{"id":66040,"date":"2025-10-01T00:00:57","date_gmt":"2025-09-30T21:00:57","guid":{"rendered":"https:\/\/bilimvegelecek.com.tr\/?p=66040"},"modified":"2025-09-29T16:55:33","modified_gmt":"2025-09-29T13:55:33","slug":"mustehcendir-asin-kadini","status":"publish","type":"post","link":"https:\/\/bilimvegelecek.com.tr\/index.php\/2025\/10\/01\/mustehcendir-asin-kadini","title":{"rendered":"M\u00fcstehcendir, as\u0131n kad\u0131n\u0131!"},"content":{"rendered":"

Patika \/ Nal\u00e2n Mahsereci<\/strong><\/p>\n

\u201cM\u00fcstehcen\u201d g\u00fcncel bir hedef g\u00f6sterme etiketi oluverdi. Oysa m\u00fcstehcenlik ki\u015fiye, topluma, zamana ve k\u00fclt\u00fcre g\u00f6re farkl\u0131la\u015fan bir kavram. Yasalarla tan\u0131mlan\u0131rken, toplum yarar\u0131 ve \u00f6zg\u00fcrl\u00fcklerin kar\u015f\u0131 kar\u015f\u0131ya gelebildi\u011fi bir alanda s\u0131n\u0131rlar g\u00f6zetilerek genel d\u00fczenlemeler getiriliyor olmal\u0131. \u0130ktidar sahipleri ise bu genelli\u011fi kendi hedeflerine do\u011fru s\u00fcnd\u00fcrmekte: Kamuoyunu \u015fekillendirmek istediklerinde, ilgili yasalar\u0131n geni\u015f yorumlar\u0131yla, ki\u015fileri ya da eserleri hedefe koymaktalar.<\/p>\n

\u201cM\u00fcstehcenlik\u201d hem d\u00fcnya hem de \u00fclkemiz tarihinde \u00e7o\u011funlukla sans\u00fcre bahane edilmi\u015f bir kovu\u015fturma gerek\u00e7esi. \u00d6rne\u011fin \u00d6zal d\u00f6neminde \u00e7\u0131kar\u0131lan, 1986\u2019da y\u00fcr\u00fcrl\u00fc\u011fe giren \u201cMuz\u0131r Ne\u015friyat\u0131n \u00d6nlenmesi Yasas\u0131\u201d ile pek \u00e7ok eser toplat\u0131lm\u0131\u015f ve yarg\u0131lanm\u0131\u015f. Ya\u015far Kemal, Aziz Nesin, Can Y\u00fccel, Orhan Kemal, P\u0131nar K\u00fcr, Melih Cevdet Anday, Duygu Asena, Z\u00fclf\u00fc Livaneli, Nedim G\u00fcrsel gibi T\u00fcrk edebiyat\u0131n\u0131n \u00f6nemli yazarlar\u0131n\u0131n eserleri bu yasan\u0131n azizli\u011fine u\u011frayanlardan\u2026<\/p>\n

K\u0131sa s\u00fcre \u00f6nce kaybetti\u011fimiz P\u0131nar K\u00fcr\u2019\u00fc, \u201cT\u00fcrk edebiyat\u0131na en b\u00fcy\u00fck katk\u0131m\u201d1<\/sup> dedi\u011fi As\u0131lacak Kad\u0131n<\/em> roman\u0131yla anmaya niyetliydim. Ele al\u0131nacak konudan ba\u011f\u0131ms\u0131z olarak, \u00fclkemizin s\u0131cak g\u00fcndemi fazla uzakla\u015fmam\u0131za izin vermiyor. Sonu\u00e7ta As\u0131lacak Kad\u0131n<\/em>\u2019\u0131n \u201cm\u00fcstehcenlik\u201d gerek\u00e7esiyle yarg\u0131lanm\u0131\u015f olmas\u0131 yaz\u0131ya ba\u015flang\u0131\u00e7 noktam\u0131 olu\u015fturdu. Kendisi de bir yarg\u0131lama s\u00fcrecini konu alan As\u0131lacak Kad\u0131n<\/em>, K\u00fcr\u2019\u00fcn dava dosyalar\u0131na ta\u015f\u0131nm\u0131\u015f \u00fc\u00e7 eserinden biri. As\u0131lacak Kad\u0131n<\/em> ve Bitmeyen A\u015fk<\/em> romanlar\u0131, Muz\u0131r Ne\u015friyat\u0131n \u00d6nlenmesi Yasas\u0131 \u00e7er\u00e7evesinde; Yar\u0131n Yar\u0131n<\/em> roman\u0131 ise, gene 1980 sonras\u0131n\u0131n \u201cd\u00fc\u015f\u00fcnce su\u00e7lular\u0131n\u0131\u201d cezaland\u0131ran 142. madde kapsam\u0131nda, kom\u00fcnizm propagandas\u0131 yapt\u0131\u011f\u0131 gerek\u00e7esiyle yarg\u0131lanm\u0131\u015f.<\/p>\n

K\u00fcr\u2019\u00fcn As\u0131lacak Kad\u0131n<\/em>\u2019\u0131n g\u00fcncel bask\u0131lar\u0131nda yer verilen mahkeme savunmas\u0131, bug\u00fcne gelen yollar\u0131n o g\u00fcnlerde kaz\u0131ld\u0131\u011f\u0131n\u0131 belgeliyor: \u201cD\u00fc\u015f\u00fcnce \u00f6zg\u00fcrl\u00fc\u011f\u00fcn\u00fc bir kavram olarak bile ortadan kald\u0131rman\u0131n en iyi yolu, d\u00fc\u015f\u00fcnmeyi bilmeyen ku\u015faklar yeti\u015ftirmektir. \u0130\u015fte bu y\u00f6nden, bir s\u00fcredir bu \u00fclkede, okuyan, ba\u011f\u0131ms\u0131z d\u00fc\u015f\u00fcnebilen insanlar\u0131n say\u0131s\u0131n\u0131 azaltmaya, gittik\u00e7e yok etmeye y\u00f6nelik bir k\u00fclt\u00fcr politikas\u0131 g\u00fcd\u00fclmektedir.\u201d2<\/sup><\/p>\n

As\u0131lacak Kad\u0131n<\/em>\u2019a esin veren ger\u00e7ek bir olayd\u0131r. P\u0131nar K\u00fcr 21 ya\u015f\u0131ndayken evde as\u0131larak \u00f6ld\u00fcr\u00fclm\u00fc\u015f bir kad\u0131n\u0131 g\u00f6steren bir foto\u011fraf bulur. Kad\u0131n\u0131n kim oldu\u011funu soru\u015ftururken, teyzesi (\u015fair ve yazar) Halide Nusret Zorlutuna\u2019dan hik\u00e2yesini \u00f6\u011frenir: K\u0131rklareli\u2019nin bir k\u00f6y\u00fcnde, adam\u0131n biri kimsesiz bir k\u0131zca\u011f\u0131z\u0131 alm\u0131\u015f ve onu erkeklere pe\u015fke\u015f \u00e7ekmeye ba\u015flam\u0131\u015ft\u0131r. Derken k\u00f6y\u00fcn bir genci k\u0131za \u00e2\u015f\u0131k olur ve adam\u0131 tarlada vurarak \u00f6ld\u00fcr\u00fcr. Dava a\u00e7\u0131l\u0131r; b\u00fct\u00fcn k\u00f6y \u00f6ld\u00fcr\u00fclen adam\u0131n k\u0131za yapt\u0131klar\u0131na \u015fahitlik eder ama sonu\u00e7 de\u011fi\u015fmez; k\u0131z idam edilir.<\/p>\n

P\u0131nar K\u00fcr bu hik\u00e2yeyi 15 y\u0131l zihninde evirip \u00e7evirdikten sonra kente, Osmanl\u0131\u2019dan kalma mal m\u00fclk zengini bir ailenin k\u00f6hne yal\u0131s\u0131na ta\u015f\u0131r. Yarg\u0131c\u0131n k\u0131z\u0131n su\u00e7suzlu\u011funa ra\u011fmen idam karar\u0131n\u0131 nas\u0131l vermi\u015f olabilece\u011fini anlamak i\u00e7in adliyeye gider, davalar izler. Sonunda karakteri kafas\u0131nda oturtur. B\u00fcy\u00fcme ve cinselli\u011fi ke\u015ffetme s\u00fcrecinde, yoksul k\u00f6kenlerine ve kad\u0131nlara d\u00fc\u015fmanl\u0131k geli\u015ftirmesine yol a\u00e7acak deneyimler ya\u015fam\u0131\u015f biridir o.<\/p>\n

\u00c7oklu anlat\u0131c\u0131 tekni\u011fiyle yaz\u0131lm\u0131\u015f olan eserde, \u00fc\u00e7 ayr\u0131 ki\u015finin sesi vard\u0131r. \u00a0Yarg\u0131\u00e7 \u0130rfan ve Melek\u2019in zihnine bilin\u00e7ak\u0131\u015flar\u0131n\u0131 izleyerek dahil oluruz. Yal\u00e7\u0131n\u2019\u0131n ise mahpusken yazd\u0131klar\u0131n\u0131 okuruz. K\u00fcr, yarg\u0131c\u0131n ruhsall\u0131\u011f\u0131n\u0131 oldu\u011fu gibi, k\u00f6y\u00fcnden kopart\u0131l\u0131p getirilmi\u015f Melek\u2019in sesini de, hayat\u0131n\u0131n farkl\u0131 d\u00f6nemlerinde kullanm\u0131\u015f olabilece\u011fi kelimeleri ve akl\u0131ndaki t\u00fcrk\u00fcy\u00fc de s\u0131k\u0131 ara\u015ft\u0131rmalarla kurmu\u015ftur.<\/p>\n

Yarg\u0131\u00e7 \u0130rfan\u2019\u0131n, ge\u00e7mi\u015fine ve \u00f6zel hayat\u0131na gidip gelen zihninde, ilk andan itibaren Melek\u2019in su\u00e7lu oldu\u011fu fikri haz\u0131rd\u0131r. Yal\u00e7\u0131n\u2019\u0131n cinayeti kendisinin i\u015fledi\u011fi itiraf\u0131na ve tan\u0131klar\u0131n anlatt\u0131klar\u0131na ra\u011fmen bu karar\u0131 de\u011fi\u015fmez. Erke\u011fin su\u00e7u kad\u0131n taraf\u0131ndan ba\u015ftan \u00e7\u0131kar\u0131lmak olabilir, esas su\u00e7lu kad\u0131nd\u0131r; o kalem k\u0131r\u0131lacakt\u0131r.<\/p>\n

Ya\u015fam\u0131 boyunca erkeklerden eziyet g\u00f6rm\u00fc\u015f, dayak yemi\u015f, tecav\u00fcz edilmi\u015f, cinsel ili\u015fkiye zorlanm\u0131\u015f, sadece bir bedenmi\u015f gibi nesnele\u015ftirilmi\u015f, benli\u011fini kaybetmi\u015f ve meczup bir halde kendisine s\u00f6yleneni yapmaya ba\u015flam\u0131\u015f; can\u0131n\u0131n al\u0131nmas\u0131 an meselesiymi\u015f\u00e7esine \u00fcrkekle\u015fmi\u015f Melek\u2019in ger\u00e7eklikle ba\u011f\u0131 kopuktur; suskundur, zihninde evirip \u00e7evirdi\u011fi bir \u015fefkat an\u0131na s\u0131\u011f\u0131nm\u0131\u015ft\u0131r: Beyaz \u00e7i\u00e7ekleri d\u00f6k\u00fclen bir a\u011fac\u0131n alt\u0131nda, dizine yatt\u0131\u011f\u0131 dedesinin sa\u00e7\u0131n\u0131 ok\u015fayan eli ve a\u011fz\u0131ndan d\u00f6k\u00fclen t\u00fcrk\u00fcn\u00fcn dizeleri\u2026<\/p>\n

Kalfa ve bah\u00e7\u0131van\u0131n o\u011flu Yal\u00e7\u0131n ise, halk\u0131n\u0131 kurtarmak sevdas\u0131nda toy bir devrimcidir. Yat\u0131l\u0131 okuldan m\u00fc\u015ftemilattaki evine d\u00f6nd\u00fck\u00e7e, bah\u00e7ede beyaz \u00e7i\u00e7ekli a\u011fac\u0131n alt\u0131nda s\u0131k s\u0131k yatarken g\u00f6rd\u00fc\u011f\u00fc Melek\u2019e \u00e2\u015f\u0131k olur. Yal\u0131da neler olup bitti\u011fini anlay\u0131nca cinayeti tasarlamaya ba\u015flar. Kurban Melek\u2019in ise, ne kurtar\u0131lma gere\u011finden ne kurtar\u0131lma tasar\u0131lar\u0131ndan haberi vard\u0131r. Yal\u00e7\u0131n karar vermi\u015f, eyleme ge\u00e7mi\u015ftir. Kendisiyle hi\u00e7bir ileti\u015fim kurmam\u0131\u015f Melek\u2019i kurtarmak istemi\u015f ama \u00f6l\u00fcm\u00fcne yol a\u00e7m\u0131\u015ft\u0131r. Yal\u00e7\u0131n re\u015fit de\u011fildir, yat\u0131p \u00e7\u0131kacakt\u0131r. Melek ise\u2026 T\u0131k.<\/p>\n

Hik\u00e2ye sembolik bir anlama da kap\u0131 aralar: Osmanl\u0131 art\u0131klar\u0131n\u0131n s\u00f6m\u00fcrmeye devam etti\u011fi, zorbal\u0131kla a\u015fa\u011f\u0131lad\u0131\u011f\u0131 halk ve onlar\u0131 kurtarmak i\u00e7in cinayet i\u015flemeyi bile g\u00f6ze alm\u0131\u015f ama halk\u0131n kendilerinden bihaber oldu\u011fu devrimciler. Eylem, kurban\u0131n \u015fartlar\u0131n\u0131 iyile\u015ftirmek bir yana en k\u00f6t\u00fc \u015fekilde sonu\u00e7lanm\u0131\u015ft\u0131r.<\/p>\n

As\u0131lacak Kad\u0131n<\/em>\u2019\u0131n \u201cm\u00fcstehcenli\u011fine\u201d gerek\u00e7e olarak, Melek\u2019in cinsel ili\u015fkiye zorland\u0131\u011f\u0131 sahneler g\u00f6sterilmi\u015ftir. K\u00fcr\u2019\u00fcn savunmas\u0131nda belirtti\u011fi gibi \u201cMelek\u2019in \u00e7ekti\u011fi korkun\u00e7 ac\u0131lar\u0131, i\u015fkenceyi, akla uzak a\u015fa\u011f\u0131lanmalar\u0131 okuyup da cinsel arzular\u0131 kabaracak ki\u015finin ruh sa\u011fl\u0131\u011f\u0131ndan ku\u015fkulanmak gerekir.\u201d2<\/sup><\/p>\n

Son olarak P\u0131nar K\u00fcr\u2019\u00fcn annesi \u0130smet K\u00fcr\u2019\u00fc de anmak isterim. \u0130smet K\u00fcr edebiyat \u00f6\u011fretmeni ve t\u0131pk\u0131 ablas\u0131yla k\u0131z\u0131 gibi yazard\u0131. S\u00fcreli \u00e7ocuk yay\u0131nc\u0131l\u0131\u011f\u0131yla ilgili ara\u015ft\u0131rmalar\u0131 ve \u00e7ocuk kitaplar\u0131 da bulunan \u0130smet Han\u0131m\u2019\u0131 25 y\u0131l \u00f6nce deneyimlerini dinlemek i\u00e7in ziyaret etmi\u015f; sonras\u0131nda Yar\u0131s\u0131 Roman<\/em> adl\u0131 biyografik roman\u0131n\u0131 okumu\u015ftum. Yaz\u0131da s\u00f6z\u00fc ge\u00e7en b\u00fct\u00fcn eserler gibi \u00f6nerimdir.<\/p>\n

D\u0130PNOTLAR
\n<\/strong>1) A\u015fk\u0131n Sonu Cinayettir -P\u0131nar K\u00fcr ile Hayat ve Edebiyat-<\/em>, S\u00f6yle\u015fi: Mine S\u00f6\u011f\u00fct, Everest Yay\u0131nlar\u0131, 2. Bask\u0131: May\u0131s 2006, \u0130stanbul, s.222.<\/p>\n

2) P\u0131nar K\u00fcr, As\u0131lacak Kad\u0131n<\/em>, Can Yay\u0131nlar\u0131, 34. Bas\u0131m: Haziran 2025, \u0130stanbul, ss.147-152.<\/p>\n","protected":false},"excerpt":{"rendered":"

Patika \/ Nal\u00e2n Mahsereci \u201cM\u00fcstehcen\u201d g\u00fcncel bir hedef g\u00f6sterme etiketi oluverdi. Oysa m\u00fcstehcenlik ki\u015fiye, topluma, zamana ve k\u00fclt\u00fcre g\u00f6re farkl\u0131la\u015fan bir kavram. Yasalarla tan\u0131mlan\u0131rken, toplum yarar\u0131 ve \u00f6zg\u00fcrl\u00fcklerin kar\u015f\u0131 kar\u015f\u0131ya gelebildi\u011fi bir alanda s\u0131n\u0131rlar g\u00f6zetilerek genel d\u00fczenlemeler getiriliyor olmal\u0131. \u0130ktidar sahipleri ise bu genelli\u011fi kendi hedeflerine do\u011fru s\u00fcnd\u00fcrmekte: Kamuoyunu \u015fekillendirmek istediklerinde, ilgili yasalar\u0131n geni\u015f yorumlar\u0131yla, […]<\/p>\n","protected":false},"author":470,"featured_media":66041,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10299,38,513,10250,510],"tags":[6099,6098,10316],"class_list":["post-66040","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-258-sayi","category-dergi-sayilari","category-kitapcil","category-patika","category-surekli-bolumler","tag-nalan-mahsereci","tag-patika","tag-pinar-kur"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t