u0131nc\u0131l\u0131k, 2019, 200 s.<br \/>\n<\/strong>N\u00f6roplastisite hakk\u0131nda eylemlerimize ve deneyimlerimize yan\u0131t olarak beynimizin s\u00fcrekli nas\u0131l de\u011fi\u015fti\u011fini a\u00e7\u0131klayan k\u0131sa ve \u00f6z bir bak\u0131\u015f.\u00a0MIT Press Gerekli Bilgiler dizisi, ilgi \u00e7eken g\u00fcncel konularda \u00f6zenle haz\u0131rlanm\u0131\u015f, kolay eri\u015filebilir, \u00f6zl\u00fc cep kitaplar\u0131ndan olu\u015fmaktad\u0131r. \u0130leri gelen d\u00fc\u015f\u00fcn\u00fcrler taraf\u0131ndan yaz\u0131lm\u0131\u015f bu kitaplar k\u00fclt\u00fcrel ve tarih\u00ee konulardan bilimsel ve teknik konulara uzanan bir yelpazede uzman bak\u0131\u015f a\u00e7\u0131s\u0131 sunmaktad\u0131r. \u0130\u00e7inde bulundu\u011fumuz anl\u0131k bilgi hazz\u0131 \u00e7a\u011f\u0131nda g\u00f6r\u00fc\u015flere, gerek\u00e7elendirmelere ve y\u00fczeysel a\u00e7\u0131klamalara kolayca eri\u015febiliyoruz. \u00c7ok daha zor olansa d\u00fcnyaya dair ilkelere dayal\u0131 bir anlay\u0131\u015f geli\u015ftirmemizi sa\u011flayacak temel bilgiyi edinebilmek. Gerekli Bilgiler serisi bu ihtiyac\u0131 kar\u015f\u0131l\u0131yor. Uzman olmayan okurlar i\u00e7in \u00f6zelle\u015fmi\u015f alanlarda bilinenleri bir araya getiren ve \u00f6nemli konu ba\u015fl\u0131klar\u0131n\u0131 temel bilgilerle birbirine ba\u011flayan bu kitaplar\u0131n her biri karma\u015f\u0131k fikirlere bir eri\u015fim noktas\u0131 sa\u011flamaktad\u0131r.<\/p>\n<p><strong>\u00a0<\/strong><strong>Hayvan Kuram\u0131<br \/>\n<\/strong><strong>-Ele\u015ftirel Bir Giri\u015f, Derek Ryan, \u00c7ev. Ayten Alkan, \u0130leti\u015fim Yay\u0131nlar\u0131, 2019, 238 s.<br \/>\n<\/strong>Derek Ryan Hayvan Kuram\u0131\u2019nda, \u201chayvan\u201d ve \u201chayvanl\u0131k\u201d\u0131 teorik\u00a0tart\u0131\u015fmalar \u0131\u015f\u0131\u011f\u0131nda inceliyor. Bunu yaparken Friedrich Nietzsche\u2019nin\u00a0materyalist ontolojisinden Donna Haraway\u2019in feminist felsefesine;\u00a0Sigmund Freud ve Jacques Lacan\u2019\u0131n psikanalizinden Peter Singer, Tom\u00a0Regan ve Martha Nussbaum\u2019un ahl\u00e2k felsefesine; Martin Heidegger ve\u00a0Maurice Merleau-Ponty\u2019nin fenomenolojisinden Derrida, Deleuze ve\u00a0F\u00e9lix Guattari\u2019nin postyap\u0131salc\u0131 felsefesine; Carol Adams\u2019\u0131n vejetaryen\u00a0kuram\u0131ndan Cary Wolfe ve Rosi Braidotti\u2019nin post h\u00fcmanizmine\u00a0uzanan disiplinleraras\u0131 bir y\u00f6ntem izliyor, akademideki hayvan\u00a0kuram\u0131n\u0131n izini s\u00fcr\u00fcyor.<\/p>\n<p><strong>Kad\u0131nlar Irk ve S\u0131n\u0131f<br \/>\n<\/strong><strong>Angela Y. Davis, \u00c7ev. Selda Ar\u0131t, Heretik Yaync\u0131l\u0131k, 2019, 286 s.<br \/>\n<\/strong>Angela Y. Davis, \u0131rk\u00e7\u0131l\u0131k kar\u015f\u0131t\u0131 siyah \u00f6zg\u00fcrle\u015fme m\u00fccadeleleri ba\u011flam\u0131nda ABD feminist hareketinin ele\u015ftirel ve kar\u015f\u0131la\u015ft\u0131rmal\u0131 analizi ile ba\u015flar bu \u00f6nc\u00fc \u00e7al\u0131\u015fmas\u0131na. \u0130lk olarak, beyaz feminist ve k\u00f6lelik kar\u015f\u0131t\u0131 hareketin s\u0131n\u0131fsal ve \u0131rk\u00e7\u0131 \u00e7eli\u015fkilerini maharetle g\u00f6zler \u00f6n\u00fcne serer. Bu \u00e7eli\u015fkiler hi\u00e7 de s\u0131radan de\u011fildir. Davis, \u0131rk\u00e7\u0131l\u0131\u011f\u0131n beyaz feminist hareket i\u00e7erisine s\u0131zd\u0131\u011f\u0131 oyuklar\u0131 \u00e7e\u015fitli tart\u0131\u015fma ve meseleler \u00fczerinden teker teker ortaya \u00e7\u0131kar\u0131r. \u00d6rne\u011fin, Amerikan i\u00e7 sava\u015f\u0131 ertesinde, kad\u0131nlar i\u00e7in oy hakk\u0131 hareketi ile \u0131rk\u00e7\u0131 g\u00fcneyli siyaset\u00e7iler aras\u0131nda, oy hakk\u0131n\u0131n kad\u0131nlara tan\u0131nmas\u0131 ancak siyahlar\u0131n bu haktan mahrum b\u0131rak\u0131lmas\u0131 y\u00f6n\u00fcndeki ittifak bunlardan sadece biridir. Ancak Davis\u2019in klasik niteli\u011findeki bu \u00e7al\u0131\u015fmas\u0131, birlikte y\u00fcr\u00fct\u00fcld\u00fcklerinde m\u00fccadelelerin hedeflerine ula\u015ft\u0131\u011f\u0131n\u0131 da g\u00f6steren deneyim ve \u00f6rneklere doludur. Davis, siyah kad\u0131nlar\u0131n baz\u0131 talepleriyle hem beyaz kad\u0131nlar\u0131n hem de \u0131rk\u00e7\u0131 bask\u0131 alt\u0131nda ya\u015fatan di\u011fer birtak\u0131m gruplar\u0131n taleplerinin ortak oldu\u011funu; keza \u0131rk\u00e7\u0131l\u0131\u011f\u0131n farkl\u0131 bir y\u00fcz\u00fcn\u00fc tecr\u00fcbe eden siyah erkeklerin de siyah kad\u0131nlarla birlikte ayn\u0131 m\u00fccadelenin par\u00e7as\u0131 olduklar\u0131n\u0131 \u00f6nemle vurgular.<\/p>\n<p><strong>Makine \u00c7a\u011f\u0131nda insan olmak- Merhaba D\u00fcnya<br \/>\n<\/strong><strong>Hannah Fry, \u00c7ev. \u0130pek G\u00fcne\u015f \u00c7\u0131\u011fay, Hep Kitap, 2019, 254 s.<br \/>\n<\/strong><em>Merhaba D\u00fcnya<\/em> kitab\u0131, okuru g\u00fcnl\u00fck hayatta etraf\u0131n\u0131 ku\u015fatan algoritmalar\u0131n iyi, k\u00f6t\u00fc ve \u00e7irkin d\u00fcnyas\u0131na g\u00f6t\u00fcrmeyi hedefliyor. Ger\u00e7ek hayattan hikayelerle algoritmalar\u0131n g\u00fcc\u00fcn\u00fc anlatmaya ve insanlar\u0131n bu s\u0131n\u0131rlar\u0131 ke\u015ffetmesine yard\u0131mc\u0131 olmay\u0131 hedefliyor. \u00c7al\u0131\u015ft\u0131\u011f\u0131 \u00fcniversitede insan davran\u0131\u015flar\u0131ndaki kal\u0131plar\u0131 incelemek amac\u0131yla matematiksel modellemeleri kullanan Fry, kitab\u0131nda \u015fu sorular\u0131n yan\u0131tlar\u0131n\u0131 veriyor; ir su\u00e7 i\u015fledi\u011finizde cezan\u0131za kim karar versin istersiniz? Matematiksel a\u00e7\u0131dan tutarl\u0131 ama empatiden yoksun bir algoritma m\u0131\u00a0yoksa \u00f6nyarg\u0131l\u0131 bir h\u00e2kim mi? S\u00fcr\u00fcc\u00fcs\u00fcz bir araba almak isteseniz bir kaza an\u0131nda \u00e7o\u011funlu\u011fun hayat\u0131n\u0131 kurtarmak \u00fczere programlanm\u0131\u015f bir araba m\u0131 tercih edersiniz yoksa yolcusunu koruyan\u0131\u00a0m\u0131? Peki ara\u015ft\u0131rmac\u0131lar\u0131n kanserin tedavisini bulmas\u0131na yard\u0131mc\u0131\u00a0olaca\u011f\u0131n\u0131 s\u00f6yleseler ailenizin t\u0131bbi tarihini payla\u015f\u0131r m\u0131s\u0131n\u0131z?<\/p>\n<p><strong>Kozmostaki Evimiz<br \/>\n<\/strong><strong>Martin Rees, \u00c7ev. Ilg\u0131n Y\u0131ld\u0131z, Say Yay\u0131nlar\u0131, 2019, 200 s.<br \/>\n<\/strong>10 milyar \u0131\u015f\u0131k y\u0131l\u0131ndan daha uzakta, yani g\u00f6zlemlenebilir evrenin s\u0131n\u0131rlar\u0131n\u0131n \u00f6tesinde neler oldu\u011funu hi\u00e7 merak ettiniz mi? Peki, bu s\u0131n\u0131r\u0131n \u00f6tesinde bir yerlerde D\u00fcnya&#8217;n\u0131n, hatta g\u00fcne\u015f sisteminin, hatta hatta Samanyolu&#8217;nun bir kopyas\u0131n\u0131n var olabilece\u011fini, hele de evren sonsuz ise buna neredeyse kesin g\u00f6z\u00fcyle bak\u0131labilece\u011fini hi\u00e7 d\u00fc\u015f\u00fcnd\u00fcn\u00fcz m\u00fc? Bir yerlerde sizin de bir kopyan\u0131z ya\u015fam\u0131\u015f, ya\u015f\u0131yor ya da ya\u015fayacak olabilir&#8230; <em>Kozmostaki Evimiz<\/em> evrene bak\u0131\u015f a\u00e7\u0131n\u0131z\u0131 e\u011fen bir kitap&#8230; Evrene dair, bulabilece\u011finiz en a\u00e7\u0131k se\u00e7ik anlat\u0131m. &#8230; Sadece Evrenin ya\u015fama olanak tan\u0131mas\u0131na de\u011fil, Martin Rees kalibresinde bir bilimcinin onu bize a\u00e7\u0131klamaya istekli olmas\u0131na da \u015f\u00fckretmeliyiz.<\/p>\n<p><strong>Yarat\u0131c\u0131 T\u00fcr<br \/>\n<\/strong><strong>-Fikirler D\u00fcnyay\u0131 Nas\u0131l Yeniden Yarat\u0131yor, David Eagleman-Anthony Brandt, \u00c7ev. Zeynep Ar\u0131k Tozar, Domingo Yay\u0131nevi, 2019, 304 s.<br \/>\n<\/strong>\u00dcnl\u00fc n\u00f6robilimci David Eagleman ve besteci Anthony Brandt \u015fu sorunun pe\u015fine tak\u0131l\u0131yor: \u0130nsanl\u0131\u011f\u0131n yaratma becerisi ve g\u00fcd\u00fcs\u00fcn\u00fcn temelinde yatan \u015fey nedir? Zihnimizdeki\u00a0yarat\u0131c\u0131 yaz\u0131l\u0131m nas\u0131l\u00a0 \u00e7al\u0131\u015f\u0131yor, ona neden sahibiz ve bizi nereye g\u00f6t\u00fcr\u00fcyor? Yarat\u0131c\u0131 T\u00fcr, Picasso\u2019dan konsept arabalara, \u015femsiyelerden Ay\u2019a seyahate, e\u011fitim sistemimizden\u00a0ket\u00e7ap \u015fi\u015felerine kadar uzan\u0131p yarat\u0131c\u0131 zihni mercek alt\u0131na alan etkileyici bir yolculuk. N\u00f6robilimdeki en yeni bulgulardan faydalanarak sahip oldu\u011fumuz bu derin, gizemli ve en\u00a0\u00f6nemli insan becerisinin temel i\u015fleyi\u015fini ilk kez b\u00f6ylesine g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor ve hepimiz i\u00e7in daha yarat\u0131c\u0131 bir gelece\u011fin kap\u0131lar\u0131n\u0131 aral\u0131yor.<\/p>\n<p><strong>Cemaat ve Cemiyet<br \/>\n<\/strong><strong>Ferdinand T\u00f6nnies, \u00c7ev. Emre G\u00fcler, Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131, 2019, 456 s.<br \/>\n<\/strong>Cemaat ve Cemiyet, birliktelik duygular\u0131n\u0131n temel te\u015fkil etti\u011fi cemaatlerin \u201ctopluluk\u201d ruhuyla, bireysel ya\u015famlar\u0131n belirleyici oldu\u011fu cemiyet ya\u015fam\u0131n\u0131, yani modern \u201ctoplum\u201du kar\u015f\u0131la\u015ft\u0131rmal\u0131 bir yakla\u015f\u0131mla ele al\u0131yor. Kitap boyunca T\u00f6nnies bir yandan ele ald\u0131\u011f\u0131 kar\u015f\u0131tl\u0131klar\u0131n teorisini geli\u015ftirirken, bir yandan da do\u011fal irade ile insan iradesi aras\u0131nda bir denklem kuruyor. K\u0131rsal-kentsel mek\u00e2nlarda, geleneksel-modern ya\u015fam formlar\u0131nda, duygusal-rasyonel ili\u015fkiler ekseninde, insanlar\u0131n davran\u0131\u015flar\u0131na hangi unsurlar\u0131n y\u00f6n verdi\u011fini a\u00e7\u0131klayan Cemaat ve Cemiyet, sadece T\u00f6nnies\u2019in d\u00fc\u015f\u00fcnce d\u00fcnyas\u0131n\u0131 de\u011fil, onu takip eden Alman sosyoloji gelene\u011fini de anlamak i\u00e7in \u00e7ok \u00f6nemli bir kaynak. Okurlar kapitalizm, bireyselcilik ve kent sosyolojisi gibi alanlar\u0131n, Weber, Sombart ve Simmel gibi d\u00fc\u015f\u00fcn\u00fcrlerin fikr\u00ee tohumlar\u0131n\u0131 Cemaat ve Cemiyet\u2019te bulacak\u2026<\/p>\n<p><strong>Umut Kendi Enkaz\u0131ndan<br \/>\n<\/strong><strong>Arma\u011fan Ekici, Everest Yay\u0131nlar\u0131, 2019, 300 s.<br \/>\n<\/strong><em>Lacivert Ta\u015f\u0131ndan Tabletler<\/em> ile 2006 y\u0131l\u0131nda Cevdet Kudret Edebiyat \u00d6d\u00fcl\u00fc\u2019n\u00fc kazanan Arma\u011fan Ekici, denemelerinin bu ikinci cildinde 2015-2018 aras\u0131ndaki yaz\u0131lar\u0131n\u0131 derliyor. Homeros, Shelley ve Ambrose Bierce\u2019dan ba\u015flay\u0131p, Lewis Carroll, James Joyce, Flann O\u2019Brien, Ahmet Hamdi Tanp\u0131nar, Antonin Artaud, Nikos Kazancakis, Beh\u00e7et Necatigil, Oktay Rifat, Enis Batur \u00fczerinden edebiyat\u0131n bug\u00fcn\u00fcn d\u00fcnyas\u0131yla ba\u011flant\u0131lar\u0131n\u0131 ar\u0131yor, \u00e7eviri meseleleri \u00fczerine okurla birlikte d\u00fc\u015f\u00fcn\u00fcyor. \u201cBazen, yak\u0131n arkada\u015flar\u0131m\u0131n bana (hay\u0131r, Joyce ile ilgisi olmayan bir konuda) \u2018bu yapt\u0131\u011f\u0131m\u0131z delilik mi?\u2019 diye sorduklar\u0131 oluyor. \u015eimdiye kadar hep ayn\u0131 cevab\u0131 verdim: \u201cB\u0131rak delilik olsun, ak\u0131ll\u0131lardan ne hay\u0131r g\u00f6rd\u00fck?\u201d Evet: arkada\u015flar, buyrun bak\u0131n, \u2018ak\u0131ll\u0131\u2019lara g\u00f6re kurulmu\u015f d\u00fcnyan\u0131n hali ortada. (Beckett\u2019\u0131n da sevdi\u011fi \u2018D\u00fcnya ve Pantalon\u2019 f\u0131kras\u0131n\u0131 hat\u0131rlay\u0131n.) B\u0131\u00e6rak\u0131n ak\u0131ll\u0131lar bildiklerini okusunlar; hayat\u0131m\u0131za kat\u0131lan pek \u00e7ok g\u00fczellik, birilerinin delilik etmesi sayesinde ortaya \u00e7\u0131k\u0131yor.\u201d<\/p>\n<p><strong>G\u00fczel G\u00fcnlerimiz Oldu<br \/>\n<\/strong><strong>Sami Kara\u00f6ren Haz. P. \u015e\u00fckran Sabanu\u00e7, Mukadder \u00d6zge\u00e7, \u00d6mer \u00d6zge\u00e7, T\u00fcrkiye \u0130\u015f Bankas\u0131 K\u00fclt\u00fcr Yay\u0131nlar\u0131, 2019, 2019, 192 s.<br \/>\n<\/strong>Sami Kara\u00f6ren \u00f6ncelikle Cumhuriyet gazetesi okurlar\u0131n\u0131n iyi tan\u0131d\u0131\u011f\u0131, an\u0131msayaca\u011f\u0131 bir ad. Otuz iki y\u0131l Cumhuriyet\u2019in Yaz\u0131 \u0130\u015fleri M\u00fcd\u00fcr\u00fc olarak \u00e7al\u0131\u015fm\u0131\u015f, T\u00fcrk Dil Kurumu\u2019nun en \u00fcretken d\u00f6neminde on alt\u0131 y\u0131l y\u00f6netimde bulunmu\u015f bir Cumhuriyet ayd\u0131n\u0131. Sami Bey ya\u015fad\u0131\u011f\u0131 d\u00f6neme i\u00e7indeyken uzaktan ve nesnel bir g\u00f6zle bakabilmeyi ba\u015farm\u0131\u015f, kar\u015f\u0131la\u015ft\u0131\u011f\u0131 ki\u015fileri y\u0131llar sonra de\u011fil, o s\u0131rada de\u011ferlendirebilmi\u015f ve bu niteli\u011finin kendisi de ayr\u0131m\u0131nda olarak ya\u015fam\u0131\u015f bir yazar. \u2013Kimler yok ki bu ki\u015filer aras\u0131nda: Orhan Veli, Melih Cevdet, Oktay Rifat, Cahit K\u00fclebi, Peyami Safa, Yahya Kemal, V\u00e2l\u00e2 Nureddin, Halim \u015eefik, Da\u011flarca, Ahmet Muhip D\u0131ranas ve Tahsin Y\u00fccel, vd.\u2013 Pi\u015fmanl\u0131klar\u0131 olmayan, kendinden ho\u015fnut, g\u00f6revini yerine getirmi\u015f olman\u0131n verdi\u011fi dinginlikle ge\u00e7mi\u015fi anlatan, mutlu bir ki\u015fi. \u00dc\u00e7 y\u0131l s\u00fcren g\u00f6r\u00fc\u015fmelerin \u00fcr\u00fcn\u00fc olan bu an\u0131lar\u0131 P. \u015e\u00fckran Sabanu\u00e7, Mukadder \u00d6zge\u00e7 ve \u00d6mer \u00d6zge\u00e7 derledi: \u201cSami Bey\u2019le d\u00f6neminin \u00f6nemli bir gazetecisi oldu\u011fu d\u00fc\u015f\u00fcncesiyle ba\u015flad\u0131k konu\u015fmalar\u0131m\u0131za. Ama o bu sohbetlere bir \u015fey daha ekliyordu: \u015eiirler\u2026 Onun gazetecili\u011fiyle yan yana giden bir tutkusunun da \u015fiirler ve yaz\u0131n oldu\u011funu g\u00f6rd\u00fck. \u00c7ok say\u0131da T\u00fcrk \u015fiirini s\u0131k s\u0131k, tak\u0131lmadan okuyordu bize. G\u00fc\u00e7l\u00fc belle\u011fini bir de \u015fiirlerle s\u0131n\u0131yordu sanki. Ard\u0131ndan okudu\u011fu \u015fiirle ilgili yorumlar\u0131n\u0131, varsa \u015fairiyle k\u00fc\u00e7\u00fck bir an\u0131s\u0131n\u0131 dile getiriyordu. Sami Bey anlat\u0131r anlat\u0131r, bir sessizlik oldu\u011fu anlarda \u2018G\u00fczel g\u00fcnlerimiz oldu,\u2019 der s\u0131k s\u0131k. Yani bu kitab\u0131n ba\u015fl\u0131\u011f\u0131n\u0131 o belirlemi\u015f oldu b\u00f6ylece. Ger\u00e7ekten de hep g\u00fczel g\u00fcnlerini, g\u00fczel ki\u015fileri anlatt\u0131 bize. Bir \u015feyleri saklamak i\u00e7in de\u011fil, \u00f6yle ya\u015fad\u0131\u011f\u0131 i\u00e7in&#8230;\u201d<\/p>\n<p><strong>Manzaralar<br \/>\n<\/strong><strong>John Berger, \u00c7ev. Beril Ey\u00fcbo\u011flu, \u00d6zlem Dalk\u0131ran, O\u011fuz Tecimen, Metis Yay\u0131nc\u0131l\u0131k, 2019, 264 s.<br \/>\n<\/strong>Berger\u2019\u0131n t\u00fcm yap\u0131t\u0131 yeniden hayal etmeye, farkl\u0131 bi\u00e7imlerde g\u00f6rmeye bir davet niteli\u011finde. Yaz\u0131 yazmak Berger i\u00e7in her zaman \u201cdevrimci\u201d bir eylem olmu\u015ftur. Berger\u2019\u0131n d\u00fc\u015f\u00fcncesini \u015fekillendiren bireylerden \u2013demek yolda\u015flardan\u2013 s\u00f6z eden yaz\u0131lar\u0131 bir araya getiriyor <em>Portreler<\/em>\u2019in karde\u015fi <em>Manzaralar<\/em>: Antal, Raphael, Brecht, Barthes, Benjamin. Yan\u0131 s\u0131ra haritalar, patikalar, mek\u00e2nlar, k\u00f6yler, kasabalar, kentler, tarihsel zamanlar. \u00d6zetle bir \u201chik\u00e2ye anlat\u0131c\u0131s\u0131\u201dn\u0131 olu\u015fturan, var eden \u015feyler.<\/p>\n<p><strong>Hukuk Nedir?<br \/>\n<\/strong><strong>Cemal B\u00e2li Akal, Zoe Kitap, 2019, 280 s.<br \/>\n<\/strong>Hukuk nedir? Cevap fazlas\u0131yla a\u00e7\u0131k ve basit gibi g\u00f6r\u00fcn\u00fcyor. Oysa Cemal B\u00e2li Akal\u2019\u0131 tan\u0131yan okuyucular, bu kitapta \u201chukuk \u015fudur ya da budur\u201d gibi beylik cevaplara yer verilmedi\u011fini tahmin etmi\u015f olmal\u0131lar. Bu tahminlerinde de hakl\u0131lar. Benzer s\u00f6zc\u00fcklerin tarihte hi\u00e7 de\u011fi\u015fmeden kalan benzer anlamlara sahip olduklar\u0131na ili\u015fkin inanc\u0131n, insan\u0131 kolayc\u0131 \u00e7\u00f6z\u00fcmlere y\u00f6nelten vahim bir hata oldu\u011funu g\u00f6steriyor ve ezberci \u201cbir\u201d hukuk tan\u0131m\u0131na kar\u015f\u0131 \u00e7\u0131k\u0131yor Akal. Ve yine kendisinden beklenece\u011fi gibi, bir yandan hayat\u0131n sonsuz de\u011fi\u015fkenli\u011fi i\u00e7inde metafizik cevaplar\u0131n yetersizli\u011fini g\u00f6sterirken, di\u011fer yandan farkl\u0131 t\u00fcm hukuklar\u0131n ortak asl\u00ee unsurlar\u0131n\u0131 yakalama aray\u0131\u015f\u0131ndan vazge\u00e7miyor. \u0130dealist genel kabulleri, h\u00e2kim muhafazak\u00e2r anlay\u0131\u015flar\u0131 ve ataerkil zihniyeti ku\u015fkuyla kar\u015f\u0131lay\u0131p, literat\u00fcrdeki \u00f6nemli bir bo\u015flu\u011fu dolduran bu aray\u0131\u015fa ortak olmak isteyenler i\u00e7in.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>N\u00f6rofelsefe Patricia Smith Churcland, \u00c7ev. \u00d6zge Y\u0131lmaz, Alfa Bilim, 2019, 592 s. N\u00f6rofelsefe, d\u0131\u015f d\u00fcnyan\u0131n zengin bir temsilinden ibaret h\u00fccreler y\u0131\u011f\u0131n\u0131 olan beynimizin nas\u0131l \u00e7al\u0131\u015ft\u0131\u011f\u0131na ve ne yapt\u0131\u011f\u0131na ili\u015fkin sorulara yan\u0131t arar: Zihinsel durumlar beyin durumlar\u0131yla \u00f6zde\u015f midir? Bilin\u00e7li ya\u015fant\u0131lar fizyolojik olarak anla\u015f\u0131labilir midir? Temsiller nedir ve bir beyin kendi d\u0131\u015f\u0131ndaki d\u00fcnyay\u0131 nas\u0131l temsil eder? [&hellip;]<\/p>\n","protected":false},"author":672,"featured_media":34515,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4852,38,513,510,511],"tags":[4882,4880,4878,4884,4879,4881,4883],"class_list":["post-34514","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-184-sayi","category-dergi-sayilari","category-kitapcil","category-surekli-bolumler","category-yayin-dunyasi","tag-cemaat-ve-cemiyet","tag-guzel-gunlerimiz-oldu","tag-hukuk-nedir","tag-kozmostaki-evimiz","tag-manzaralar","tag-umut-kendi-enkazindan","tag-yaratici-tur"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/34514","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/users\/672"}],"replies":[{"embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=34514"}],"version-history":[{"count":0,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/34514\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/media\/34515"}],"wp:attachment":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=34514"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=34514"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=34514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}