{"id":50523,"date":"2021-06-01T00:00:34","date_gmt":"2021-05-31T21:00:34","guid":{"rendered":"https:\/\/bilimvegelecek.com.tr\/?p=50523"},"modified":"2021-05-29T21:53:00","modified_gmt":"2021-05-29T18:53:00","slug":"kitapci-rafi-45","status":"publish","type":"post","link":"https:\/\/bilimvegelecek.com.tr\/index.php\/2021\/06\/01\/kitapci-rafi-45","title":{"rendered":"Kitap\u00e7\u0131 Raf\u0131"},"content":{"rendered":"<p><strong>T\u00fcrkiye \u0130\u015f\u00e7i Partisi Radyoda <\/strong><strong>&#8211; Proletaryan\u0131n B\u00fcy\u00fcl\u00fc Kutusu, Kolektif, Yordam, 2021, 544 s.<br \/>\n<\/strong>13 \u015eubat 1961&#8217;de kurulan T\u00fcrkiye \u0130\u015f\u00e7i Partisi, T\u00fcrkiye siyasal tarihinin en \u00f6nemli olaylar\u0131ndan biridir. T\u0130P&#8217;in geli\u015fip g\u00fc\u00e7lenmesinde parti s\u00f6zc\u00fclerinin efsanevi radyo konu\u015fmalar\u0131n\u0131n \u00e7ok \u00f6nemli bir yeri vard\u0131r. T\u00fcrkiye proletaryas\u0131n\u0131n s\u00f6zc\u00fcleri, 1961-1971 d\u00f6neminde, bamba\u015fka bir dile, bamba\u015fka bir sesleni\u015fe ve bamba\u015fka bir i\u00e7eri\u011fe sahip konu\u015fmalar\u0131yla o zamana kadar devletin a\u011fz\u0131 olan radyoyu \u2018proletaryan\u0131n b\u00fcy\u00fcl\u00fc kutusu&#8217;na \u00e7evirmi\u015flerdi. Proletaryan\u0131n B\u00fcy\u00fcl\u00fc Kutusu, T\u0130P s\u00f6zc\u00fclerinin alt\u0131 se\u00e7im i\u00e7in yapt\u0131klar\u0131 radyo konu\u015fmalar\u0131n\u0131n metinlerini i\u00e7ermekle kalm\u0131yor. Mehmet Ali Aybar&#8217;dan Ya\u015far Kemal&#8217;e, Kemal T\u00fcrkler&#8217;den Can Y\u00fccel&#8217;e, R\u0131za Kuas&#8217;tan Hamdo\u015f&#8217;a, Tar\u0131k Ziya Ekinci&#8217;den \u00c7etin Altan&#8217;a T\u0130P&#8217;in \u00e7ok etkili hatiplerinin radyoda yapt\u0131\u011f\u0131 konu\u015fmalar\u0131n ses kay\u0131tlar\u0131n\u0131 da i\u00e7inde bar\u0131nd\u0131r\u0131yor. Bu tarih\u00ee konu\u015fmalar karekodlar arac\u0131l\u0131\u011f\u0131yla dinlenebiliyor. Proletaryan\u0131n B\u00fcy\u00fcl\u00fc Kutusu&#8217;nun sayfalar\u0131ndan dinlenebilen radyo konu\u015fmalar\u0131, onlar\u0131 dinlemeseler hayatlar\u0131 normalde bamba\u015fka y\u00f6nde akabilecek gen\u00e7leri, ayd\u0131nlar\u0131, i\u015f\u00e7ileri ve k\u00f6yl\u00fcleri sosyalist m\u00fccadelenin i\u00e7ine \u00e7ekmi\u015f ve T\u0130P bayra\u011f\u0131 alt\u0131nda toplayabilmi\u015fti. Proletaryan\u0131n B\u00fcy\u00fcl\u00fc Kutusu sosyalistlerin devlet radyosundan yapt\u0131klar\u0131 konu\u015fmalarla hayat\u0131 de\u011fi\u015fen insanlar\u0131n \u00f6yk\u00fclerin\u0131 anlatt\u0131\u011f\u0131 gibi bu konu\u015fmalar\u0131 yapan ki\u015filerin portrelerine de yer veriyor. Kitapta \u015eekibe \u00c7elenk&#8217;ten Mehmet Ali Aybar&#8217;a, Behice Boran&#8217;dan Hamdo\u015f&#8217;a, Nazife Cemgil&#8217;den Kemal T\u00fcrkler&#8217;e, Ya\u015far Kemal&#8217;den Can Y\u00fccel&#8217;e, Hasan H\u00fcseyin Korkmazgil&#8217;den Tar\u0131k Ziya Ekinci&#8217;ye tam 43 portre yer al\u0131yor.<\/p>\n<p><strong>\u0130nsan Denen Hayvan <\/strong><strong>&#8211; Hastal\u0131kta ve Sa\u011fl\u0131kta Hayvanlardan \u00d6\u011frenebileceklerimiz, Barbara Natterson Horowitz, \u00c7ev. \u015eiirsel Ta\u015f, Metis, 2021, 368 s.<br \/>\n<\/strong>Hayvanlarda meme kanseri g\u00f6r\u00fcl\u00fcr m\u00fc? Strese ba\u011fl\u0131 kalp krizi? Bay\u0131lma n\u00f6betleri? Cinsel yolla bula\u015fan hastal\u0131klar? Yeme bozukluklar\u0131? Hayvanlar a\u015f\u0131r\u0131 ya da t\u0131k\u0131n\u0131rcas\u0131na yer mi? Kendilerini \u00f6lesiye a\u00e7 b\u0131rak\u0131rlar m\u0131? Peki ya ruhsal bozukluklar? \u00d6rne\u011fin obsesif-komp\u00fclsif bozukluk? Klinik depresyon? Madde ba\u011f\u0131ml\u0131l\u0131\u011f\u0131 ve istismar\u0131? Kayg\u0131 bozukluklar\u0131? Kendine zarar verme? Kalp yetersizli\u011fi olan k\u00fc\u00e7\u00fck bir maymunu ameliyat etmesinin ard\u0131ndan kendine sordu\u011fu bu sorular, kardiyolog Barbara Natterson-Horowitz\u2019in t\u0131bba bak\u0131\u015f\u0131n\u0131 tamamen de\u011fi\u015ftiren bir yolculu\u011fun ba\u015flang\u0131c\u0131 olmu\u015f. \u0130nsanlardaki sa\u011fl\u0131k sorunlar\u0131n\u0131n hayvanlarda da g\u00f6r\u00fcl\u00fcp g\u00f6r\u00fclmedi\u011fini ara\u015ft\u0131rmaya ba\u015flad\u0131\u011f\u0131nda kar\u015f\u0131la\u015ft\u0131\u011f\u0131 tablo, insan t\u0131bb\u0131yla hayvan t\u0131bb\u0131 aras\u0131ndaki kopuklu\u011fun giderilip daha kapsay\u0131c\u0131 bir yakla\u015f\u0131m benimsenmesi gerekti\u011fine onu ikna etmi\u015f. \u0130nsan Denen Hayvan\u2019da Horowitz ile bilim yazar\u0131 Kathryn Bowers, insan sa\u011fl\u0131\u011f\u0131yla hayvan sa\u011fl\u0131\u011f\u0131 aras\u0131ndaki \u00e7arp\u0131c\u0131 paralelliklere dikkat \u00e7ekerek t\u0131pta insanmerkezcili\u011fin a\u015f\u0131lmas\u0131 \u00e7a\u011fr\u0131s\u0131nda bulunuyorlar.<\/p>\n<p><strong>Larousse D\u00fcnya Mitolojileri<br \/>\n<\/strong><strong>Nanon Gardin \u2013 Joel Ashmidt, \u00c7ev. Atakan Alt\u0131n\u00f6rs-G\u00fcven\u00e7 Recai Ayar, Bilge K\u00fclt\u00fcr Sanat, 2021, 784 s.<br \/>\n<\/strong>Larousse D\u00fcnya Mitolojileri&#8217;nin yazarlar\u0131n\u0131n \u00fcst\u00fcne d\u00fc\u015ft\u00fckleri temel konu, de\u011fi\u015fik medeniyetlerin mitlerinin incelenmesinde en \u015fa\u015f\u0131rt\u0131c\u0131 ve heyecan verici olan \u015feyin, k\u00e2inat\u0131n ve hayat\u0131n k\u00f6keni gibi asli sorulara verdikleri cevaplar\u0131n, bir medeniyetten di\u011ferine, gezegenin bir ucundan di\u011ferine sergiledi\u011fi benzerliktir. Bu itibarla mitoloji, d\u00fcnyan\u0131n de\u011fi\u015fik y\u00f6relerinde ya\u015fayanlar\u0131n duygusal ve d\u00fc\u015f\u00fcnsel kayg\u0131lar\u0131n\u0131 g\u00f6zler \u00f6n\u00fcne seren vazge\u00e7ilmez bir bilgi kayna\u011f\u0131d\u0131r. Yazarlar bu eserde, Mezopotamya, Yunanistan, Roma, M\u0131s\u0131r, Fenike, Hindistan ve \u0130ran mitlerinden \u0130skandinav, Cermen ve Kelt mitlerine, Fin-Ugor, Slav ve Kuzey Kutbu mitlerinden Japonya, \u00c7in, Tibet, Afrika, Okyanusya, Aztek, Maya ve \u0130nka mitlerine kadar D\u00fcnya Mitolojileri&#8217;ni farkl\u0131 ve benzer yanlar\u0131n\u0131 anlatmay\u0131 ve okurda ilgi uyand\u0131rmas\u0131n\u0131 hedefliyorlar.<\/p>\n<p><strong>T\u00fcrkiye&#8217;nin Yak\u0131n Tarihinde Emek Toplum ve Siyaset 1980-2002<br \/>\n<\/strong><strong>Erol \u00dclker, Tayfun Mertan, Sosyal Tarih Yay\u0131nlar\u0131, 2021, 280 s.<br \/>\n<\/strong>Bu kitapta yer alan tebli\u011fler D\u0130SK, Tarih Vakf\u0131 ve T\u00dcSTAV taraf\u0131ndan 14-15 Aral\u0131k 2019&#8217;da ayn\u0131 ba\u015fl\u0131kla d\u00fczenlenen konferansta sunulmu\u015ftur. Tarih Vakf\u0131&#8217;nda yap\u0131lan konferansa sunulacak 21 tebli\u011fin \u00f6zetleri yay\u0131mlanm\u0131\u015ft\u0131, bu \u00e7al\u0131\u015fmada ise o konferansa sunulan tebli\u011flerin \u00f6nemli bir k\u0131sm\u0131na tam metin olarak yer verilebilmi\u015f. Bu \u00e7al\u0131\u015fman\u0131n T\u00fcrkiye&#8217;nin yak\u0131n tarihine ili\u015fkin tart\u0131\u015fmalara, eme\u011fin ve i\u015f\u00e7i m\u00fccadelelerinin perspektifinden katk\u0131da bulunaca\u011f\u0131 amac\u0131yla haz\u0131rlanm\u0131\u015f.<\/p>\n<p><strong>100 Y\u0131ld\u0131zla Evrenin Hik\u00e2yesi<br \/>\n<\/strong><strong>Florian Freistetter, Ginko Bilim, 2021, 328.<br \/>\n<\/strong>Astronom Florian Freistetter, 2019\u2019da Avusturya\u2019n\u0131n en iyi bilim kitab\u0131 se\u00e7ilen 100 Y\u0131ld\u0131zla Evrenin Hik\u00e2yesi\u2019nde okuru y\u0131ld\u0131zdan y\u0131ld\u0131za ta\u015f\u0131yor: Gramma Draconis sayesinde D\u00fcnya\u2019n\u0131n kendi ekseninde d\u00f6nd\u00fc\u011f\u00fcn\u00fc biliniyor. 61 Cygni, evrenin tasavvur edildi\u011finden \u00e7ok daha b\u00fcy\u00fck oldu\u011funu g\u00f6sterdi. Y\u0131ld\u0131zlar insanlara kara deliklerin nas\u0131l i\u015fledi\u011fini ve dinozorlar\u0131n neden yok oldu\u011funu a\u00e7\u0131klad\u0131. Antik M\u0131s\u0131r\u2019da tar\u0131m\u0131 d\u00fczenleyen y\u0131ld\u0131zlar, bug\u00fcn d\u00fcnya d\u0131\u015f\u0131 ya\u015fam aray\u0131\u015flar\u0131m\u0131z\u0131 y\u00f6nlendirip ba\u015fka gezegenlerde koloni kurulabilee\u011fini \u00f6\u011fretiyor. Kitap, 100 y\u0131ld\u0131zda evrenin ge\u00e7mi\u015finden gelece\u011fine uzan\u0131yor, mitolojide dola\u015f\u0131yor, bilim kurguda soluklan\u0131yor ve D\u00fcnya\u2019y\u0131 daha anla\u015f\u0131l\u0131r k\u0131lmak i\u00e7in g\u00f6z\u00fcn\u00fc gece g\u00f6\u011fe diken nice insan\u0131n hik\u00e2yelerini anlatmay\u0131 ama\u00e7l\u0131yor.<\/p>\n<p><strong>Erwin Schr\u00f6dinger ve Kuantum Devrimi<br \/>\n<\/strong><strong>John Gribbin, \u00c7ev. Mehmet Baysal, Alfa Bilim, 2021, 305 s.<br \/>\n<\/strong>Bilim yazar\u0131 ve fizik\u00e7i John Gribbin, kuantum devriminin \u00f6nc\u00fclerinden Schr\u00f6dinger&#8217;in renkli hayat\u0131n\u0131, bilimsel ba\u015far\u0131lar\u0131yla birlikte anlatmay\u0131 hedefliyor. &#8220;Paralel evrenler&#8221;den ya\u015fam\u0131n k\u00f6kenini kuantum fizi\u011fiyle a\u00e7\u0131klama \u00e7abas\u0131na kadar \u00e7ok geni\u015f bir yelpazede \u00e7al\u0131\u015fmalar yapm\u0131\u015f olan Schr\u00f6dinger&#8217;in bilimsel ba\u015far\u0131lar\u0131n\u0131 John Gribbin fizik bilmeyen okurlara aktarmay\u0131 ama\u00e7l\u0131yor. Kitapta 20. y\u00fczy\u0131l\u0131n ba\u015f\u0131nda fizik biliminin durumu \u00f6zetlendikten sonra Max Planck&#8217;\u0131n kuantum kavram\u0131, Einstein&#8217;\u0131n katk\u0131lar\u0131, Bohr&#8217;un kuram\u0131, Heisenberg&#8217;in matris mekani\u011fi, Dirac&#8217;\u0131n \u00e7al\u0131\u015fmalar\u0131 ve Schr\u00f6dinger&#8217;in dalga mekani\u011fi anlat\u0131l\u0131yor. Ayr\u0131ca kitapta Schr\u00f6dinger&#8217;in \u00f6zel ya\u015fam\u0131 ve kad\u0131nlarla ili\u015fkileri edebi bir dille aktar\u0131l\u0131yor.<\/p>\n<p><strong>Matemati\u011fin Temelleri<br \/>\n<\/strong><strong>Ian Stewart, \u00c7ev. S\u00fcleyman Cengiz, Doruk Yay\u0131nlar\u0131, 2021, 528 s.<br \/>\n<\/strong>Bir matematiksel problemin \u00e7\u00f6z\u00fcm\u00fcne y\u00f6nelik ilk ad\u0131m, \u00e7\u00f6z\u00fcme i\u015faret eden sezgisel bir yakla\u015f\u0131mla at\u0131l\u0131r. Bu yakla\u015f\u0131m\u0131n i\u015fe yaramas\u0131 durumunda problem, formel bir yakla\u015f\u0131mla \u00e7er\u00e7evelenir. \u0130lk ve ortaokul d\u00fczeyinde matematik e\u011fitimi alan \u00f6\u011frenciler genel itibariyle matematiksel kavramlar\u0131n ne anlam ifade ettiklerinden daha \u00e7ok nas\u0131l kullan\u0131ld\u0131klar\u0131 ile ilgilidirler. Oysa matematiksel bir problemin \u00e7\u00f6z\u00fcm\u00fc, nas\u0131l sorusundan \u00f6nce ne sorusunun cevaplanmas\u0131n\u0131 gerektirir. Bu kitapta yazarlar, temel matematiksel kavramlar\u0131n ve yap\u0131lar\u0131n nas\u0131l kullan\u0131ld\u0131klar\u0131na dair bir fikir sahibi olarak \u00fcniversite matemati\u011fine ge\u00e7i\u015f yapan bir \u00f6\u011frencinin, bu kavram ve yap\u0131lar\u0131n ger\u00e7ekte bir matematik\u00e7i i\u00e7in ne anlam ifade ettiklerini \u00f6\u011frenebilmesi ad\u0131na, sezgisel yakla\u015f\u0131mdan formel yakla\u015f\u0131ma do\u011fru ilerleyen bir anlat\u0131m sergiliyorlar. Yaln\u0131z bu formel yakla\u015f\u0131m\u0131, altta yatan sezgisel fikir kal\u0131plar\u0131n\u0131n bir sonucu olarak in\u015fa ediyorlar. Dolay\u0131s\u0131yla \u00f6\u011frenci, matematiksel problemin \u00e7\u00f6z\u00fcm\u00fcnde esas \u00f6neme sahip olan ne sorusunun cevab\u0131n\u0131 alarak ilerlemi\u015f oluyor. Kitap, pedagojik bir motivasyonla basit matematiksel d\u00fc\u015f\u00fcncenin \u00f6tesine ge\u00e7erek ileri matematikte \u00e7al\u0131\u015fma yapmay\u0131 ama\u00e7layan \u00f6\u011frenciler i\u00e7in matemati\u011fin temellerine ili\u015fkin t\u00fcm ola\u011fan ba\u015fl\u0131klar\u0131 i\u00e7ermektedir. Say\u0131larla ilgili sezgisel fikirler ele al\u0131nd\u0131ktan sonra, say\u0131 sistemlerinin formel in\u015fas\u0131 i\u00e7in gerekli k\u00fcme kuram\u0131 ve mant\u0131k altyap\u0131s\u0131 olu\u015fturuluyor. Sonraki ad\u0131mda ise yeni matematiksel fikirlerin olu\u015fturulmas\u0131na y\u00f6nelik bu belitsel sistemlerin kullan\u0131m\u0131 anlat\u0131l\u0131yor.<\/p>\n<p><strong>Bencil Maymun: \u0130nsan Do\u011fas\u0131 ve Yokolu\u015fa Giden Yolumuz<br \/>\n<\/strong><strong>Nicholas P. Money, \u00c7ev.<\/strong> <strong>Mehmet Do\u011fan, Ko\u00e7 \u00dcniversitesi Yay\u0131nlar\u0131, 2021, 128 s.<br \/>\n<\/strong>Nicholas P. Money, modern insana seslendi\u011fi manifestosunda okura \u015f\u00f6yle sesleniyor: Orta ya\u015flar\u0131nda orta boy bir y\u0131ld\u0131z\u0131n y\u00f6r\u00fcngesine kap\u0131lm\u0131\u015f gezegenlerin \u00fc\u00e7\u00fcnc\u00fcs\u00fcnde 3,3 milyar y\u0131l \u00f6nce filizlendik. Bin as\u0131r \u00f6nce Rift Vadisi\u2019ni terk edip d\u00fcnyaya a\u00e7\u0131ld\u0131k. Beslenme konusundaki esnekli\u011fimiz, 16 milyar sinir h\u00fccresine ev sahipli\u011fi yapan g\u00f6rkemli neokorteksimiz ve do\u011fay\u0131 d\u00f6n\u00fc\u015ft\u00fcrme konusundaki kabar\u0131k sicilimiz bizi memeliler aras\u0131nda \u00f6zel bir yere ta\u015f\u0131d\u0131. 100.000 y\u0131ld\u0131r etrafta kas\u0131la kas\u0131la y\u00fcr\u00fcyor, 18. y\u00fczy\u0131ldan beri kendimize bilge s\u0131fat\u0131n\u0131 yak\u0131\u015ft\u0131r\u0131yoruz. Bizler Homo sapiens\u2019iz. Bat\u0131 bilimi \u00f6l\u00fcmc\u00fcl bir hataya d\u00f6n\u00fc\u015ft\u00fck\u00e7e do\u011fa diki\u015f yerlerinden s\u00f6k\u00fcl\u00fcyor. G\u00f6rkemin yerini g\u00f6steri\u015f ald\u0131k\u00e7a, Homo sapiens yerini Homo narcissus\u2019a terk ediyor. Ben hissini veren \u015feyin \u201cbiz\u201d oldu\u011fu unutulduk\u00e7a Bencil Maymun kurtulu\u015f umudunu yitiriyor. Bu karamsar hik\u00e2yenin \u0131\u015f\u0131klar\u0131n\u0131 s\u00f6nd\u00fcrmeden \u00f6nce insanl\u0131\u011f\u0131n berbat etti\u011fi \u015feye d\u00fcr\u00fcst\u00e7e bakmaya ve hatas\u0131n\u0131 kabullenmeye cesaret edenler i\u00e7in bir umut zerresi, bir ipucu da b\u0131rak\u0131yor Money: Zarafet. Ancak ve ancak do\u011fan\u0131n geri kalan\u0131na kar\u015f\u0131 g\u00f6sterece\u011fimiz nezaketle gelecek.<\/p>\n<p><strong>\u00c7in Halk\u0131n\u0131n Zihniyeti<br \/>\n<\/strong><strong>Ku Houng-Ming, \u00c7ev. Hanife G\u00fcven, Do\u011fu-Bat\u0131 Yay\u0131nlar\u0131, 2021, 165 s.<br \/>\n<\/strong>\u00c7in uygarl\u0131\u011f\u0131, \u00c7in edebiyat\u0131 ve \u00c7in kad\u0131n\u0131 yazar i\u00e7in ba\u015fka bir duyarl\u0131l\u0131\u011fa ve d\u00fc\u015f\u00fcn\u00fc\u015f tarz\u0131na pencere a\u00e7\u0131yor. Ming, t\u00fcm kitap boyunca Avrupal\u0131lara halk\u0131n\u0131n, k\u00fclt\u00fcr\u00fcn\u00fcn, uygarl\u0131\u011f\u0131n\u0131n birikimlerini anlatmaya \u00e7al\u0131\u015f\u0131yor. Bu \u00e7a\u011fr\u0131 zaman zaman tepkisel bir tona b\u00fcr\u00fcnse de herkesin tek bir d\u00fcnyaya ayak bast\u0131\u011f\u0131 g\u00fcn\u00fcm\u00fczde, toplumlar\u0131n esasen birbirinden \u00e7ok farkl\u0131 zihniyetlere sahip oldu\u011funu haber veriyor Ku Hung-Ming. Yazara g\u00f6re \u00c7inliler; bireyi, aileyi, toplumu, atalar\u0131 bir b\u00fct\u00fcn halinde d\u00fc\u015f\u00fcn\u00fcr. Ki\u015fi ahl\u00e2ki \u00f6zelliklerini i\u015flemek, geli\u015ftirmek ve bunlar\u0131 anne babas\u0131ndan ba\u015flamak \u00fczere toplumun di\u011fer t\u00fcm \u00fcyeleriyle uyumlu k\u0131lmakla y\u00fck\u00fcml\u00fcd\u00fcr. Herkes yerini, konumunu, g\u00f6revlerini bildi\u011finde do\u011fadaki ahenk gibi bir ahenk, dirlik, d\u00fczenlik insanlar aras\u0131na da gelip yerle\u015fir. Bunu sa\u011flayacak en \u00f6nemli enstr\u00fcmanlar ise m\u00fczik ve t\u00f6renler bilgisidir; yani ritm ve sembollere dayal\u0131 ba\u011fl\u0131l\u0131k rit\u00fcelleri. Belki de bu y\u00fczden Konf\u00fc\u00e7y\u00fcs\u2019\u00fcn ahl\u00e2k yasas\u0131 Avrupal\u0131 insan\u0131n dine bak\u0131\u015f a\u00e7\u0131s\u0131ndan tamamen farkl\u0131yd\u0131. 20. y\u00fczy\u0131l\u0131n ba\u015f\u0131nda Bat\u0131 kurumlar\u0131nda e\u011fitim g\u00f6ren \u00e7ok dilli ve k\u00fclt\u00fcrl\u00fc \u00c7inli ayd\u0131n Ku Hung-Ming, derinden ba\u011fl\u0131 oldu\u011fu geleneksel \u00c7in k\u00fclt\u00fcr\u00fc ile Bat\u0131 uygarl\u0131\u011f\u0131n\u0131 kar\u015f\u0131la\u015ft\u0131r\u0131rken zihniyet d\u00fcnyas\u0131n\u0131n pek de uzak olmayan bir \u00e7eli\u015fkiyi an\u0131msatmaya \u00e7al\u0131\u015f\u0131yor.<\/p>\n<p><strong>Televizyon ve \u0130\u00e7imizdeki \u015eiddet<br \/>\n<\/strong><strong>Nilg\u00fcn Tutal Cheviron, K\u0131rm\u0131z\u0131 Yay\u0131nlar\u0131, 2021, 256 s.<br \/>\n<\/strong>Televizyon ve \u0130\u00e7imizdeki \u015eiddet genel olarak t\u00fcm ileti\u015fim ara\u00e7lar\u0131n\u0131n ama \u00f6zellikle de televizyonun insan zihnini nas\u0131l k\u00f6lele\u015ftirdi\u011fini, ger\u00e7eklik alg\u0131s\u0131n\u0131n nas\u0131l yitirildi\u011fini ele al\u0131yor. Bu d\u00fc\u015f\u00fcnsel ve duygusal k\u00f6leli\u011fe kar\u015f\u0131 \u00e7\u0131kma zaman\u0131n\u0131n \u00e7oktan geldi\u011fini, bunun insan\u0131n elinde oldu\u011funa i\u015faret ediyor. \u0130ddias\u0131n\u0131 gen\u00e7lerin internet, kamera, video, telefon ve televizyonla \u00e7evrili ya\u015famlar\u0131na h\u00e2kim olan seyirlik \u015fiddet ve ger\u00e7ekli\u011fin uzaktan temsili hakk\u0131nda neler d\u00fc\u015f\u00fcnd\u00fcklerini tart\u0131\u015farak g\u00fc\u00e7lendiriyor. Gen\u00e7lerse bu tart\u0131\u015fmalara kurgulanm\u0131\u015f ger\u00e7eklik ve \u015fiddet aras\u0131ndaki ili\u015fkiyi radikal bir tarzda ele\u015ftiren \u00fcnl\u00fc sinemac\u0131 Michael Haneke&#8217;nin 1992 y\u0131l\u0131nda \u00e7ekti\u011fi Benny&#8217;nin Videosu isimli filmi \u00fczerinden kat\u0131l\u0131yor.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>T\u00fcrkiye \u0130\u015f\u00e7i Partisi Radyoda &#8211; Proletaryan\u0131n B\u00fcy\u00fcl\u00fc Kutusu, Kolektif, Yordam, 2021, 544 s. 13 \u015eubat 1961&#8217;de kurulan T\u00fcrkiye \u0130\u015f\u00e7i Partisi, T\u00fcrkiye siyasal tarihinin en \u00f6nemli olaylar\u0131ndan biridir. T\u0130P&#8217;in geli\u015fip g\u00fc\u00e7lenmesinde parti s\u00f6zc\u00fclerinin efsanevi radyo konu\u015fmalar\u0131n\u0131n \u00e7ok \u00f6nemli bir yeri vard\u0131r. T\u00fcrkiye proletaryas\u0131n\u0131n s\u00f6zc\u00fcleri, 1961-1971 d\u00f6neminde, bamba\u015fka bir dile, bamba\u015fka bir sesleni\u015fe ve bamba\u015fka bir i\u00e7eri\u011fe [&hellip;]<\/p>\n","protected":false},"author":672,"featured_media":50524,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7709,38,510,511],"tags":[7744,7304,7747,7745,7741,7742,7746,7748,7740,7743],"class_list":["post-50523","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-206-sayi","category-dergi-sayilari","category-surekli-bolumler","category-yayin-dunyasi","tag-100-yildizla-evrenin-hikayesi","tag-bencil-maymun-insan-dogasi-ve-yokolusa-giden-yolumuz","tag-cin-halkinin-zihniyeti","tag-erwin-schrodinger-ve-kuantum-devrimi","tag-insan-denen-hayvan","tag-larousse-dunya-mitolojileri","tag-matematigin-temelleri","tag-televizyon-ve-icimizdeki-siddet","tag-turkiye-isci-partisi-radyoda","tag-turkiyenin-yakin-tarihinde-emek-toplum-ve-siyaset-1980-2002"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/50523","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/users\/672"}],"replies":[{"embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=50523"}],"version-history":[{"count":0,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/50523\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/media\/50524"}],"wp:attachment":[{"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=50523"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=50523"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bilimvegelecek.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=50523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}