\u00c7anakkale Bo\u011faz\u0131\u2019n\u0131n r\u00fczg\u00e2r\u0131 me\u015fhurdur. G\u00fcnlerce \u00f6yle bir eser ki y\u00fcr\u00fcmek, konu\u015fmak, hatta d\u00fc\u015f\u00fcnmek bile zorla\u015f\u0131r. R\u00fczg\u00e2r\u0131nkine e\u015f bir u\u011fultuya d\u00f6n\u00fc\u015f\u00fcr i\u00e7 ses. S\u0131k s\u0131k kesilir, t\u0131kan\u0131r. Kakofoniye d\u00f6n\u00fc\u015f\u00fcr zorlad\u0131k\u00e7a. Kafas\u0131n\u0131 toplayamaz insan, her d\u00fc\u015f\u00fcnce k\u0131r\u0131nt\u0131s\u0131 r\u00fczg\u00e2r\u0131n elinde oyuncak olur. R\u00fczg\u00e2rl\u0131 eyl\u00fcl ay\u0131 boyunca b\u00f6yleydim: kafas\u0131n\u0131 toplayamayan Ceren.
\nGe\u00e7en say\u0131da sevgili Nal\u00e2n Mahsereci\u2019nin y\u00fcr\u00fcmek\/d\u00fc\u015f\u00fcnmek \u00fczerine yaz\u0131s\u0131n\u0131 okuduktan sonra y\u00fcr\u00fcy\u00fc\u015fe \u00e7\u0131kt\u0131m \u2013 tabii r\u00fczg\u00e2rl\u0131 bir g\u00fcnd\u00fc. Kendimi d\u00fc\u015f\u00fcnmeye, y\u00fcr\u00fcmek ve d\u00fc\u015f\u00fcnmek \u00fczerine d\u00fc\u015f\u00fcnmeye, becerebilirsem buraya neler yazaca\u011f\u0131m\u0131 toparlamaya zorlad\u0131m. Bir s\u00fcre sonra okudu\u011fum kitaplar hakk\u0131nda notlar\u0131m, ay\u0131klanmay\u0131 bekleyen taze fasulye, kirlenen deniz, Saros\u2019a \u00e7\u00f6ken BOTA\u015e, kedimin \u00f6nlenemez \u015fi\u015fkolu\u011fu\u2026 hepsi birbirine girdi. Sert \u00e7\u0131k\u0131\u015ft\u0131m kendime, \u201cCeren, d\u00fc\u015f\u00fcn\u00fclmesi gerekenleri d\u00fc\u015f\u00fcnsene. B\u0131rakma ipin ucunu!\u201d Ama hay\u0131r, r\u00fczg\u00e2r akl\u0131m\u0131 esir alm\u0131\u015ft\u0131 adeta. Savurup duruyordu. \u201cEh, peki,\u201d dedim, \u201co zaman b\u0131rak kendini, savrulunca rahatlar belki ak\u0131l.\u201d
\nSavrulmaya ihtiyac\u0131 var d\u00fc\u015f\u00fcncelerin, g\u00fcndelik kayg\u0131lar\u0131n, yap\u0131lmas\u0131 gerekenlerin\u2026 Ar\u0131nmak i\u00e7in, \u00f6nemli olanlar\u0131n ortaya \u00e7\u0131kabilmesi i\u00e7in. Yer a\u00e7\u0131lmas\u0131 i\u00e7in. R\u00fczg\u00e2r\u0131 hakk\u0131yla hissedebilmek i\u00e7in. Eh, d\u00fc\u015f\u00fcncelerim, kayg\u0131lar\u0131m h\u00e2l\u00e2 darmada\u011f\u0131n. Ama r\u00fczg\u00e2r\u0131 hissettim. Doya doya. Fazlas\u0131yla.<\/p>\n
***<\/p>\n
Nehir Gibi Konu\u015furum<\/em> ne zamand\u0131r dikkatimi \u00e7eken, merak etti\u011fim bir kitapt\u0131. Elime ge\u00e7er ge\u00e7mez okudum. G\u00f6zlerim doldu, hassas bir yer uyand\u0131 \u2013 s\u0131zlad\u0131. Sonra, \u00fcst\u00fcnde etrafl\u0131ca d\u00fc\u015f\u00fcn\u00fcnce \u015fu yukar\u0131da s\u00f6z etti\u011fim d\u00fc\u015f\u00fcnce kopuklu\u011fu ile kekemelik aras\u0131nda bir ba\u011f kurdum. R\u00fczg\u00e2ra b\u0131rakt\u0131\u011f\u0131m d\u00fc\u015f\u00fcnceler nehir gibi konu\u015fan bir \u00e7ocukta kendini buldu. \u2026<\/p>\n Ben bir nehir gibi konu\u015fuyorum.\u201d<\/p>\n ***<\/p>\n Denizi, orman\u0131, yaban\u0131 savunurken durup durup okunmas\u0131 gereken kitaplardan biri D\u00fcnyaya Orman Denir<\/em>. Bu g\u00f6z\u00fc d\u00f6nm\u00fc\u015f talan\u0131; ba\u011flar\u0131ndan kopmu\u015f, k\u00f6r cahil \u201cuygarl\u0131k\u201d ta\u015f\u0131y\u0131c\u0131lar\u0131n\u0131 iyice anlamak i\u00e7in durup durup okunmal\u0131. Ya\u015fam\u0131n\u0131 \u00f6nemsiz, bizim ama\u00e7lar\u0131m\u0131z a\u00e7\u0131s\u0131ndan i\u015flevsel oldu\u011fu s\u00fcrece de\u011ferli g\u00f6rd\u00fc\u011f\u00fcm\u00fcz canl\u0131lar\u0131n bizden \u00e7ok daha derin bir ya\u015fam bilgeli\u011fine sahip oldu\u011funu anlamak i\u00e7in. Bir a\u011fac\u0131n (en az) bir insan kadar de\u011ferli oldu\u011funu anlayabilmek i\u00e7in. Uygarl\u0131\u011f\u0131n yol, k\u00f6pr\u00fc, santral, baraj, beton ve plastik demek olmad\u0131\u011f\u0131n\u0131 anlayabilmek i\u00e7in\u2026 D\u00fcnyaya yeniden orman diyebilmek i\u00e7in\u2026 ***<\/p>\n Komiser Montalbano serisinin ikinci kitab\u0131, Terrakotta K\u00f6pek<\/em> a\u011fustosta raflarda yerini ald\u0131. \u0130lk kitapla tan\u0131y\u0131p sevdi\u011fim Montalbano yine babacan, yine kararl\u0131, yine ilkeli. \u0130kinci kitapta karakterler daha da yerine oturuyor, olaylar\u0131n har\u0131nda atmosfer daha da ku\u015fat\u0131c\u0131 ve ger\u00e7ek bir hal al\u0131yor. ***<\/p>\n Sonbahar\u0131n, r\u00fczg\u00e2r\u0131n be\u015fi\u011finde d\u00fc\u015f\u00fcnceler nehir gibi aks\u0131n, akl\u0131m\u0131z da s\u00f6zc\u00fcklerimiz de \u00f6zg\u00fcr kals\u0131n. Her sayfas\u0131 esin dolu bir ay dilerim.<\/p>\n -Nehir Gibi Konu\u015furum, Jordan Scott, Sydney Smith, \u00e7eviren Gonca \u00d6zmen, K\u0131rm\u0131z\u0131 Kedi Yay\u0131nlar\u0131. \u00c7anakkale Bo\u011faz\u0131\u2019n\u0131n r\u00fczg\u00e2r\u0131 me\u015fhurdur. G\u00fcnlerce \u00f6yle bir eser ki y\u00fcr\u00fcmek, konu\u015fmak, hatta d\u00fc\u015f\u00fcnmek bile zorla\u015f\u0131r. R\u00fczg\u00e2r\u0131nkine e\u015f bir u\u011fultuya d\u00f6n\u00fc\u015f\u00fcr i\u00e7 ses. S\u0131k s\u0131k kesilir, t\u0131kan\u0131r. Kakofoniye d\u00f6n\u00fc\u015f\u00fcr zorlad\u0131k\u00e7a. Kafas\u0131n\u0131 toplayamaz insan, her d\u00fc\u015f\u00fcnce k\u0131r\u0131nt\u0131s\u0131 r\u00fczg\u00e2r\u0131n elinde oyuncak olur. R\u00fczg\u00e2rl\u0131 eyl\u00fcl ay\u0131 boyunca b\u00f6yleydim: kafas\u0131n\u0131 toplayamayan Ceren. Ge\u00e7en say\u0131da sevgili Nal\u00e2n Mahsereci\u2019nin y\u00fcr\u00fcmek\/d\u00fc\u015f\u00fcnmek \u00fczerine yaz\u0131s\u0131n\u0131 […]<\/p>\n","protected":false},"author":632,"featured_media":52008,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8002,38,513,510,7178,511],"tags":[8013,8012,8014],"class_list":["post-52007","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-210-sayi","category-dergi-sayilari","category-kitapcil","category-surekli-bolumler","category-ucuncu-tekir-sahis","category-yayin-dunyasi","tag-dunyaya-orman-denir","tag-nehir-gibi-konusurum","tag-terrakotta-kopek"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nJordan Scott\u2019\u0131n yazd\u0131\u011f\u0131 Nehir Gibi Konu\u015furum<\/em> kekeme bir \u00e7ocu\u011fun hik\u00e2yesi. K\u0131sac\u0131k ama olabildi\u011fine derin bir hik\u00e2ye bu; sevgi ve do\u011fa yoluyla iyile\u015fmek, kendinden b\u00fcy\u00fck bir \u015feyde g\u00fc\u00e7 bulmak \u00fcst\u00fcne. Sydney Smith\u2019in \u00e7izimleri de bu sars\u0131c\u0131 derinli\u011fi vurguluyor, g\u00fc\u00e7lendiriyor.
\nT\u00fcrk\u00e7eye Gonca \u00d6zmen \u00e7evirmi\u015f, kitab\u0131n dili adeta T\u00fcrk\u00e7e yaz\u0131lm\u0131\u015f gibi ak\u0131c\u0131, kavray\u0131c\u0131. Nehir gibi.
\n\u201c\u00c7ok yaln\u0131z hissetmeyeyim diye beni nehre g\u00f6t\u00fcrd\u00fc babam. Nehri g\u00f6sterdi\u011finde, \u00e7ok \u00f6zel ve m\u00fcthi\u015f bir \u015fey hakk\u0131nda konu\u015fmak i\u00e7in bir imge, bir dil verdi bana. Bunu yaparken, kekemeli\u011fimi do\u011fadaki ak\u0131\u015fa benzetti ve ben a\u011fz\u0131m\u0131 bir ba\u015fka ak\u0131\u015fta izlemekten zevk ald\u0131m.<\/p>\n
\nOrmanlar\u0131m\u0131z\u0131, d\u00fcnyam\u0131z\u0131 kaybediyoruz; sadece T\u00fcrkiye\u2019de de\u011fil. Sistem k\u00f6m\u00fcr istedik\u00e7e, sistem bina istedik\u00e7e, sistem yol istedik\u00e7e, insanlar bu korkun\u00e7 k\u0131y\u0131m\u0131 normalle\u015ftirdik\u00e7e\u2026 Gezegen yaln\u0131zca insan t\u00fcr\u00fcn\u00fcn kullan\u0131m\u0131na uygun \u015fekilde t\u00f6rp\u00fclendik\u00e7e, yontulduk\u00e7a, kanat\u0131ld\u0131k\u00e7a\u2026 Bunun gezegenin de\u011fil, esas bizim sonumuzu getirece\u011fine kulaklar t\u0131kand\u0131k\u00e7a kaybediyoruz. H\u0131zla. Geri d\u00f6n\u00fc\u015f\u00fc olmayacak bir \u015fekilde.
\n\u201cE\u011fer bunlar insansa, tanr\u0131lar\u0131n\u0131 ink\u00e2r ettikleri i\u00e7in karanl\u0131kta kendi y\u00fczlerini bile g\u00f6rmekten korkan, k\u00f6t\u00fc insanlar.\u201d<\/p>\n
\nTerrakotta K\u00f6pek<\/em>\u2019te tarihi \u00f6\u011felere, \u0130talya\u2019n\u0131n ge\u00e7mi\u015fine s\u0131k\u00e7a yer vermi\u015f Andrea Camilleri; bunlar olay \u00f6rg\u00fcs\u00fcne \u00e7ok iyi yerle\u015ftirilmi\u015f, \u015fimdiye \u0131\u015f\u0131k tutacak \u015fekilde bi\u00e7imlendirilmi\u015f. Komiser Montalbano\u2019ya kar\u015f\u0131 i\u00e7imde b\u00fcy\u00fck bir sevecenlik var; ger\u00e7ek\u00e7i iyicilli\u011fi, b\u00fcrokrasinin buyruklar\u0131ndan \u00e7ok kalbinin rehberli\u011finde eyleme ge\u00e7mesi, insan\u0131 bocalamalar\u0131n\u0131n i\u00e7inde ilkelerini koruyabilmesi\u2026
\n\u0130kinci kitab\u0131n \u00e7evirisi yine Semih Top\u00e7u\u2019ya ait, ak\u0131c\u0131, temiz bir \u00e7eviri.
\nMerakl\u0131s\u0131 i\u00e7in, Komiser Montalbano serisinin \u0130talyan yap\u0131m\u0131 film uyarlamalar\u0131n\u0131n oldu\u011funu da belirteyim. Netflix\u2019te hayli geni\u015f bir ar\u015fiv mevcut.<\/p>\n
\n<\/strong>-D\u00fcnyaya Orman Denir, Ursula K. Le Guin, \u00e7eviren \u00d6zlem Din\u00e7kal, Metis, 130 s.
\n<\/strong>-Terrakotta K\u00f6pek, Andrea Camilleri, \u00e7eviren Semih Top\u00e7u, Mylos Kitap, 270 s. <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"