Varl\u0131\u011f\u0131ndan yeni haberdar oldu\u011fum tarihsel ki\u015fili\u011fin, elinden \u00e7\u0131km\u0131\u015f eserleri bildi\u011fim biri oldu\u011funu ay\u0131rt etmek ve bununla gelen \u015fa\u015fk\u0131nl\u0131k, ayd\u0131nlanma ve \u00f6tesine duyulan merak\u2026<\/p>\n
Kim bu Nadar? Nadar sadece \u00f6nc\u00fc bir foto\u011fraf\u00e7\u0131 de\u011fil, ayn\u0131 zamanda gene portre \u00e7izimleriyle \u00fcnl\u00fc bir karikat\u00fcrist, gazeteci ve baloncu. Kendisine rastlad\u0131\u011f\u0131m kitaba, balonculu\u011fa olan ilgisiyle girecek. Havadan daha a\u011f\u0131r ta\u015f\u0131tlarla ger\u00e7ekle\u015ftirilen u\u00e7u\u015flar\u0131n gelece\u011fine b\u00fcy\u00fck umutlar besliyor. \u00d6yle ki, Jules Verne ile bir dernek kuruyorlar: Havadan Daha A\u011f\u0131r Makinelerle Havadan Hareketin \u00d6zendirilmesi Derne\u011fi. Nadar kendisi i\u00e7in Le G\u00e9ant<\/em> (Dev) ad\u0131n\u0131 verdi\u011fi, devasa bir balon in\u015fa ettiriyor ve bununla kimisi kazalarla sonu\u00e7lanan u\u00e7u\u015flar ger\u00e7ekle\u015ftiriyor. Dev\u2019in Jules Verne\u2019in Balonla Be\u015f Hafta<\/em> eserine ilham kayna\u011f\u0131 oldu\u011fu biliniyor. Verne\u2019in D\u00fcnyadan Ay\u2019a<\/em> eserindeki Michael Ardan karakterinin ilham kayna\u011f\u0131 da bizzat Nadar. Karakterin soyad\u0131n\u0131n Nadar\u2019\u0131 \u00e7a\u011fr\u0131\u015ft\u0131racak \u015fekilde kurgulanmas\u0131 dikkatinizi \u00e7ekecektir.<\/p>\n Nadar ayn\u0131 zamanda D\u00fcnya\u2019y\u0131 havadan foto\u011fraflayan ilk insan (1858). Balonla u\u00e7arken foto\u011fraf \u00e7ekmenin \u00f6n\u00fcnde o g\u00fcn\u00fcn teknolojisine g\u00f6re bir\u00e7ok engel bulunuyor: Nadar bu engelleri ara\u015ft\u0131rm\u0131\u015f, \u00e7\u00f6z\u00fcmler geli\u015ftirmi\u015f ve b\u00f6ylece y\u00fczy\u0131llar sonra dron ya da uydulardan \u00e7ekilecek foto\u011fraflar\u0131n \u00f6nc\u00fcs\u00fc olmu\u015f. Ayn\u0131 zamanda Paris kanalizasyonlar\u0131n\u0131 ve yeralt\u0131 mezarl\u0131klar\u0131n\u0131 (katakomblar) yapay \u0131\u015f\u0131kla foto\u011fraflayan ilk ki\u015filerden. G\u00f6ky\u00fcz\u00fcnde, yery\u00fcz\u00fcnde ve yeralt\u0131nda; farkl\u0131 hayat d\u00fczeylerinde foto\u011fraflar \u00e7ekmi\u015f.<\/p>\n Hayat D\u00fczeyleri Barnes kitab\u0131n\u0131n \u201cDerinlik Kayb\u0131\u201d adl\u0131 son b\u00f6l\u00fcm\u00fcnde, bizleri, e\u015finin kayb\u0131n\u0131n ard\u0131ndan ya\u015fad\u0131\u011f\u0131 yas s\u00fcrecine tan\u0131k k\u0131l\u0131yor: Evin i\u00e7inde e\u015fi hayattaym\u0131\u015f gibi onunla konu\u015fmaya devam etmesinden hayalinde silikle\u015fmesini engellemeye \u00e7al\u0131\u015fmas\u0131na, \u00e7evresindeki insanlarda kederine bir yolda\u015fl\u0131k bulamamas\u0131ndan intihar etmeyi d\u00fc\u015f\u00fcnmesine kadar ya\u015fad\u0131klar\u0131n\u0131 d\u00fcr\u00fcst\u00e7e anlat\u0131yor. \u015eeng\u00fcl Hablemito\u011flu Yas: Uzun Bir Veda<\/em> kitab\u0131nda, her yas s\u00fcrecinin ortak ya\u015fant\u0131lar i\u00e7erse de biricik oldu\u011funu s\u00f6yler. T\u0131pk\u0131 parmakizi gibi ki\u015fiye ve hatta ki\u015finin farkl\u0131 kay\u0131plar\u0131ndan her birine \u00f6zel oldu\u011funu belirtir. Barnes, duygular ve d\u00fc\u015f\u00fcnceler aras\u0131nda gidip geliyor; bazen onu teselli etmeye \u00e7al\u0131\u015fan ki\u015filere ya da hayat\u0131n hi\u00e7bir \u015fey olmam\u0131\u015f gibi ak\u0131p gitmesine y\u00f6nelmi\u015f bir \u00f6fke; bazen e\u015fini hayata d\u00f6nd\u00fcrebilmeye dair \u00e7aresizli\u011finin fark\u0131nda oldu\u011fu bir umut; bazense \u00f6lmeyi ye\u011fleyecek kadar a\u011f\u0131r bir keder duyuyor. Kendi yas\u0131na bir baloncu gibi y\u00fcksekten bak\u0131yor ve bir cerrah titizli\u011fiyle de\u015fiyor. Belki sa\u011falt\u0131yor da. Hablemito\u011flu s\u00f6z\u00fc ge\u00e7en kitab\u0131nda, \u201cki\u015finin kayb\u0131na dair yazmas\u0131n\u0131n iyile\u015fme ipu\u00e7lar\u0131 ta\u015f\u0131d\u0131\u011f\u0131n\u0131\u201d vurguluyor.<\/p>\n Barnes\u2019\u0131n kitab\u0131 size eklektik g\u00f6r\u00fcnd\u00fcyse, ba\u015fl\u0131klara tekrar bakal\u0131m derim. Hayat D\u00fczeyleri<\/em>: Y\u00fckseklik G\u00fcnah\u0131, D\u00fcr\u00fcstl\u00fck Zemini ve Derinlik Kayb\u0131. Barnes b\u00f6l\u00fcmlerin ba\u011flar\u0131n\u0131 gev\u015fek b\u0131rak\u0131yor ama birbirine birden fazla iple ili\u015ftiriyor: A\u015fk\u0131n g\u00f6klere \u00e7\u0131karan, ama ayn\u0131 zamanda kayb\u0131yla birlikte yere \u00e7ak\u0131lma riskini de i\u00e7eren bir olgu olmas\u0131yla balonculuk aras\u0131ndaki paralellik\u2026 Ya\u015fam\u0131n g\u00fczelliklerinin bedelinin \u00f6l\u00fcm olmas\u0131\u2026 Ne kadar y\u00fckselirseniz, o kadar h\u0131zl\u0131 ve g\u00fc\u00e7l\u00fc bir bi\u00e7imde yere \u00e7ak\u0131labilece\u011finiz, yas\u0131n\u0131z\u0131 o kadar a\u011f\u0131r ya\u015fayaca\u011f\u0131n\u0131z, \u00f6l\u00fcmle g\u00f6m\u00fclebilece\u011finiz gibi\u2026<\/p>\n \u201cDaha \u00f6nce bir araya getirilmemi\u015f iki ki\u015fiyi bir araya getirirsiniz. Bu bazen ate\u015fle \u00e7al\u0131\u015fan bir balona, hidrojenle \u00e7al\u0131\u015fan bir balonu ba\u011flaman\u0131n ilk denemesi gibidir: Yere \u00e7ak\u0131l\u0131p yanmay\u0131 m\u0131 ye\u011flersiniz yoksa yan\u0131p yere \u00e7ak\u0131lmay\u0131 m\u0131? Ama bazen deneme ba\u015far\u0131l\u0131 olur ve yeni bir \u015fey ortaya \u00e7\u0131kar; i\u015fte o zaman d\u00fcnya de\u011fi\u015fir. Birlikteyken, o ilk co\u015fkuda, o ilk y\u00fckseli\u015fin g\u00fcrleyen hissinde, tek tek olduklar\u0131ndan daha b\u00fcy\u00fck olurlar. Birlikteyken daha uza\u011f\u0131, daha berrak g\u00f6r\u00fcrler\u2026 Derken bir noktada, er ya da ge\u00e7, \u015fu ya da bu sebeple, bu ki\u015filerden biri al\u0131n\u0131p g\u00f6t\u00fcr\u00fcl\u00fcr. Ve al\u0131n\u0131p g\u00f6t\u00fcr\u00fclen \u015fey, orada kalan \u015feyin toplam\u0131ndan daha b\u00fcy\u00fckt\u00fcr. Bu matematiksel olarak m\u00fcmk\u00fcn olmayabilir ama duygusal olarak m\u00fcmk\u00fcnd\u00fcr.\u201d<\/p>\n Bah\u00e7\u0131van ve \u00d6l\u00fcm Yazman\u0131n oldu\u011fu gibi, okuman\u0131n da sa\u011falt\u0131c\u0131 etkileri oldu\u011funu an\u0131msatarak bitirmek isterim.<\/p>\n","protected":false},"excerpt":{"rendered":" Varl\u0131\u011f\u0131ndan yeni haberdar oldu\u011fum tarihsel ki\u015fili\u011fin, elinden \u00e7\u0131km\u0131\u015f eserleri bildi\u011fim biri oldu\u011funu ay\u0131rt etmek ve bununla gelen \u015fa\u015fk\u0131nl\u0131k, ayd\u0131nlanma ve \u00f6tesine duyulan merak\u2026 Kim bu Nadar? Me\u011fer Frans\u0131z biliminsan\u0131 Pasteur\u2019den, \u015fair Baudelaire\u2019e, anar\u015fist Proudhon\u2019dan m\u00fczisyen Lizst\u2019e, ressam Delacroix\u2019dan yazar Jules Verne\u2019e, George Sand\u2019den Zola\u2019ya,\u00a0Nerval\u2019den Alexandre Dumas\u2019ya pek \u00e7ok \u00fcnl\u00fc ki\u015fili\u011fin \u00e7ok bilinen foto\u011fraflar\u0131 ona aitmi\u015f: […]<\/p>\n","protected":false},"author":470,"featured_media":67038,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10405,38,513,10250,510],"tags":[10440,10443,10441,10442,6099,6098],"class_list":["post-67036","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-262-sayi","category-dergi-sayilari","category-kitapcil","category-patika","category-surekli-bolumler","tag-bahcivan-ve-olum","tag-gaspard-felix-tournachon","tag-hayat-duzeyleri","tag-nadar","tag-nalan-mahsereci","tag-patika"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\n<\/em><\/strong>Me\u011fer Frans\u0131z biliminsan\u0131 Pasteur\u2019den, \u015fair Baudelaire\u2019e, anar\u015fist Proudhon\u2019dan m\u00fczisyen Lizst\u2019e, ressam Delacroix\u2019dan yazar Jules Verne\u2019e, George Sand\u2019den Zola\u2019ya,\u00a0Nerval\u2019den Alexandre Dumas\u2019ya pek \u00e7ok \u00fcnl\u00fc ki\u015fili\u011fin \u00e7ok bilinen foto\u011fraflar\u0131 ona aitmi\u015f: Gaspard-F\u00e9lix Tournachon ya da arkada\u015flar\u0131n\u0131n takt\u0131\u011f\u0131 lakapla Nadar\u2019a (1820-1910). \u00c7ekti\u011fi portrelerde ki\u015finin karakterini ve ruh halini yakalamaya \u00e7al\u0131\u015fmas\u0131yla tan\u0131n\u0131yor; foto\u011fraf\u0131 teknik bir kay\u0131t arac\u0131 olmaktan \u00e7\u0131kar\u0131p sanatsal bir ifade bi\u00e7imi haline getiren isimlerin ba\u015f\u0131nda geliyor. Victor Hugo\u2019nun \u00f6l\u00fcm d\u00f6\u015fe\u011finde \u00e7ekilmi\u015f foto\u011fraf\u0131 da ona ait.<\/p>\n
\n<\/em><\/strong>Nadar\u2019la Julian Barnes\u2019\u0131n Hayat D\u00fczeyleri<\/em> adl\u0131 kurgusal eserinin ilk b\u00f6l\u00fcm\u00fc \u201cY\u00fckseklik G\u00fcnah\u0131\u201dnda kar\u015f\u0131la\u015ft\u0131m. Kitapta a\u011f\u0131rl\u0131kl\u0131 olarak i\u015flenen ger\u00e7ek tarihsel ki\u015filiklerden di\u011fer ikisi ise \u201cTiyatronun Tanr\u0131\u00e7as\u0131\u201d nam\u0131n\u0131 kazanm\u0131\u015f, Frans\u0131z oyuncu Sarah Bernhardt ile \u0130ngiliz subay\u0131 Fred Burnaby. Burnaby\u2019nin, Osmanl\u0131 co\u011frafyas\u0131nda dola\u015farak edindi\u011fi askeri, istihbari, toplumsal, ekonomik ve k\u00fclt\u00fcrel g\u00f6zlemlerini i\u00e7eren At S\u0131rt\u0131nda Anadolu<\/em> adl\u0131 bir kitab\u0131 da bulunuyor. Tarihin ayn\u0131 d\u00f6neminden \u00e7ekilip \u00e7\u0131kar\u0131lm\u0131\u015f bu \u00fc\u00e7 karakter, Barnes\u2019in e\u015fi ve ayn\u0131 zamanda menajeri olan Pat Cavanagh\u2019\u0131n \u00f6l\u00fcm\u00fc \u00fczerine yazd\u0131\u011f\u0131 kitab\u0131n\u0131n ilk b\u00f6l\u00fcm\u00fcnde, balonculu\u011fa duyduklar\u0131 ortak ve tarihe uygun ilgiyle yan yana getiriliyorlar. Bernhardt ile Nadar\u2019\u0131n ger\u00e7ek hayatta tan\u0131\u015ft\u0131klar\u0131 biliniyor: Nadar Bernhardt\u2019\u0131n da foto\u011fraf\u0131n\u0131 \u00e7ekmi\u015f. Oysa kitab\u0131n \u201cD\u00fcr\u00fcstl\u00fck Zemini\u201d adl\u0131 ikinci b\u00f6l\u00fcm\u00fcnde bir a\u015fk hik\u00e2yesinde bir araya getirilen Sarah Bernhardt ile Fred Burnaby\u2019nin ger\u00e7ekten kar\u015f\u0131la\u015f\u0131p kar\u015f\u0131la\u015fmad\u0131klar\u0131na dair bilgi yok.<\/p>\n
\n<\/em><\/strong>\u015eeng\u00fcl Hablemito\u011flu, yas\u0131n, onu ya\u015fayan ki\u015fi kadar, kayb\u0131n nas\u0131l ger\u00e7ekle\u015fti\u011fiyle ya da kimi ya da neyi kaybetti\u011finizle de \u00e7e\u015fitlendi\u011finden s\u00f6z ediyor. Yas edebiyat\u0131 denen bir damar varsa, onun son \u00f6rneklerinden biri Georgi Gospodinov\u2019un eseri Bah\u00e7\u0131van ve \u00d6l\u00fcm<\/strong>. Gospodinov bu kitab\u0131nda, babas\u0131n\u0131n hastal\u0131k s\u00fcrecini ve kayb\u0131n\u0131 anlat\u0131yor. Barnes duygular\u0131 ve d\u00fc\u015f\u00fcnceleri i\u015flerken, Gospodinov kayb\u0131n harekete ge\u00e7irdi\u011fi hat\u0131rlama s\u00fcre\u00e7lerine ve an\u0131lara yo\u011funla\u015f\u0131yor.<\/p>\n