{"id":47027,"date":"2020-11-01T00:00:12","date_gmt":"2020-10-31T21:00:12","guid":{"rendered":"https:\/\/bilimvegelecek.com.tr\/?p=47027"},"modified":"2020-10-31T15:31:44","modified_gmt":"2020-10-31T12:31:44","slug":"insan-olmanin-kederi","status":"publish","type":"post","link":"https:\/\/bilimvegelecek.com.tr\/index.php\/2020\/11\/01\/insan-olmanin-kederi","title":{"rendered":"\u0130nsan Olman\u0131n Kederi"},"content":{"rendered":"<p>\u0130smini daha \u00f6nce duymad\u0131\u011f\u0131m bir yazarla kar\u015f\u0131la\u015ft\u0131\u011f\u0131mda kapak tasar\u0131m\u0131n\u0131n beni tavlamas\u0131na m\u00fcsaade ederim. Koli band\u0131yla duvara yap\u0131\u015ft\u0131r\u0131lm\u0131\u015f muz imgesi haf\u0131zalar\u0131m\u0131za yerle\u015feli birka\u00e7 ay olmu\u015ftu. Muzun rol\u00fc yarat\u0131l\u0131\u015f hik\u00e2yesine g\u00f6z k\u0131rparcas\u0131na k\u0131rm\u0131z\u0131 bir elma taraf\u0131ndan \u00fcstlenilmi\u015f ve o elma koli band\u0131n\u0131n bir anl\u0131k gafletinden faydalan\u0131p yer\u00e7ekiminin kollar\u0131na b\u0131rakm\u0131\u015ft\u0131 kendini. Wilhelm Genazino\u2019nun <em>Elden D\u00fc\u015fme D\u00fcnya<\/em>\u2019s\u0131 daha iyi imgele\u015ftirilemezdi san\u0131yorum.<br \/>\nOkumay\u0131 bitirdi\u011fim kitaplarla vedala\u015f\u0131r\u0131m -\u00e7o\u011fumuzun benzer rit\u00fcelleri oldu\u011funu tahmin ediyorum-, bir s\u00fcre daha sayfalar aras\u0131nda gider gelirim, evirir \u00e7eviririm, iyi anla\u015ft\u0131ysam hat\u0131ra foto\u011fraf\u0131 bile \u00e7ekerim. \u201c\u0130nsan olman\u0131n kaderine kendince ba\u015fkald\u0131rd\u0131\u011f\u0131 her seferde karars\u0131zl\u0131k, \u00e7eli\u015fki ve pi\u015fmanl\u0131k yuma\u011f\u0131na hapsolurken, hayat\u0131 bir par\u00e7a daha farsa d\u00f6n\u00fc\u015f\u00fcr\u201d diyordu arka kapak yaz\u0131s\u0131 bu elden d\u00fc\u015fme d\u00fcnyan\u0131n serbest mimar olarak \u00e7al\u0131\u015fan isimsiz anlat\u0131c\u0131s\u0131 i\u00e7in\u2026 T\u0131rnak i\u00e7ine ald\u0131\u011f\u0131m k\u0131s\u0131m kitaba ba\u015flarken tabii ki pek bir \u015fey ifade etmemi\u015fti fakat s\u0131ra vedala\u015fmaya geldi\u011finde i\u015flerin de\u011fi\u015fmi\u015f oldu\u011funu farketmek bana huzursuz bir mutluluk verdi. \u0130simsiz anlat\u0131c\u0131 ile tan\u0131\u015f\u0131p kayna\u015fm\u0131\u015f olmal\u0131yd\u0131m ki kapak yaz\u0131s\u0131ndaki ifadeye onun ad\u0131na bir itiraz geli\u015ftirmem icap etti. \u201cBenim as\u0131l davam, genel olarak hayattan tasarruftu\u201d diyen biri insan olman\u0131n kaderine ne diye ba\u015fkald\u0131rs\u0131nd\u0131\u2026 Kahraman\u0131m\u0131z insan olman\u0131n kaderiyle de\u011fil de kederiyle m\u00fccadele ediyordu sanki\u2026 Tasarruf hayattan olunca bir pasif direni\u015f hali canland\u0131 g\u00f6z\u00fcmde. <em>Elden D\u00fc\u015fme D\u00fcnya<\/em>\u2019y\u0131 insan\u0131n ister maddi ister manevi olsun t\u00fcm arzular\u0131n\u0131 tatmin etmeye zorlayan modern hayat\u0131n k\u00fc\u00e7\u00fck oyunlar\u0131 kar\u015f\u0131s\u0131nda bir tirat olarak okumak m\u00fcmk\u00fcn. Kendinizi mek\u00e2ndan, olaylardan ba\u011f\u0131ms\u0131z bi\u00e7imde insan olman\u0131n kederine katlanman\u0131n ipu\u00e7lar\u0131n\u0131 toplarken bulman\u0131z ise i\u015ften bile de\u011fil.<br \/>\nMetinde ilerledik\u00e7e karakterin isimsizli\u011finden tutun olay \u00f6rg\u00fcs\u00fcn\u00fcn tekd\u00fczeli\u011fine kahraman\u0131m\u0131z\u0131n akl\u0131ndan ge\u00e7enler, o i\u00e7 hesapla\u015fma d\u0131\u015f\u0131ndaki her \u015fey birer fig\u00fcran ya da dekor olarak g\u00f6r\u00fcnmeye ba\u015fl\u0131yor g\u00f6z\u00fcn\u00fcze. Biriyle dertle\u015fti\u011fim hissine s\u0131k s\u0131k kap\u0131lmam\u0131n nedeni de tirad\u0131n bu anlamdaki bo\u015fluksuzlu\u011fu olabilir. Sahibi oldu\u011fumuzu sand\u0131\u011f\u0131m\u0131z duygular\u0131m\u0131z\u0131n veya sat\u0131n ald\u0131\u011f\u0131m\u0131z \u015feylerin memnuniyetsizli\u011fimizin kayna\u011f\u0131na d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc farketmedi\u011fimiz (ya da farketmemeyi tercih etti\u011fimiz) bir hayat tarz\u0131yla s\u0131nan\u0131yoruz. Kahraman\u0131m\u0131z bu memnuniyetsizlik haliyle bitimsiz bir tart\u0131\u015fmaya giriyor, ki\u015fisel tarihini sorgulamad\u0131\u011f\u0131 an\u0131 neredeyse yok. Asl\u0131na bakarsan\u0131z Genazino tahamm\u00fcl sanat\u0131n\u0131n inceliklerini payla\u015f\u0131p okurunu g\u00fcndelik eylemlerine s\u0131zm\u0131\u015f b\u0131kk\u0131nl\u0131\u011f\u0131yla y\u00fczle\u015ftirmek istiyor ve bunu su\u00e7lamadan yapmay\u0131 ba\u015far\u0131yor. Buradaki ba\u015far\u0131s\u0131n\u0131n bir k\u0131sm\u0131 da monolo\u011fa dayal\u0131 bir anlat\u0131m tarz\u0131 benimsemi\u015f olmas\u0131ndan ileri geliyor belki, m\u00fchim olan kahraman\u0131n huzursuzlu\u011funu \u00fcstlenmek zorunda hissetmeden ba\u011f kurabilme esnekli\u011finin okura sunulabilmesi\u2026 T\u00fcm sertli\u011fine ra\u011fmen varolu\u015fsal sorgulama okur taraf\u0131ndan sahipleniliyor, bu imk\u00e2n\u0131 metnin \u00fczerindeki melankolinin ve onu bir buluta d\u00f6n\u00fc\u015ft\u00fcren \u00e7evirinin yaratt\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum.<br \/>\nYazar Wilhelm Genazino 2000\u2019li y\u0131llar\u0131n ba\u015f\u0131nda yay\u0131mlad\u0131\u011f\u0131 <em>O G\u00fcn \u0130\u00e7in \u015eemsiye<\/em> (2014, Jaguar) adl\u0131 roman\u0131yla \u00f6d\u00fcll\u00fc bir ba\u015far\u0131 elde ediyor; bu, ayn\u0131 zamanda dilimize \u00e7evrilen ilk eseri. Ard\u0131ndan <em>A\u015fk Aptall\u0131\u011f\u0131<\/em> (2018, Jaguar) ve <em>Mutsuzluk Zamanlar\u0131nda Mutluluk <\/em>(2014, Ayr\u0131nt\u0131) geliyor. Genazino\u2019nun eserleri aras\u0131ndaki benzerli\u011fi tan\u0131t\u0131m yaz\u0131lar\u0131ndan bile yakalamak m\u00fcmk\u00fcn. Ben bu durumu s\u0131k\u0131c\u0131 bir tahmin edilebilirlik hali olarak tan\u0131mlarsam haks\u0131zl\u0131k ederim. Karakterlerdeki, hik\u00e2yeler aras\u0131ndaki benzerlikler yazar\u0131n d\u00fcnyay\u0131, ya\u015fam\u0131 anlamaya ve anlatmaya ili\u015fkin b\u00fct\u00fcnsel bir yakla\u015f\u0131m geli\u015ftirebildi\u011finin i\u015fareti benim i\u00e7in. Ne de olsa varolu\u015fsal sorgunun ucu buca\u011f\u0131 hen\u00fcz g\u00f6r\u00fcnm\u00fc\u015f de\u011fil\u2026 Yol insanl\u0131k i\u00e7in bu kadar uzunken Genazino karakterlerindeki istikrar\u0131n pe\u015fine neden d\u00fc\u015fmeyelim ki? <em>Elden D\u00fc\u015fme D\u00fcnya<\/em>\u2019s\u0131na g\u00f6n\u00fcls\u00fczce tutunmu\u015f g\u00f6r\u00fcnen bu isimsiz kahraman\u0131n dinlemek isteyene anlatacak \u00e7ok \u015feyi var.<\/p>\n<p><strong>K\u00fcnye: Elden D\u00fc\u015fme D\u00fcnya, Wilhelm Genazino, \u00c7ev. Tevfik Turan, Jaguar Kitap, 2020, 144 s.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0130smini daha \u00f6nce duymad\u0131\u011f\u0131m bir yazarla kar\u015f\u0131la\u015ft\u0131\u011f\u0131mda kapak tasar\u0131m\u0131n\u0131n beni tavlamas\u0131na m\u00fcsaade ederim. Koli band\u0131yla duvara yap\u0131\u015ft\u0131r\u0131lm\u0131\u015f muz imgesi haf\u0131zalar\u0131m\u0131za yerle\u015feli birka\u00e7 ay olmu\u015ftu. Muzun rol\u00fc yarat\u0131l\u0131\u015f hik\u00e2yesine g\u00f6z k\u0131rparcas\u0131na k\u0131rm\u0131z\u0131 bir elma taraf\u0131ndan \u00fcstlenilmi\u015f ve o elma koli band\u0131n\u0131n bir anl\u0131k gafletinden faydalan\u0131p yer\u00e7ekiminin kollar\u0131na b\u0131rakm\u0131\u015ft\u0131 kendini. Wilhelm Genazino\u2019nun Elden D\u00fc\u015fme D\u00fcnya\u2019s\u0131 daha iyi [&hellip;]<\/p>\n","protected":false},"author":585,"featured_media":47028,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7047,38,513,510,511],"tags":[7069,7071,7070],"class_list":["post-47027","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-199-sayi","category-dergi-sayilari","category-kitapcil","category-surekli-bolumler","category-yayin-dunyasi","tag-elden-dusme-dunya","tag-jaguar-kitap","tag-wilhelm-genazino"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/47027","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/users\/585"}],"replies":[{"embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=47027"}],"version-history":[{"count":0,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/47027\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/media\/47028"}],"wp:attachment":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=47027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=47027"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=47027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}